“The woman who fights against her father still has the possibility of leading an instinctive, feminine existence, because she rejects only what is alien to her. But when she fights against the mother she may, at the risk of injury to her instincts, attain to greater consciousness, because in repudiating the mother she repudiates all that is obscure, instinctive, ambiguous, and unconscious in her own nature.”

—  C.G. Jung

"Psychological Aspects of the Mother Archetype" (1939). In CW 9, Part I: The Archetypes and the Collective Unconscious. P. 186

Adopted from Wikiquote. Last update May 26, 2023. History

Help us to complete the source, original and additional information

Do you have more details about the quote "The woman who fights against her father still has the possibility of leading an instinctive, feminine existence, becaus…" by C.G. Jung?
C.G. Jung photo
C.G. Jung 257
Swiss psychiatrist and psychotherapist who founded analytic… 1875–1961

Related quotes

Jack London photo

“Of her own experience she had no memory of the thing happening; but in her instinct, which was the experience of all mothers of wolves, there lurked a memory of fathers that had eaten their new-born and helpless progeny.”

Jack London Index:London - White Fang, 1906.djvu

Source: White Fang

“Ophelia is a little walking owl, bewitched by her unconscious feminine, her father, and what "they say." She never finds her own voice. She never finds her own body or her own feelings and therefore misses life and love in the here and now. Gradually the waters of the unconscious to which she is "native and indued" swallow her.”

Marion Woodman (1928–2018) Canadian writer

Source: The Owl Was a Baker's Daughter (1980), p. 9

Kate DiCamillo photo

“Her mother called to her. She said, "Where are you going, Flora Belle?"
Flora didn't answer her. She never answered her mother when she called her Flora Belle.
Sometimes she didn't answer her mother when she called her Flora either.”

Kate DiCamillo book Flora & Ulysses

Source: Flora & Ulysses (2013), Chapter Four: A Surprisingly Helpful Cynic, p. 12

“If in later life she has mastered her hunger drive by ego control, she may assume that she can control her fate herself. But that ego may in fact be very weak, because it has been built by cutting herself off from the mainstream of life through severe dieting. It is built on negative rather than positive need. In a real life crisis, such an ego may fail to operate because she does not know consciously what her own needs are. […] An ego which sets itself up against Fate is attempting to usurp the power of the Self; it swings from light to dark, from inflation to depression. Only when her ego is firmly rooted in her own feminine feeling can a woman be released from her compulsive behavior.”

Marion Woodman (1928–2018) Canadian writer

Source: The Owl Was a Baker's Daughter (1980), p. 33

J.M. Coetzee photo

“To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.”

J.M. Coetzee book Life & Times of Michael K

Life & Times of Michael K (1983)
Context: He closed his eyes and tried to recover in his imagination the mudbrick walls and reed roof of her stories, the garden of prickly pear, the chickens scampering for the feed scattered by the little barefoot girl. And behind that child, in the doorway, her face obscured by shadow, he searched for a second woman, the woman from whom his mother had come into the world. When my mother was dying in the hospital, he thought, when she knew her end was coming, it was not me she looked to but someone who stood behind me: her mother or the ghost of her mother. To me she was a woman but to herself she was still a child calling to her mother to hold her hand and help her. And her own mother, in the secret life we do not see, was a child too. I come from a line of children without end.

Robert A. Heinlein photo

“Apparently she believes she is safe. Evil is essentially stupid, Joe; despite her brilliance, she believes what she wishes to believe. Or it may be that she is willing to risk her own death against the tempting prize of absolute power.”

Robert A. Heinlein book Gulf

Gulf (p. 559)
Short fiction, Off the Main Sequence (2005)

Henri Barbusse photo

“Marie falls back upon her idea, obdurately, and says, "A woman only lives by love and for love. When she's no longer good for that she's no longer anything."
She repeats, "You see — I'm nothing any more."
Ah, she is at the bottom of her abyss! She is at the extremity of a woman's mourning! She is not thinking only of me. Her thought is higher and vaster. She is thinking of all the woman she is, of all that love is, of all possible things when she says, "I'm no longer anything." And I — I am only he who is present with her just now, and no help whatever is left her to look for from any one.
I should like to pacify and console this woman who is gentleness and simplicity and who is sinking there while she lightly touches me with her presence — but exactly because she is there I cannot lie to her, I can do nothing against her grief, her perfect, infallible grief.
"Ah!" she cries, "if we came to life again!"”

Henri Barbusse (1873–1935) French novelist

Light (1919), Ch. XIX - Ghosts

Andrea Dworkin photo

“Woman is not born: she is made. In the making, her humanity is destroyed. She becomes symbol of this, symbol of that: mother of the earth, slut of the universe; but she never becomes herself because it is forbidden for her to do so.”

Andrea Dworkin (1946–2005) Feminist writer
Germaine Greer photo

“The stereotype is the Eternal Feminine. She is the sexual object sought by all men, and all women. She is of neither sex for she herself has no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she is the reward of achievement. She need never give positive evidence of her moral character because virtue is assumed from her loveliness, and her passivity.”

Germaine Greer book The Female Eunuch

The Stereotype
The Female Eunuch (1970)

Germaine Greer photo

“The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence.”

Germaine Greer book The Female Eunuch

The Stereotype
The Female Eunuch (1970)
Context: The stereotype is the Eternal Feminine. She is the Sexual Object sought by all men, and by all woman. She is of neither sex, for she has herself no sex at all. Her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she has herself no sex at all. her value is solely attested by the demand she excites in others. All she must contribute is her existence. She need achieve nothing, for she is the reward of achievement. She need never give positive evidence of her moral character because virtue is assumed from her loveliness, and her passivity.

Related topics