“I imagine a line, a white line, painted on the sand and on the ocean, from me to you.”

— Jonathan Safran Foer, book Everything Is Illuminated

Source: Everything Is Illuminated

Last update June 3, 2021. History

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Novelist 1977

Robert Motherwell (1915–1991) American artist

Interview with Irmeline Lebeer, in 'Recent Work', Princeton Art Museum, 1973 pp. 10-13
after 1970

“it was possible to grow up in an instant, that you could look down and see the line in the sand dividing your life now from what it used to be.”

Jodi Picoult book The Tenth Circle

Source: The Tenth Circle

“Visions are from the imaginative mind, sculpture can come from the found discards in nature, from sticks and stones and parts and pieces, assembled or monolithic, solid form, open form, lines of form, or, like a painting, the illusion of form. And sculpture can be painting and painting can be sculpture..”

David Smith (1906–1965) American visual artist (1906-1965)

1950s, Tradition and Identity' (1959)

“Only now [1943] I become conscious that my work in black, white and little color planes has been merely 'drawing' in oil color. In drawing, the lines are the principal means of expressions... In painting, however, the lines are absorbed by the color planes; but the limitations of the planes show themselves as lines and conserve their great value.”

Piet Mondrian (1872–1944) Peintre Néerlandais

note from his postcard, late May 1943; as quoted in Mondrian, - The Art of Destruction, Carel Blotkamp, Reaktion Books LTD. London 2001, p. 240
1940's

“I would like you to join with all of humanity to draw a line in the sand and say, "No more. No more are we going to accept this."”

Josette Sheeran (1954) American diplomat

"Ending Hunger Now" TED Talk (July 2011) http://www.ted.com/talks/josette_sheeran_ending_hunger_now.html <br class="br">Context: I believe we're living at a time in human history where it's just simply unacceptable that children wake up and don't know where to find a cup of food. Not only that, transforming hunger is an opportunity, but I think we have to change our mindsets. I am so honored to be here with some of the world's top innovators and thinkers. And I would like you to join with all of humanity to draw a line in the sand and say, "No more. No more are we going to accept this." And we want to tell our grandchildren that there was a terrible time in history where up to a third of the children had brains and bodies that were stunted, but that exists no more.

“Alone I walked on the ocean strand,
A pearly shell was in my hand;
I stooped, and wrote upon the sand
My name, the year, the day.
As onward from the sport I passed,
One lingering look behind I cast,
A wave came rolling high and fast,
And washed my lines away.”

Hannah Flagg Gould (1788–1865) American writer

"A Name In the Sand"

“I am simply painting concrete representation of abstract emotions such as innocent love, ordinary happiness. I do want an emotional response. And I paint about emotions, not about lines. The truth is that it's not the lines that express the emotion. It's the scale of the composition. You know, if you go into a room that has perfect scale, you feel it... If the painting has perfect scale, it moves you. And you have different scale to show different emotions. It's the space between the lines that counts.”

Agnes Martin (1912–2004) American artist

after 2000, Agnes Martin: Between the Lines', 2002

“In closing, I should like to cite a line from William Blake. “To see a world in a grain of sand - - - ” and allude to a possible parallel to see worlds in an electron.”

Hans Georg Dehmelt (1922–2017) German physicist

concluding his Nobel lecture http://nobelprize.org/nobel_prizes/physics/laureates/1989/dehmelt-lecture.html referring to the richness of the physics of subatomic particles.

“I am against the line and all its consequences: contours, forms, composition. All paintings of whatever sort, figuratives or abstract, seem to me like prison windows in which the lines, precisely are the bars.”

Yves Klein (1928–1962) French artist

Gilbert Perlein and Bruno Cora, Yves Klein: Long live the Immaterial, Delano Greenidge Edition, New York, 2001. p. 74
from posthumous publications

“Come live with me, and be my love,
And we will some new pleasures prove
Of golden sands, and crystal brooks,
With silken lines, and silver hooks.”

John Donne (1572–1631) English poet

The Bait, stanza 1

“I imagine a line, a white line, painted on the sand and on the ocean, from me to you.”

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