
in an edition by [Felix E. Browder, Mathematical developments arising from Hilbert problems, Volume 28, Part 1, American Mathematical Society Bookstore, 1976, 0821814281, 36]
The Fat of the Land, from Hungry Hearts and Other Stories (1920)
in an edition by [Felix E. Browder, Mathematical developments arising from Hilbert problems, Volume 28, Part 1, American Mathematical Society Bookstore, 1976, 0821814281, 36]
The Almost Perfect State (1921)
Context: Of middle age the best that can be said is that a middle aged person has likely learned how to have a little fun in spite of his troubles.
It is to old age that we look for reimbursement, the most of us. And most of us look in vain. For the most of us have been wrenched and racked, in one way or another, until old age is the most trying time of all.
In the Almost Perfect State every person shall have at least ten years before he dies of easy, carefree, happy living... things will be so arranged economically that this will be possible for each individual.
"On teaching mathematics", as translated by A. V. Goryunov, in Russian Mathematical Surveys Vol. 53, no. 1 (1998), p. 229–236.
Context: In the middle of the twentieth century it was attempted to divide physics and mathematics. The consequences turned out to be catastrophic. Whole generations of mathematicians grew up without knowing half of their science and, of course, in total ignorance of any other sciences. They first began teaching their ugly scholastic pseudo-mathematics to their students, then to schoolchildren (forgetting Hardy's warning that ugly mathematics has no permanent place under the Sun).
“I define UNIX as 30 definitions of regular expressions living under one roof.”
Digital Typography, ch. 33, p. 649 (1999)
Susie Harries, "Nikolaus Pevsner: The Life" (2011), page ix
About
although Alan Turing had an inkling of it in 1950
The Age of Spiritual Machines: When Computers Exceed Human Intelligence (1999)
Source: The Blue Book of Freedom: Ending Famine, Poverty, Democide, and War (2007), p. 75
quote from: From Rebel to Rabbi: Reclaiming Jesus and the Making of Modern Jewish Culture, Matthew B. Hoffman; Stanford University Press, 2007, p. 218
Chagall started in 1912 (in Paris) to paint his 'Golgotha' https://en.wikipedia.org/wiki/File:Marc_Chagall,_1912,_Calvary_(Golgotha)_Christus_gewidmet,_oil_on_canvas,_174.6_x_192.4_cm,_Museum_of_Modern_Art,_New_York.jpg and later more Crucifixions. In this (later! quote) Chagall looks back on this question.
1910's
Martin Seymour-Smith Guide to Modern World Literature (London: Hodder & Stoughton, 1975) vol. 3, p. 30.
Criticism