
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.206
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.182
Source: The Limits of Evolution, and Other Essays, Illustrating the Metaphysical Theory of Personal Ideaalism (1905), The Art-Principle as Represented in Poetry, p.206
Small Houses: Their Economic Design and Construction (1922)
Context: Why can there not be a new art founded on the only principle which can produce great art—the principle that art is the interpretation or extraction of the essence of beauty in nature, and all else is secondary?<!-- Introduction
Source: 1956 - 1967, Art-as-Art Dogma' part II, (1964), p. 155
quote, New York, early 1944; as cited in: Artists on Art – from the 14th – 20th centuries, ed. Robert Goldwater and Marco Treves; Pantheon Books, 1972, London, p. 430
1940 - 1960
As quoted in The Enjoyment of Music : An Introduction to Perceptive Listening (1955) by Joseph Machlis; also The Vintage Guide to Classical Music (1992) by Jan Swafford
“At the heart of all great art is an essential melancholy.”
Bulletin of the American Mathematical Society, Volume 30 (1924), p. 289.