
“An artist must be man, woman and demi-god.”
Mr. Wharton in Ch. IV
Esther: A Novel (1884)
Le Coq et l’Arlequin (1918)
“An artist must be man, woman and demi-god.”
Mr. Wharton in Ch. IV
Esther: A Novel (1884)
Götz Adriani, Joseph Beuys, Winfried Konnertz (1979) Joseph Beuys, life and works. p. 255
1970's
Some Versions of Pastoral (London: Chatto & Windus, 1935) p. 15.
Other
Source: Motivation and Personality (1954), p. 93.
Context: A musician must make music, an artist must paint, a poet must write, if he is to be ultimately at peace with himself. What a man can be, he must be. This need we may call self-actualization. This term, first coined by Kurt Goldstein, is being used in this paper in a much more specific and limited fashion. It refers to the desire for self-fulfillment, namely, to the tendency for him to become actualized in what he is potentially. This tendency might be phrased as the desire to become more and more what one is, to become everything that one is capable of becoming.
Attributed to Rodin in H. Read (1964), as cited in: Karl H. Pfenninger, Valerie R. Shubik, Bruce Adolphe (2001). The Origins of Creativity. p. 50
1950s-1990s
1915 - 1925, Suprematism' in World Reconstruction (1920)
“It takes only one man to make an artist, but forty to make an Academician.”
Quoted by Robert Ross in a eulogy. http://www.archive.org/stream/aubreybeardsley00rossrich#page/16/mode/2up