
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7
Book XIII, lines 24–29
Compare:
As on the smooth expanse of crystal lakes
The sinking stone at first a circle makes;
The trembling surface, by the motion stirred,
Spreads in a second circle, then a third;
Wide, and more wide, the floating rings advance,
Fill all the watery plain, and to the margin dance.
Alexander Pope, Temple of Fame, lines 436–441
As the small pebble stirs the peaceful lake:
The centre moved, a circle straight succeeds,
Another still, and still another spreads.
Alexander Pope, Essay on Man, Ep. IV, lines 364–367
Punica
Sic, ubi perrupit stagnantem calculus undam, exiguos format per prima volumina gyros, mox tremulum uibrans motu gliscente liquorem multiplicat crebros sinuati gurgitis orbes, donec postremo laxatis circulus oris contingat geminas patulo curuamine ripas.
Source: De architectura (The Ten Books On Architecture) (~ 15BC), Book V, Chapter IV, Sec. 7
Variant translation: Until he extends his circle of compassion to include all living things, man will not himself find peace.
Variant translation: Until we extend the circle of compassion to all living things, we will not ourselves find peace.
Kulturphilosophie (1923)
“That crystal river keeps its pools of blue water free from all stain above its shallow bed, and slowly draws along its fair stream of greenish hue. One would scarce believe it was moving; so softly along its shady banks, while the birds sing sweet in rivalry, it leads along in a shining flood its waters that tempt to sleep.”
Caeruleas Ticinus aquas et stagna uadoso
perspicuus seruat turbari nescia fundo
ac nitidum uiridi lente trahit amne liquorem.
uix credas labi: ripis tam mitis opacis
argutos inter uolucrum certamine cantus
somniferam ducit lucenti gurgite lympham.
Book IV, lines 82–87
Punica
Jane Hirshfield, ed., Women in Praise of the Sacred: 43 Centuries of Spiritual Poetry by Women.
The Mengeldichten (Poems in Couplets) 25-29
Source: Argonautica (3rd century BC), Book IV. Homeward Bound, Lines 933–938 (tr. R. C. Seaton)
Source: The Black Swan: The Impact of the Highly Improbable (2007), pp. 225-226
Hawthorne and His Mosses (1850)