“I went to New York in 1936 where I first worked as an assistant to Reginald Marsh as a non-relief artist since I had to await my residency requirement. This was the mural for the Customs House building in New York City. I didn't actually paint on this mural but Marsh asked me to design some lunettes between his panels. Next I went on the WPA mural division. I worked under Burgoyne Diller who was my supervisor, he was, I think, the supervisor of the New York City mural division.”

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

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Phillip Guston35

American artist 1913–1980

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“While I was still on the WPA I was submitting designs for the Section of Fine Arts competitions which I did on my own time. Burgoyne Diller gave me a mural to do in the Community Building of the Queensbridge Housing Project on Long Island. I worked on the design and cartoons for about a year. Everything was approved and the walls prepared - casein tempera painted on the wall…. [It was] about 1938. Holger Cahill asked me through Diller to do the outdoor facade mural of the WPA Building at the World's Fair. 1 stopped work on the Queens mural and began working on the Fair mural which was finished on schedule in time for the opening of the Fair.”

Phillip Guston (1913–1980) American artist

n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

“My wife [painter Musa McKim, ] on her own, did several other murals for the Section of Fine Arts. Then in 1940 and 1941 we moved out of New York City and came to Woodstock [at the age of 54] where we did the Laconia murals and several murals for the Presidents Lines, which were later turned into troop ships. I then went to teach at the University of Iowa where I finished the mural for the Social Security Building in Washington, D. C., in 1942 or 1943, I'm not sure which. With the exception of some visual aid material for the navy flight program in Iowa - navigational maps, etc.”

Phillip Guston (1913–1980) American artist

this marks the end of the mural period.
n.p.
1961 - 1980, Oral history interview with Philip Guston, 1965 January 29

“My first job was in a movie theater. I worked at Cinema 6 in New City, New York. I was an usher. I sold popcorn.”

Sebastian Stan (1982) Romanian-American actor

Quote

“I think I stayed in the Mural division [ WPA, early 1940's] until it became A War Service Project and then I was relegated to do a specific job. There was a coordinated move, they had a new president that was being inaugurated for CCNY and they were doing a large – trying to show how higher education was involved in promoting the war effort, with the classes they were teaching, so that I did this work for more than a year before WPA terminated.”

Lee Krasner (1908–1984) American artist

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Oral history interview with Lee Krasner, 1964 Nov. 2 - 1968 Apr. 11

“[David Sylvester asked Gottlieb, he is aware of the impact of the city New York on his painting:] Definitely I am. When I was in Paris last spring, my original plan was to go for four months and to paint there, and a number of people urged me to stay. That wanted to see what would happen, how my painting would change. But I felt strongly after being there less than a month that it was necessary for me to come back to New York, because I feel a certain rhythm in New York I don't feel in Paris.... there is a tempo in the life of New York which is exhilarating and I feel that this gets into one's painting. It's the pulse, not the look. I'am not involved with the external appearance of the city; it’s the vibrations. ]”

Adolph Gottlieb (1903–1974) American artist

In an interview (March 1960) with David Sylvester, edited for broadcasting by the BBC first published in ‘Living Arts, June 1963; as quoted in Interviews with American Artists, by David Sylvester; Chatto & Windus, London 2001, p. 33
1960s

“Soon after completing the 'La Combe' series [circa 1950] I had a dream in which I was assisted by many children on a scaffold, painting a huge mural made up of square panels fitted together. Each panel was being painted by a child very quickly in long black strokes with huge brushes. The work was done in seconds. Upon waking I immediately made a reminder sketch of the mural. Later I made a drawing of many ink strokes, which I cut up into twenty squares and placed at random in a four-by-five grid..”

Ellsworth Kelly (1923–2015) American painter, sculptor, and printmaker

as quoted in "Ellsworth Kelly", John Coplands; Harry N. Abrams, New York, 1971
1969 - 1980

“I am so surprised by New York City. I thought New York must be ugly and unpleasant, you know, I saw all those movies about New York….But New York is beautiful and the people here are really nice.”

Rina Mor (1956) Israeli lawyer and former Miss Universe

"Miss Universe Captivates New York" (1976)

“I was born in New York, then I went to the UK, then I went to Brazil, then I went to France, then I studied in Italy. My life was always about being confronted with an environment where you had to adapt.”

John Elkann (1976) Italian businessman

"Unlikely heir who saved the family jewels" http://www.ft.com/cms/s/0/0693507a-4830-11e0-b323-00144feab49a.html#axzz1GZU7VVRA, Financial Times, 03-06-11

“I'm aware it's now a hostile city [New York City]. I feel I'm in school, actually. There are signs everywhere you don't get in any other city. When you see all the smokers outside a building in New York, I just think the building is full of bad-mannered people who haven't thought, "We'll give them a little room to smoke in."”

David Hockney (1937) British artist

That's what a reasonable person, a person with good manners, would do.
Interview with Marion Finlay, "Hockney on … politics, pleasure, and smoking in public places," FOREST Online (28 July 2004)
2000s

“If I get busted in New York, the freest city in the world, that will be the end of my career.”

Lenny Bruce (1925–1966) comedian and social critic

Lenny Bruce http://news.bbc.co.uk/1/hi/world/americas/3345229.stm

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Phillip Guston35

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