“But it is my creation…! It's outgrown you.”

A Letter from Italy (1703).
Context: Fain would I Raphael's godlike art rehearse,
And show th' immortal labours in my verse,
Where from themingled strength of shade and light
A new creation rises to my sight,
Such heavenly figures from his pencil flow,
So warm with life his blended colours glow.
From theme to theme with secret pleasure tost,
Amidst the soft variety I 'm lost:
Here pleasing airs my ravish'd soul confound
With circling notes and labyrinths of sound;
Here domes and temples rise in distant views,
And opening palaces invite my Muse.

Note in her Journal, c. 1921; as cited in Lettres a un Inconnu, (Notebook III, p. 120) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 107 (notebook II, p.10).
after 1911

Source: Faith vs. Fact (2015), p. 61

Source: Why Evolution is True (2009), p. xvii

“Arte News”, The global method (2003), p. 113.

Awakening : Conversations with the Masters (2003), p. 24
Context: The genius of a composer is found in the notes of his music; but analyzing the notes will not reveal his genius. The poet's greatness is contained in his words; yet the study of his words will not disclose his inspiration. God reveals himself in creation; but scrutinize creation as minutely as you wish, you will not find God, any more than you will find the soul through careful examination of your body.

"Hawk Roosting", line 10
Lupercal (1960)

"Rhythm of Surrender"
A Different Drum (2004)