“The Emperor learnt from a secret news writer of Delhi that in Jaisinghpura Bairagis used to worship idols, and that the Censor on hearing of it had gone there, arrested Sri Krishna Bairagi and taken him with 15 idols away to his house; then the Rajputs had assembled flocked to the Censor's house, wounded three footmen of the Censor and tried to seize the Censor himself; so that the latter set the Bairagi free and sent the copper idols to the local subahdar.'…”

— Aurangzeb

Akhbarat, cited in Sarkar, Jadu Nath, History of Aurangzeb,Volume III, Calcutta, 1972 Impression. p. 186-189., quoted in part in Shourie, Arun (2014). Eminent historians: Their technology, their line, their fraud. Noida, Uttar Pradesh, India : HarperCollins Publishers.
Quotes from late medieval histories

Adopted from Wikiquote. Last update June 3, 2021. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The Emperor learnt from a secret news writer of Delhi that in Jaisinghpura Bairagis used to worship idols, and that the…" by Aurangzeb?

Aurangzeb 65

Sixth Mughal Emperor 1618–1707

Related quotes

“Censors are dead men
set up to judge between life and death.”

D.H. Lawrence (1885–1930) English novelist, poet, playwright, essayist, literary critic and painter

Censors (1929)
Context: Censors are dead men
set up to judge between life and death.
For no live, sunny man would be a censor,
he'd just laugh.

“Imagine if your local phone companies tried to edit or censor what you said. Social media companies have far more power.”

Donald J. Trump (1946) 45th President of the United States of America

2020-05-28
Donald Trump just used a ridiculous comparison to justify his social media crackdown
Chris Cillizza
CNN
https://edition.cnn.com/2020/05/28/politics/donald-trump-twitter-facebook-social-media-executive-order/index.html
2020, May 2020

“The Censor deludes us with the belief that the pain we are in will go away if we don't name it or speak of it.”

Starhawk (1951) American author, activist and Neopagan

The Spiral Dance: A Rebirth of the Ancient Religion of the Goddess (1979)
Context: The Censor, whose core issue is isolation and connection, splits us into Silencer and Secret-to-be-kept, tells us, "Don't speak of it; don't see it; you're the only one who ever felt that." Possessed by the Censor, we feel shame confusion, and blame, often for the victim, or we live in denial. The Censor deludes us with the belief that the pain we are in will go away if we don't name it or speak of it.

“Near the eastern gate of the mosque lie two very big idols of copper connected together by stones. Every one who comes in and goes out of the mosque treads over them. On the site of this mosque was a bud khãnã that is an idol-house. After the conquest of Delhi it was turned into a mosque…”

Ibn Battuta (1304–1377) Moroccan explorer

About Delhi. The Rehalã of Ibn Battûta translated into English by Mahdi Hussain, Baroda, 1967, p. 27
Travels in Asia and Africa (Rehalã of Ibn Battûta)

“Muhammad Kasim then entered and all the town people came to the temple of Nobhar, and prostrated themselves before an idol. Muhammad Kasim enquired: 'Whose house is this, in which all the people high and low are respectfully kneeling and bowing down.' They replied: 'This is an idol-house called Nobhar.' Then, by Muhammad Kasim's order, the temple was opened. Entering it with his officers he saw an equestrian statue. The body of the idol was made of marble or alabaster, and it had on its arms golden bracelets, set with jewels and rubies. Muhammad Kasim stretched his hand and took off a bracelet from one of the idol's arms. Then he asked the keeper of the Budh temple Nobhar: 'Is this your idol?' 'Yes,' he replied, 'but it had two bracelets on, and one is missing.' 'Well' said Muhammad Kasim, 'cannot your god know who has taken away his bracelet?”

Muhammad bin Qasim (695–715) Umayyad general

The keeper bent his head down. Muhammad Kasim laughed and returned the bracelet to him, and he fixed it again on the idol's arm.'
Alor (Sindh) . The Chach Nama, translated into English by Mirza Kalichbeg Fredunbeg. Delhi Reprint, 1979, pp. 179-80.
Quotes from The Chach Nama

“In a country ruled by an autocracy, with a completely enslaved press, in a period of desperate political reaction in which even the tiniest outgrowth of political discontent and protest is persecuted, the theory of revolutionary Marxism suddenly forced its way into the censored literature before the government realised what had happened and the unwieldy army of censors and gendarmes discovered the new enemy and flung itself upon him.”

Vladimir Lenin (1870–1924) Russian politician, led the October Revolution

What is to be Done? (1902)

“I started working with my dreams, because I'm not so censored when I use dream material.”

Kathy Acker (1947–1997) American novelist, playwright, essayist, and poet

Kathy Acker: Where does she get off?
Context: I'm starting to worry about self-censorship — that I might be internalizing some shit. I might be writing what people expect me to write, writing from that place where I might be ruled by economic considerations. To overcome that, I started working with my dreams, because I'm not so censored when I use dream material. And I'm working at trying to find a kind of language where I won't be so easily modulated by expectation. I'm looking for what might be called a body language. One thing I do is stick a vibrator up my cunt and start writing — writing from the point of orgasm and losing control of the language and seeing what that's like.

“Iron Pillar: “…In our opinion this pillar was made in the ninth century before (the birth of) Lord Jesus… When Rai Pithora built a fort and an idol-house near this pillar, it stood in the courtyard of the idol-house. And when Qutbu’d-Din Aibak constructed a mosque after demolishing the idol-house, this pillar stood in the courtyard of the mosque…
”Idol-house of Rai Pithora: “There was an idol-house near the fort of Rai Pithora. It was very famous… It was built along with the fort in 1200 Bikarmi [Vikrama SaMvat] corresponding to AD 1143 and AH 538. The building of this temple was very unusual, and the work done on it by stone-cutters is such that nothing better can be conceived. The beautiful carvings on every stone in it defy description… The eastern and northern portions of this idol-house have survived intact. The fact that the Iron Pillar, which belongs to the Vaishnava faith, was kept inside it, as also the fact that sculptures of Kirshan avatar and Mahadev and Ganesh and Hanuman were carved on its walls, leads us to believe that this temple belonged to the Vaishnava faith. Although all sculptures were mutilated in the times of Muslims, even so a close scrutiny can identify as to which sculpture was what. In our opinion there was a red-stone building in this idol-house, and it was demolished. For, this sort of old stones with sculptures carved on them are still found.
”Quwwat al-Islam Masjid: “When Qutbu’d-Din, the commander-in-chief of Muizzu’d-Din Sam alias Shihabu’d-Din Ghuri, conquered Delhi in AH 587 corresponding to AD 1191 corresponding to 1248 Bikarmi, this idol-house (of Rai Pithora) was converted into a mosque. The idol was taken out of the temple. Some of the images sculptured on walls or doors or pillars were effaced completely, some were defaced. But the structure of the idol-house kept standing as before. Materials from twenty-seven temples, which were worth five crores and forty lakhs of Dilwals, were used in the mosque, and an inscription giving the date of conquest and his own name was installed on the eastern gate…“When Malwah and Ujjain were conquered by Sultan Shamsu’d-Din in AH 631 corresponding to AD 1233, then the idol-house of Mahakal was demolished and its idols as well as the statue of Raja Bikramajit were brought to Delhi, they were strewn in front of the door of the mosque…”“In books of history, this mosque has been described as Masjid-i-Adinah and Jama‘ Masjid Delhi, but Masjid Quwwat al-Islam is mentioned nowhere. It is not known as to when this name was adopted. Obviously, it seems that when this idol-house was captured, and the mosque constructed, it was named Quwwat al-Islam…””

Syed Ahmed Khan (1820–1898) Indian educator and politician

About antiquities of Delhi. Translated from the Urdu of Asaru’s-Sanadid, edited by Khaleeq Anjum, New Delhi, 1990. Vol. I, p. 305-16
Asaru’s-Sanadid

“There was a certain tribe in the neighbourhood of Kol which had' occasioned much trouble' 'Three bastions were raised as high as heaven with their beads, and their carcases became the food of beasts of prey. That tract was freed from idols and idol-worship and the foundations of infidelity were destroyed.”

Muhammad of Ghor (1160–1206) Ghurid Sultan

Aligarh (Uttar Pradesh) . Hasan Nizami: Taju’l-Ma’sir, in Elliot and Dowson, Vol. II : Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. pp. 224.

“Some Hindus had erected a new idol-temple in the village of Kohana, and the idolaters used to assemble there and perform their idolatrous rites. These people were seized and brought before me. I ordered that the perverse conduct of the leaders of this wickedness should be publicly proclaimed, and that they should be put to death before the gate of the palace. I also ordered that the infidel books, the idols, and the vessels used in their worship, which had been taken with them, should all be publicly burnt. The others were restrained by threats and punishments, as a warning to all men, that no zimmi could follow such wicked practices in a Musulman country.”

Firuz Shah Tughlaq (1309–1388) Tughluq sultan

Gohana (Haryana) , Elliot and Dowson, History of India as told by its own Historians, 8 Volumes, Allahabad Reprint, 1964. Elliot and Dowson. Vol. III, p. 381
Quotes from the Futuhat-i-Firuz Shahi

Help us to complete the source, original and additional information

Aurangzeb 65

Related quotes

Related topics