“Art, art of any kind, shows that folks are trying.”

— Walter Kirn , book Mission to America

Source: Mission to America

Last update June 3, 2021. History

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Walter Kirn 3

American novelist 1962

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“My wish [c. 1911].... of compiling a book (a kind of Almanac) in which all the contributions should be written by artists. I dreamt primarily of painters and musicians. The ruinous separation of the arts from each other, and of 'Art' from folk-art and from children's art, the distinction between 'Art' and 'Ethnography' [folk-art].... the solid walls erected between phenomena that in my eyes were so closely related, even identical: in a word, the potentialities for synthesis left me no peace. It may well seem strange today [1930] that for a long time I could not find any co-workers or any means to promote this idea..”

Wassily Kandinsky (1866–1944) Russian painter

as quoted by de:Wolf-Dieter Dube, in Expressionism; Praeger Publishers, New York, 1973, p. 102
1920 - 1930

“Making art, any art, you are in some way trying to imitate life, and the ways in which that succeeds or fails is fascinating to me…”

Naomi Iizuka (1965) American dramatist

On art versus life in “Berkeley world premiere for Naomi Iizuka play” https://www.sfgate.com/performance/article/Berkeley-world-premiere-for-Naomi-Iizuka-play-3271229.php in SF Gate (2010 Mar 4)

“In the Art of Peace we never attack. An attack is proof that one is out of control. Never run away from any kind of challenge, but do not try to suppress or control an opponent unnaturally.”

Morihei Ueshiba (1883–1969) founder of aikido

The Art of Peace (1992)
Context: In the Art of Peace we never attack. An attack is proof that one is out of control. Never run away from any kind of challenge, but do not try to suppress or control an opponent unnaturally. Let attackers come any way they like and then blend with them. Never chase after opponents. Redirect each attack and get firmly behind it.

“[ Folk art, consists of] work done by ordinary people in the course of their lives, work seldom thought of by those who make or use it as art at all.”

Howard S. Becker (1928) American sociologist

Source: Art Worlds (1982), p. 245 as quoted in: John Ross Hall, Mary Jo Neitz, Marshall Battani (2003) Sociology On Culture. p. 196.

“I think most of the art now is involved with a denial of any kind of absolute morality, or general morality.”

Donald Judd (1928–1994) artist

1960s, "Oral history interview with Donald Judd," 1965
Context: I think most of the art now is involved with a denial of any kind of absolute morality, or general morality. I think most of us in one way or another are involved in ideas of a fairly loose world, however it's expressed, whether obviously as in Chamberlain or just accidentally, or, oh, like Newman.

“In reality opposites are one; art shows this.”

Eli Siegel (1902–1978) Latvian-American poet, philosopher

Everything Has to Do with Hardness and Softness (1969)

“… "folk art" signifies the poetical, musical, and pictorial activities of those strata of the population which are uneducated and not urbanized or industrialized. It is of the essence of this art that those who keep it in being are not only passively receptive, but normally are creative participants in the artistic activities, and yet do not stand out as individuals or claim any personal authorship of the productions. "Popular art" on the other hand is to be understood as artistic or quasi-artistic production for the demand of a half-educated public, generally urban and inclined to mass-behavior. In folk art, producers and consumers are hardly distinguished, and the boundary between them is always fluid; in the case of popular art, we find on the contrary an artistically uncreative, completely passive public, and professional production of artistic goods strictly in response to the demand for them. It is indeed a striking fact that folk art, especially folk-poetry, emerges from the ranks of those who enjoy it, whereas popular songs—the street-ballads and popular "hits"—derive from professionals belonging to and spiritually dependent upon the upper classes.”

Arnold Hauser (1892–1978) Hungarian art historian

Arnold Hauser (1985). The philosophy of art history. p. 279

“Fiction is, the art of making up something. That's what it's all about, folks. Making stacks of money.”

Michael Dirda (1948) American literary critic

The Library of Foresight, edition 3 of The Trilogy by John Sai, p. iii.

“Art has to be a kind of confession.”

James Baldwin (1924–1987) (1924-1987) writer from the United States

"An interview with James Baldwin" (1961); an interview with Studs Terkel published in Conversations With James Baldwin (1989)
Context: Art has to be a kind of confession. I don't mean a true confession in the sense of that dreary magazine. The effort it seems to me, is: if you can examine and face your life, you can discover the terms with which you are connected to other lives, and they can discover them, too — the terms with which they are connected to other people.

“Let it not be in any man's power to say truly of thee that thou art not simple or that thou art not good; but let him be a liar whoever shall think anything of this kind about thee; and this is altogether in thy power.”

Marcus Aurelius book Meditations

X, 32
Meditations (c. 121–180 AD), Book X

“Art, art of any kind, shows that folks are trying.”

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Walter Kirn 3

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