“Well look he's from Texas -- to the best of my knowledge, there's a lot of oil in Texas, right? So, he gets a lot of money from the oil companies, and he's against ethanol and everything you're else talking about. And I'm not I'm totally in favor. And you know it's a big industry here, it's a big industry. You know if that industry is upset Iowa's got problems.”

In an interview with the Midland Reporter Telegram on 4 July 1989, quoted in Bush's Brain: How Karl Rove Made George W. Bush Presidential (John Wiley and Sons, 2003) by James Moore and Wayne Slater, p. 161.
1980s

Blue Collar Comedy Tour: The Movie (2003)
Here's Your Sign

2010s, 2016, November, New York Times Interview (November 23, 2016)

On violence in movies inspiring real-life violence, as quoted in Jam Showbiz (6 June 1999) http://jam.canoe.ca/Movies/Artists/S/Stowe_Madeleine/1999/06/06/762059.html
Context: I am really astonished at the number of violent acts.
I'm not saying that the movies created these situations, because there are a whole bunch of things.
But a lot of people in the movie industry tend to run and hide from it like ostriches. Movie industry people are definitely in denial right now, but you do become de-sensitized to violence when you see it on the screen so often.
Let's face it, violence exists for one reason in movies, and that's to get an effect, create an emotion, sell tickets.

"Applied Corporatism"
The Doubter's Companion (1994)

Rolling Stone interview (2002)

On creativity versus big businesses, as quoted in in "Alan Moore On Watchmen’s “Toxic Cloud” And Creativity V. Big Business" by Susan Karlin, at Fast Company (2012) http://www.fastcocreate.com/1679856/alan-moore-on-watchmen-s-toxic-cloud-and-creativity-v-big-businesses
Context: There's been a growing dissatisfaction and distrust with the conventional publishing industry, in that you tend to have a lot of formerly reputable imprints now owned by big conglomerates. As a result, there's a growing number of professional writers now going to small presses, self-publishing, or trying other kinds of [distribution] strategies. The same is true of music and cinema. It seems that every movie is a remake of something that was better when it was first released in a foreign language, as a 1960s TV show, or even as a comic book. Now you've got theme park rides as the source material of movies. The only things left are breakfast cereal mascots. In our lifetime, we will see Johnny Depp playing Captain Crunch.

Source: Matilda

Morarji Desai speaks about life and celibacy