
Quote from 'On the Possibilities of Painting,' lecture, Sorbonne (1924-05-15)
"Notes on Abstract Art" in Herbert Read's Ben Nicholson: Paintings, Reliefs, Drawings (London, 1948)
Quote from 'On the Possibilities of Painting,' lecture, Sorbonne (1924-05-15)
in Henry Moore on Sculpture, James, Philip, New York: Viking Press, (1967), p. 68
1955 - 1970
In an interview (1956); published in Conversations with Artists, by Seldon Rodman, New York, Capricorn Books, 1961, pp. 84-85
1950's
“We are going to have perhaps a thousand years of non-representational painting.”
1950s, Conversations With Artists, 1957
Zachman (1986) as cited in: Peter Bernus, Kai Mertins, Günter Schmidt (2005) Handbook on Architectures of Information Systems. p. 544
(2004), p. v
How Maps Work: Representation, Visualization, and Design (1995)
Source: Research challenges in geovisualization (2001), p. 6-7
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 154
In a letter about his 'Equivalents' to w:Hart Crane; as quoted in Photography as High Art, Hilton Kramer, (1982-12-19)., in 'New York Times'. p. 1. Retrieved 2008-12-26; as quoted on Wikipedia.
Quote in an open letter ('Credo'), (Paris, end of December 1861), published in the 'Courier du Dimanche', (addressed to prospective students); as quoted in Letters of Gustave Courbet, transl. & ed. Petra ten-Doesschate Chu, University of Chicago Press 1992, pp. 203-204
1860s