“In contrast to modern historiography, the ancients were much less concerned with (1) chronological precision; (2) exhaustive or comprehensive accounts; (3) value-free commentary; (4) ascribing all events to purely natural causes; (5) the avoidance of rhetorical devices and effects. Indeed, almost all good ancient historians would expect these five features to regularly characterize their works. Ancient historiography was a rhetorical exercise to some extent, and it was undertaken to persuade someone about something. History was not discoursed on for its own sake. It is not a surprise that Luke's rhetorical skills are most in evidence in the speech material and in his famous prologue (Luke 1:1- 4). Otherwise, he is rather constrained by the narratives he found in his source material.”

— Ben Witherington III

Prolegomenon
New Testament History : A Narrative Account (2001)

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Ben Witherington III 6

American religion academic 1951

Ralph Smart

“The value of the intrinsic approach is especially apparent in considering 3-dimensional congruence spaces… The intrinsic geometry of such a space of curvature K provides formulae for the surface area S and the volume V of a "small sphere" of radius r, whose leading terms are 3)S = 4 \pi r^2 (1 - \frac{Kr^2}{3} + …),
V = \frac{4}{3} \pi r^3 (1 - \frac{Kr^2}{5} + …).”

Howard P. Robertson (1903–1961) American mathematician and physicist

Geometry as a Branch of Physics (1949)

“[Scientists whose work has no clear, practical implications would want to make their decisions considering such things as:] the relative worth of (1) more observations, (2) greater scope of his conceptual model, (3) simplicity, (4) precision of language, (5) accuracy of the probability assignment.”

C. West Churchman (1913–2004) American philosopher and systems scientist

Source: 1940s - 1950s, Costs, Utilities, and Values, Sections I and II. (1956), p. 248 as cited in: Douglas, H.E. (2009) Science, Policy, and the Value-Free Ideal

“All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.”

José Ortega Y Gasset (1883–1955) Spanish liberal philosopher and essayist

"Art a Thing of No Consequence"
The Dehumanization of Art and Ideas about the Novel (1925)
Context: Were art to redeem man, it could do so only by saving him from the seriousness of life and restoring him to an unexpected boyishness. The symbol of art is seen again in the magic flute of the Great God Pan which makes the young goats frisk at the edge of the grove.
All modern art begins to appear comprehensible and in a way great when it is interpreted as an attempt to instill youthfulness into an ancient world.

“To begin then with Shakespeare; he was the man who of all Modern, and perhaps Ancient Poets, had the largest and most comprehensive soul.”

John Dryden (1631–1700) English poet and playwright of the XVIIth century

Essay of Dramatick Poesie (1668)
Context: To begin then with Shakespeare; he was the man who of all Modern, and perhaps Ancient Poets, had the largest and most comprehensive soul. All the Images of Nature were still present to him, and he drew them not laboriously, but luckily: when he describes any thing, you more than see it, you feel it too. Those who accuse him to have wanted learning, give him the greater commendation: he was naturally learn'd; he needed not the spectacles of Books to read Nature; he look'd inwards, and found her there. I cannot say he is every where alike; were he so, I should do him injury to compare him with the greatest of Mankind. He is many times flat, insipid; his Comick wit degenerating into clenches; his serious swelling into Bombast. But he is alwayes great, when some great occasion is presented to him: no man can say he ever had a fit subject for his wit, and did not then raise himself as high above the rest of the Poets