Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 86
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 83
Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 86
Sharon Smith (writer) (1956) American historian
A Marxist Case For Intersectionality (2017)
Ludwig Feuerbach (1804–1872) German philosopher and anthropologist
Z. Hanfi, trans., in The Fiery Brook (1972), p. 54
Towards a Critique of Hegel’s Philosophy (1839)
Valerie Solanas (1936–1988) American radical feminist and writer. Attempted to assassinate Andy Warhol.
Source: SCUM MANIFESTO (1967), p. 8 ("dragqueen", "dragqueens", & hyphens (not en- or em-dashes) so in original).
Herbert Spencer book Social Statics
Pt. I, Ch. 2 : The Evanescence of Evil, concluding paragraph
Social Statics (1851)
Context: Man needed one moral constitution to fit him for his original state; he needs another to fit him for his present state; and he has been, is, and will long continue to be, in process of adaptation. And the belief in human perfectibility merely amounts to the belief that, in virtue of this process, man will eventually become completely suited to his mode of life.
Progress, therefore, is not an accident, but a necessity. Instead of civilization being artificial, it is part of nature; all of a piece with the development of the embryo or the unfolding of a flower. The modifications mankind have undergone, and are still undergoing, result from a law underlying the whole organic creation; and provided the human race continues, and the constitution of things remains the same, those modifications must end in completeness.
John Berger (1926–2017) British painter, writer and art critic
Source: About Looking (1980), Chapter "Why Look at Animals?"
Thomas Henry Huxley (1825–1895) English biologist and comparative anatomist
Source: 1860s, Evidence as to Man's Place in Nature (1863), Ch.2, p. 125
Paul Gauguin (1848–1903) French Post-Impressionist artist
Source: 1890s - 1910s, The Writings of a Savage (1996), p. 205: in a letter to Ambroise Vollard, January 1900
Laozi book Tao Te Ching
Source: Tao Te Ching, Ch. 1, as interpreted by Ursula K. LeGuin (1998)
Context: The way you can go
isn't the real way.
The name you can say
isn't the real name.
Heaven and earth
begin in the unnamed:
name's the mother
of the ten thousand things.
So the unwanting soul
sees what's hidden,
and the ever-wanting soul
sees only what it wants.
Two things, one origin,
but different in name,
whose identity is mystery.
Mystery of all mysteries!
The door to the hidden.