E. E. Cummings citations (208 citations, Page 7)

You confuse freedom—the only freedom—with absolute tyranny…
all over this socalled world,hundreds of millions of servile and insolent inhuman unbeings are busily unrolling in the enlightenment of propaganda.
Essay in the anthology The War Poets (1945) edited by Oscar Williams

“Simple people, people who don't exist, prefer things which don't exist, simple things.
"Good" and "bad" are simple things. You bomb me = "bad." I bomb you = "good."”

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E.E. Cummings

Simple people(who,incidentally,run this socalled world)know this(they know everything)whereas complex people—people who feel something—are very,very ignorant and really don't know anything.
"Foreword to an Exhibit: I" (1944)

“My theory of technique, if I have one, is very far from original; nor is it complicated. I can express it in fifteen words, by quoting The Eternal Question And Immortal Answer of burlesk, viz. "Would you hit a woman with a child?”

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E.E. Cummings livre EIMI

No, I'd hit her with a brick." Like the burlesk comedian, I am abnormally fond of that precision which creates movement.
EIMI (1933)

“my advice to all young people who wish to become poets is: do something easy, like learning how to blow up the world”

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E.E. Cummings

unless you're not only willing, but glad, to feel and work and fight till you die.
Does this sound dismal? It isn't.
It's the most wonderful life on earth.
Or so I feel.
E. E. Cummings
A Poet's Advice (1958)

“An artist doesn't live in some geographical abstraction, superimposed on a part of this beautiful earth by the nonimagination of unanimals and dedicated to the proposition that massacre is a social virtue because murder is an individual vice. Nor does an artist live in some soi-disant world, nor does he live in some so-called universe, nor does he live in any number of "worlds" or in any number of "universes."”

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E.E. Cummings

As for a few trifling delusions like the "past" and "present" and "future" of quote mankind unquote,they may be big enough for a couple of billion supermechanized submorons but they're much too small for one human being.
Re Ezra Pound (p. 69)
i : six nonlectures (1953)

“So, ungentle reader, (as you and I value what we should ashamed—after witnessing a few minor circus-marvels—to call our "lives,") let us never be fooled into taking seriously that perfectly superficial distinction which is vulgarly drawn between the circus-show and "art" or "the arts." Let us not forget that every authentic "work of art" is in and of itself alive and that, however "the arts" may differ among themselves, their common function is the expression of that supreme alive-ness which is known as "beauty."”

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E.E. Cummings

This being so, our three ring circus is art—for to contend that the spectacle in question is not an authentic manifestation of "beauty" is as childish, as to dismiss the circus on the ground that it is "childish," is idiotic.
"The Adult, the Artist and the Circus." Vanity Fair (October 1925)