“I think that anyone who will take the trouble to consider the matter carefully will arrive at the same conclusion as I have, that art owes its origin to Nature herself, that this beautiful creation the world supplied the first model, while the original teacher was that divine intelligence which has not only made us superior to the other animals, but like God Himself, if I may venture to say it.”

— Giorgio Vasari

Source: The Lives of the Painters, Sculptors, and Architects, 1900, p. 5

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Giorgio Vasari 7

Italian painter, architect, writer and historian 1511–1574

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“In our time it has been seen, as I hope to show quite shortly, that simple children, roughly brought up in the wilderness, have begun to draw by themselves, impelled by their own natural genius, instructed solely by the example of these beautiful paintings and sculptures of Nature. Much more then it is probable that the first men, being less removed from their divine origin, were more perfect, possessing a brighter intelligence, and that with Nature as a guide, a pure intellect for master, and the lovely world as a model, they originated these noble arts, and by gradually improving them brought them at length, from small beginnings, to perfection. I do not deny that there must have been an originator, since I know quite well that there must have been a beginning at some time, due to some individual.”

Giorgio Vasari (1511–1574) Italian painter, architect, writer and historian

Source: The Lives of the Painters, Sculptors, and Architects, 1900, p. 5-6

“Think, for a moment, of a cheetah, a sleek, beautiful animal, one of the fastest on earth, which roams freely on the savannas of Africa. In its natural habitat, it is a magnificent animal, almost a work of art, unsurpassed in speedor grace by any other animal. Now, think of a cheetah that has been captured and thrown into a miserable cage in a zoo. It has lost its original grace and beauty, and is put on display for our amusement. We see only the broken spirit of the cheetah in the cage, not its original power and elegance. The cheetah can be compared to the laws of physics, which are beautiful in their natural setting. The natural habitat of the laws of physics is higher-dimensional space-time. However, we can only measure the laws of physics when they have been broken and placed on display in a cage, which is our three-dimensional laboratory. We can only see the cheetah when its grace and beauty have been stripped away.”

Peter Freund (1936–2018) American physicist

As quoted by Michio Kaku in Hyperspace (Oxford University Press, 1994), p. 12. ISBN 0-385-47705-8.

“Theism (whether Christian, Jewish, or Muslim) holds that God by wisdom created the world. The origin of the world and its subsequent ordering thus results from the designing activity of an intelligent agent—God. Naturalism, on the other hand, allows no place for intelligent agency except at the end of a blind, purposeless material process. Within naturalism, any intelligence is an evolved intelligence. Moreover, the evolutionary process by which any such intelligence developed is itself blind and purposeless. As a consequence, naturalism makes intelligence not a basic creative force within nature but an evolutionary byproduct. In particular, humans (the natural objects best known to exhibit intelligence) are not the crown of creation, not the carefully designed outcome of a purposeful creator, and certainly not creatures made in the image of a benevolent God. Rather, humans are an accident of natural history.”

William A. Dembski (1960) American intelligent design advocate

[The design revolution: answering the toughest questions about intelligent design, Downers Grove, Ill., InterVarsity Press, 2003, [BS652.D46, 2004], 2003020589, 9780830832163, http://books.google.com/books?id=sKVqpXqE0VwC] p. 8-9
2000s

“Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit by which Nature herself is animated.”

Auguste Rodin (1840–1917) French sculptor

Source: Art, 1912, Preface, p. 7-8
Context: Art is contemplation. It is the pleasure of the mind which searches into nature and which there divines the spirit by which Nature herself is animated. It is the joy of the intellect which sees clearly into the Universe and which recreates it, with conscientious vision. Art is the most sublime mission of man, since it is the expression of thought seeking to understand the world and to make it understood.

“It is so by nature that the plant will develop with regularity, that the animal will move purposefully, and that human beings will think. Why should I take exception to recognizing also the last as the expression of an original force of nature, as I do the first and the second?”

Johann Gottlieb Fichte book The Vocation of Man

Source: The Vocation of Man (1800), P. Preuss, trans. (1987), p. 11

“While man regards his body as a harp of pleasure to be played upon so long as its strings can be made to vibrate, so long will he continue to travel down the hill of physical decadence and degeneration in spite of quarantine laws and the most minute sanitary regulations. But when he recognizes his divine origin and obligations, and himself as the crowning masterpiece of creation, his body a precious thing, to be sacredly preserved, developed, expanded, and purified for service for humanity in this world, and a never-ending opportunity for development and joyous existence in the world to come, then only will he begin to climb toward the heights from which he has fallen, where he may once more stand forth as the crowning glory of creation, the masterpiece of God, “the beauty of the world, the paragon of animals.””

John Harvey Kellogg (1852–1943) American physician

Source: The Living Temple, pp. 431-432

“Art and music make manifest, by bringing into conscious awareness, that which has previously been felt only tentatively and internally. Art, in its widest sense, is a form of play that lies at the origin of all making, of language, and of the mind's awareness of its place within the world. Art, in all its forms, makes manifest the spiritual dimension of the cosmos, and expresses our relationship to the natural world. This may have been the cause of that natural light which first illuminated the preconscious minds of early hominids.”

F. David Peat (1938–2017) British physicist

Pathways of Chance (2007).

“Teachers … preach “the superiority of the intelligence”; but they preach it because in their opinion it is the intelligence which shows us the actions required for our interests, i. e. from exactly the same passion for the practical.”

Julien Benda (1867–1956) French essayist

Source: Treason of the Intellectuals (1927), p. 151

“There is no merit in being truthful when one is truthful by nature, or rather when one can be nothing else; it is a gift, like poetry or music. But it needs courage to be truthful after carefully considering the matter, unless a kind of pride is involved; for example, the man who says to himself, "I am ugly," and then says, "I am ugly" to his friends, lest they should think themselves the first to make the discovery.”

Eugène Delacroix (1798–1863) French painter

Quote, 6 June 1824 (p. 45)
1815 - 1830, Delacroix' 'Journal' (1822 – 1824)

“The pretended superiority of man over woman, and the despotic authority which he arrogates to himself, have the same origin as the domination of the nobility.”

François-Noël Babeuf (1760–1797) French political agitator and journalist of the French Revolutionary period

La prétendue supériorité de l'homme sur la femme et la despotique autorité qu'il s'arroge sur elle ont la même origine que la domination de la noblesse.
[in Gracchus Babeuf avec les Egaux, Jean-Marc Shiappa, Les éditions ouvrières, 1991, 44, 27082 2892-7]
On women

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Giorgio Vasari 7

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