
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
or subtle things
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
“Fire destroys falsehood, that is sophistry, and restores truth, driving out darkness.”
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
“Fire destroys all sophistry, that is deceit; and maintains truth alone, that is gold.”
The Notebooks of Leonardo da Vinci (1883), X Studies and Sketches for Pictures and Decorations
'Where Do We Go From Here?" as published in Where Do We Go from Here : Chaos or Community? (1967), p. 62; many statements in this book, or slight variants of them, were also part of his address Where Do We Go From Here?" which has a section below. A common variant appearing at least as early as 1968 has "Returning violence for violence multiplies violence..." An early version of the speech as published in A Martin Luther King Treasury (1964), p. 173, has : "Returning hate for hate multiplies hate..."
1960s
Source: A Testament of Hope: The Essential Writings and Speeches
Context: The ultimate weakness of violence is that it is a descending spiral, begetting the very thing it seeks to destroy. Instead of diminishing evil, it multiplies it. Through violence you may murder the liar, but you cannot murder the lie, nor establish the truth. Through violence you may murder the hater, but you do not murder hate. In fact, violence merely increases hate. So it goes. … Returning hate for hate multiplies hate, adding deeper darkness to a night already devoid of stars. Darkness cannot drive out darkness: only light can do that. Hate cannot drive out hate: only love can do that.
“Truth is strong enough to overcome all human sophistries.”
Aeschines, In Timarchum, 84 (107).
“Without reading, we are all without light in the dark, without fire in the cold.”
Source: Tortall and Other Lands: A Collection of Tales
Book 10: Exposition of Canon II; this is the earliest known description of the inverted image produced by a camera obscura,; as translated in by Ian Jonston in The Mozi (2010), p. 489
Source: Man on His Own: Essays in the Philosophy of Religion (1959), p. 62