“The will to the “true world” in the sense of Plato and Christianity … is in truth a no-saying to our present world, precisely the one in which art is at home.”

— Martin Heidegger

...der Wille zur »wahren Welt« im Sinne Platons und des Christentums … ist in Wahrheit ein Neinsagen zu unserer hiesigen Welt, in der gerade die Kunst heimisch ist.
Source: Nietzsche (1961), p. 74

Original

…der Wille zur »wahren Welt« im Sinne Platons und des Christentums … ist in Wahrheit ein Neinsagen zu unserer hiesigen Welt, in der gerade die Kunst heimisch ist.

Nietzsche (1961)

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Martin Heidegger 69

German philosopher 1889–1976

Donald M. MacKinnon (1913–1994) British philosopher

"Our Contemporary Christ," in Borderland Theology and Other Essays (1968), p. 82

“The world and Christianity have completely opposite conceptions. The world says of the apostles, of the Apostle Peter as their spokesman, "He is drunk,"-and the Apostle Peter admonishes, "Become sober." Consequently the secular mentality considers Christianity to be drunkenness, and Christianity considers the secular mentality to be drunkenness. "Do become reasonable, come to your senses, try to become sober"-thus does the secular mentality taunt the Christian. And the Christian says to the secular mentality, "Do become reasonable, come to your senses, become sober." The difference between secularity and Christianity is not that one has one view and the other another-no, the difference is always that they have the very opposite views, that what one calls good the other calls evil, what the one calls love the other calls selfishness, what the one calls piety the other calls impiety, What the one calls being drunk the other calls being sober. it is precisely the drunken man, the apostle, who finds it necessary to bring home to the sober (I assume) world the admonition: "Become sober!"”

Sören Kierkegaard (1813–1855) Danish philosopher and theologian, founder of Existentialism

This very admonition may, as intended, most severely wound the callous secular mentality, which as a rule cannot be wounded very easily or disconcerted.
Judge for Yourself, p. 96-97 1851
1850s, Judge For Yourselves! 1851 (1876)

“With the precision of a hummingbird's heart
Was the lord of the monarch butterflies
One-time ruler of the world of art”

Joan Baez (1941) American singer

Caruso
Gulf Winds (1976)

“Now one may ask, How could a Christian philosophy have something over a non-Christian philosophy, if it does not reach to a higher level of solutions, if it cannot get handy answers, if the problems and questions are still there? Well, perhaps a greater truth could be present in its ability to see the world in its truly mysterious character, in its inexhaustablity. It could even be the case that here, in the very experience of being as a mystery, that it is not to be grasped in the hand as a "well-rounded truth" — herein is reality more deeply and truly grasped than in any transparent system that may charm the mind of the student with its clarity and simplicity. And this is the claim of Christian philosophy: to be truer, precisely because of its recognition of the mysterious character of the world.
In no way, then, does philosophy become easier. Plato appears to have discovered and felt that too — if a certain interpretation of Plato is correct, maintaining that Plato understood philosophy to be something tragic for this reason, that it must constantly have recourse to mythos, since the teaching of philosophy can never close itself into a system.”

Josef Pieper (1904–1997) German philosopher

Source: Leisure, the Basis of Culture (1948), The Philosophical Act, pp. 127–128
The "interpretation of Plato" referred to is that of Gerhard Krüger, Einsicht und Leidenschaft (Frankfurt, 1939), p. 301.

“The present painter is concerned not with his own feelings or with the mystery of his own personality but with the penetration into the world mystery. His imagination is therefore attempting to dig into metaphysical secrets. To that extend his art is concerned with the sublime. It is a religious art which through symbols will catch the basic truth of life which is its sense of tragedy.”

Barnett Newman (1905–1970) American artist

Source: 1940 - 1950, The Plasmic Image 2. 1943-1945, p. 124

“There is one term of the problem which you are not taking into account: precisely, the world. The real. You say: the real, the world as it is. But it is not, it becomes! It moves, it changes! It doesn’t wait for us to change... It is more mobile than you can imagine. You are getting closer to this reality when you say as it 'presents itself'; that means that it is not there, existing as an object. The world, the real is not an object. It is a process.”

John Cage (1912–1992) American avant-garde composer

Quote in 'John Cage, For the Birds: John Cage In Conversation with Daniel Charles', London/New York: Marion Boyars, 1981; as quoted in: 'Tàpies: From Within', June ─ November, 2013 - Presse Release, Museu Nacional d’Art de Catalunya (MNAC ), p. 17, note 10
1980s

“Because true belonging only happens when we present our authentic, imperfect selves to the world, our sense of belonging can never be greater than our level of self-acceptance.”

Brené Brown (1965) US writer and professor

Oprah.com http://www.oprah.com/spirit/Life-Lessons-We-All-Need-to-Learn-Brene-Brown#ixzz28s3kPWdP
Source: Daring Greatly: How the Courage to Be Vulnerable Transforms the Way We Live, Love, Parent, and Lead
Context: Belonging is not fitting in... Belonging starts with self-acceptance. Your level of belonging, in fact, can never be greater than your level of self-acceptance, because believing that you're enough is what gives you the courage to be authentic, vulnerable and imperfect. When we don't have that, we shape-shift and turn into chameleons; we hustle for the worthiness we already possess.

“The schism between Christianity and the arts has had two profound consequences, two vast impoverishments--one for the arts world, the other for the Church. First, for the arts world, the loss of a transcendent religious vision, a refined and rigorous sense of the sacred, the breaking and discarding of the two thousand years of Christian mythos, symbolism, and tradition has left contemporary American art spiritually diminished. The shallow novelty, the low-cost nihilism, and the vague and sentimental spiritual pretensions of so much contemporary art—in every medium—are the legacy of this schism, as well as the cynicism that pervades the arts world”

Dana Gioia (1950) American writer

26
Essays, Can Poetry Matter? (1991), The Catholic Writer Today (2013)

“I do not intend to ask whether Christianity is “true” or “false,” or to establish, for example, the former hypothesis. Rather, what will be in question here is what Christianity considers as truth – what kind of truth it offers to people, what it endeavors to communicate to them, not as a theoretical and indifferent truth but as the essential truth that by some mysterious affinity is suitable for them, to the point that it alone is capable of assuring them salvation. We are trying to understand the form of truth that circumscribes the domain of Christianity, the milieu in which it spreads, the air that it breaths, one might say – because there are many sorts of truths, many ways of being true or false. And we are also perhaps trying to get away from the concept of truth that dominates modern thought and that, as much in and of itself as in its multiple implications, determines the world in which we live.”

Michel Henry (1922–2002) French writer

Books on Religion and Christianity, I am the Truth. Toward a philosophy of Christianity (1996)
Source: Michel Henry, I am the Truth. Toward a Philosophy of Christianity, translated by Susan Emanuel, Stanford University Press, 2003, p. 1

“The work and the teaching of the Christ will be hard for the Christian world to accept, though easier of assimilation in the East. Nevertheless, some hard blow or some difficult presentation of the truth is badly needed if the Christian world is to be awakened, and if Christian people are to recognise their place within a worldwide divine revelation and see Christ as representing all the faiths and taking His rightful place as World Teacher.”

Alice A. Bailey (1880–1949) esoteric, theosophist, writer

Source: The Reappearance of the Christ (1948), Chapter IV: The Work of the Christ Today and in the Future, p. 63

“The will to the “true world” in the sense of Plato and Christianity … is in truth a no-saying to our present world, precisely the one in which art is at home.”

Original

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Martin Heidegger 69

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