“Nothing is really lost or can be lost,
No birth, identity, form--no object of the world,
Nor life, nor force, nor any visible thing…
The body, sluggish, aged, cold--the embers
left from early fires,
… shall duly flame again”
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Nicholas Sparks646
American writer and novelist 1965Related quotes
“Neither in the arts, nor in logic, nor in life should an idea by in any way treated as a thing.”
Joseph Joubert (1754–1824) French moralist and essayist
Desmond Leslie (1921–2001) British pilot, film maker, writer, and musician
Source: The Amazing Mr. Lutterworth (1958), p. 206
Hilaire Belloc (1870–1953) writer
By this, we are then told, "he meant Death." (p. 158)
Source: The Four Men: A Farrago (1911), pp. 157–8
William Penn (1644–1718) English real estate entrepreneur, philosopher, early Quaker and founder of the Province of Pennsylvania
This quote is often attributed to William Penn, but there are no records of it before the 19th century, and its actual source seems to have most likely been another prominent Quaker, Stephen Grellet.
Misattributed
“The love where Death has set his seal,
Nor age can chill, nor rival steal,
Nor falsehood disavow.”
George Gordon Byron (1788–1824) English poet and a leading figure in the Romantic movement
And Thou Art Dead as Young and Fair http://readytogoebooks.com/LB-thou38.html (1812).
Theodor W. Adorno book Negative Dialectics
Negative Dialektik ... handelt sich um den Entwurf einer Philosophie, die nicht den Begriff der Identität von Sein und Denken voraussetzt und auch nicht in ihm terminiert, sondern die gerade das Gegenteil, also das Auseinanderweisen von Begriff und Sache, von Subjekt und Objekt, und ihre Unversöhntheit, artikulieren will.
Source: Lectures on Negative Dialectics (1965-66), p. 6
Laurence Binyon book For the Fallen
"For the Fallen" (1914), fourth verse
'Condemn' is sometimes quoted as 'Contemn'. Both make sense in the context, but it was 'condemn' which was included in the first printing of the poem on page 9 of The Times of 21 September 1914. Binyon did not change it to 'contemn' when shown the proof of a later printing.