“The real writers are tenacious creatures, and they found a way long before there were writers workshops and creative writing courses in the universities. In the absence of formal frameworks, personal initiatives and informal frameworks become more important.”

“There is no one way 'correct' way of becoming a writer. The very quirks and eccentricities which a workshop will probably discourage may in fact be the aspiring writer's most valuable capital in the longer term. Would be literary Samsons should be wary of enrolling in a hairdressing school.”

“Frameworks are white boxes to those that make use of them. Application developers must be able to quickly understand the structure of a framework, and how to write code that will fit into the framework. Frameworks are reusable designs as well as reusable code.”

“Framework 2 is connected with the creativity and vitality of your world. In your terms, the dead waken in Framework 2 and move through it to Framework 3, where they can be aware of their reincarnational identities and connections with time, while being apart from a concentration on earth realities. In those terms, the so-called dead dip in and out of earth probabilities by travelling through Framework 2, and into those probabilities connected with earth realities. Some others may wind up in Framework 4, which is like Framework 2, except that it is a creative source for other kinds of realities not physically oriented at all and outside of, say, time concepts as you are used to thinking about them. In a way impossible to describe verbally, some portion of each identity also resides in Framework 4, and in all other Frameworks.”

“As a writer, even as a child, long before what I wrote began to be published, I developed a sense that meaning itself was resident in the rhythms of words and sentences and paragraphs… The way I write is who I am, or have become…”

“You become writer by writing . It is a yoga .”

“Real writers are those who want to write, need to write, have to write.”

“A good technical writer, trying not to be obvious about it, but says everything twice: formally and informally. Or maybe three times.”

“Gertrude Johnson could feel no real respect for, no real interest in, anybody who wasn't a writer. For her there were two species: writers and people; and the writers were really people, and the people weren't.”

“An editor is a person who knows more about writing than writers do but who has escaped the terrible desire to write.”