“Major poetry not only 'employs' metaphor, irony and other tropes (and is of them) but always and explicitly or implicitly considers the nature of the trope itself.”

— John Hollander

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John Hollander 31

American poet 1929–2013

John Hollander (1929–2013) American poet

“We can trace the woman as reward trope all the way back the beginning of the medium itself as […] upon successful completion of many arcade games players were rewarded with a related smooch of victory trope, so named for the kiss the hero received as a reward for rescuing a kidnapped princess. Sometimes the prize is blatant as with the standard hero reward in which the king will give his daughter to the hero. On other occasions it's taken a step further by employing the parallel of sex for victory or rescue sex trope.”

Anita Sarkeesian (1983) American blogger

<i>Women as Reward (Aug 31, 2015)</i>
Tropes vs. Women in Video Games (Feminist Frequency, 2013 - 2015)

“The mystical pregnancy is one of the tropes that I loathe the most because while other tropes represent women in stereotypical ways, this one hits us on a biological level.”

Anita Sarkeesian (1983) American blogger

<i>The Mystical Pregnancy (Jul 28, 2011)</i>
Tropes vs. Women in Video Games (Feminist Frequency, 2013 - 2015)

“The building blocks of poetry itself are elements if fiction -fable, 'image', metaphor-all the material if the nonliteral.”

John Hollander (1929–2013) American poet

'Rhymes's Reason':a guide to English Verse Yale University Press, 1981

“All slang is metaphor, and all metaphor is poetry.”

G. K. Chesterton book The Defendant

" A Defense of Slang http://books.google.com/books?id=8WpaAAAAMAAJ&q="all+slang+is+metaphor+and+all+metaphor+is+poetry"&pg=PA110#v=onepage"
The Defendant (1901)

“Frances and Sebastian accept each other right from the get go, and the world the characters live in is one that is willing to change. I think you buy it because it’s wrapped in this fairy tale theme and playing off these Disney Princess movie tropes. It would be a lot harder if I went for a strict historical theme.”

Jen Wang (1984) American comics artist

On how gender identity and other themes are addressed in The Prince and the Dressmaker in “INTERVIEW WITH JEN WANG, AUTHOR AND ARTIST OF THE PRINCE AND THE DRESSMAKER” https://bookriot.com/2018/02/06/prince-and-the-dressmaker/ in BookRiot (2018 Feb 6)

“The facts of nature are what they are, but we can only view them through the spectacles of our mind. Our mind works largely by metaphor and comparison, not always (or often) by relentless logic. When we are caught in conceptual traps, the best exit is often a change in metaphor—not because the new guideline will be truer to nature (for neither the old nor the new metaphor lies “out there” in the woods), but because we need a shift to more fruitful perspectives, and metaphor is often the best agent of conceptual transition.”

Stephen Jay Gould (1941–2002) American evolutionary biologist

"Glow, Big Glowworm", p. 264
Bully for Brontosaurus (1991)

“The symbol and the metaphor are as necessary to science as to poetry.”

Jacob Bronowski (1908–1974) Polish-born British mathematician

Part 2: "The Habit of Truth", §6 (p. 36)
Science and Human Values (1956, 1965)

“Almost alone among cognitive-aesthetic movements and strategies of interpretation, deconstruction neither champions any body of past literature or art, nor does it act as vanguard or advocate for any contemporary or incipient school. The New Criticism and T. S. Eliot strove for the revaluation of Metaphysical poetry so as to underwrite, in turn, certain tactics of modenity. Aristotle was advocate for Sophocles. Deconstruction is, intentionally, marginal (a key trope) to all histories of taste and manifestos for innovation.”

George Steiner (1929–2020) American writer

Source: Real Presences (1989), II: The Broken Contract, Ch. 7 (p. 117).

“Sarojini Naidu writes instant poetry where images and metaphors come rolling ready on the hot plates of imagination. Her poetry is intensely emotionally, at times passionate to the point of eroticism and always has a spring.”

Sarojini Naidu (1879–1949) Indian politician, governor of the United Provinces of Agra and Oudh from 1947 to 1949

View by H.R. Prasad quoted in [Critical Response To Indian Poetry In English, http://books.google.com/books?id=4NcHdrqUJpYC&pg=PA11, 1 January 2008, Sarup & Sons, 978-81-7625-825-8, 11–]

“Major poetry not only 'employs' metaphor, irony and other tropes (and is of them) but always and explicitly or implicitly considers the nature of the trope itself.”

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