
http://koenraadelst.blogspot.com/2012/04/meera-nanda-against-hinduism-and-its.html
2010s, The argumentative Hindu (2012)
Source: "Foundations of the Theory of Signs," 1938, p. 75
http://koenraadelst.blogspot.com/2012/04/meera-nanda-against-hinduism-and-its.html
2010s, The argumentative Hindu (2012)
1960s, "The Study of Conflict," 1968
Source: Philosophy and the Return to Self-Knowledge (1997), p. 191
“I would rather present a first-rate version of myself than a second-rate version of Mama.”
Liza Minelli, as quoted in I Remember It Well (1975) by Vincente Minelli with Hector Arce, p. 395 https://books.google.com/books?id=D6jDtmiJCpkC&q=minelli+%22second-rate%22+%22first-rate+version%22&dq=minelli+%22second-rate%22+%22first-rate+version%22&hl=en&sa=X&ved=0CCoQ6AEwBGoVChMI0on3sqjdxgIVxHg-Ch1NhwVD; reprinted in "Judy and Liza, Part 3" https://news.google.com/newspapers?id=CfpjAAAAIBAJ&sjid=WuYDAAAAIBAJ&pg=7188%2C5401411 by Vincente Minelli, in The Sydney Herald (August 15, 1975), p. 8
Context: I couldn't sing Mama's special songs. I couldn't do them as well. I would rather present a first-rate version of myself than a second-rate version of Mama.
Stephen Gaukroger (1978). Explanatory structures: a study of concepts of explanation ...
The Aristos (1964)
Context: The artefacts of a genius are distinguished by rich human content, for which he forges new images and new techniques, creates new styles. He sees himself as a unique eruption in the desert of the banal. He feels himself mysteriously inspired or possessed. The craftsman, on the other hand, is content to use the traditional materials and techniques. The more self-possessed he is, the better craftsman he will be. What pleases him is skill of execution. He is very concerned with his contemporary success, his market value. If a certain kind of political commitment is fashionable, he may be committed; but out of fashion, not conviction. The genius, of course, is largely indifferent to contemporary success; and his commitment to his ideals, both artistic and political, is profoundly, Byronically, indifferent to their contemporary popularity. <!-- no. 61
'I watched a man stabbed in a London street - and felt nothing' http://www.dailymail.co.uk/debate/article-2331021/I-watched-man-stabbed-London-street--felt-nothing.html (25 May, 2013)
Evangelicæ Historiæ: Quadripartita Monas Sive Harmonia Quatuor Evangelistarum ("Harmonization of the Gospels") (1592), dedicatory letter. Quoted in Jean Van Raemdonck, Gerard Mercator: sa vie et ses oeuvres (1869), p. 25, footnote 2 http://books.google.com/books?id=18NNAAAAcAAJ&pg=PA25
1900s, The Moral Equivalent of War (1906)
Context: At the present day, civilized opinion is a curious mental mixture. The military instincts and ideals are as strong as ever, but they are confronted by reflective criticisms which sorely curb their ancient freedom. Innumerable writers are showing up the bestial side of military service. Pure loot and mastery seem no longer morally allowable motives, and pretexts must be found for attributing them solely to the enemy.
Source: A History of Economic Thought (1939), Chapter I, The Beginnings, p. 34-35