1980 - 2000, The Skowhegan Lecture', 1987
Agnès Martin: Citations en anglais
“Architect/arcetects/arcatects/arcetects/archetes”
Martin wrote this at the bottom of her notes, 1974; as quoted in 'AGNES MARTIN' by Mira Dayal, Artseen Nov. 2016
the rest of the page is a tangle of equations and small diagrams as start of another burst of production: her iconic striped canvases.
1970's
her candid, weather-beaten face darkens abruptly
Mary Lance, in 'With My Back to the World' a documentary made in 2002; as quoted by Olivia Laing,
Martin claimed she could remember the exact moment of her birth. She had entered the world, she tells Lance, 'as a small figure with a little sword'
after 2000
Denise Spranger, in 'Center of Attention', Taos News/Tempo Magazine, Mar. 21–27, 2002, p. 22
after 2000
from her 1989 piece for 'Artspace', 'The Current of the River of Life Moves Us'
1980 - 2000
“Art is the concrete representation of our most subtle feelings. That's the end”
of the interview
1980 - 2000, Perfection Is in the Mind', 1995
after 2000, Agnes Martin: Between the Lines', 2002
1970's, The Untroubled Mind', 1971
Ann Wilson, from her talks in the Summer of 1972 at Agnes Martin's home in Mexico - an unpublished document; as quoted in Agnes Martin: Her Life and Art, Chapter 7 - 'Departures', Nancy Princenthal; Thames and Hudson, New York, p. 195-196
Wilson's visit to Cuba in Mexico was to work towards the publication accompanying Martin's exhibition at the Institute of Contemporary Art in Philadelphia in 1973, curated by Suzanne Delehanty
1970's
“Inspiration comes from a clear mind. Right straight through. We have nothing to do with it.”
1976
1970's, interview, K. Horsfield & L. Blumenthal
In 'Beauty Is the Mystery of Life', 1989; a lecture by Agnes Martin, Carnegie Museum of Art, Pittsburgh, 1989. Printed in Agnes Martin, eds. Morris and Bell, pp. 158–59
1980 - 2000
1980 - 2000, Perfection Is in the Mind', 1995
“.. the function of art work is.... the renewal of memories of moments of perfection.”
remark in 1973; as quoted by Amy Flanagan in [file:///C:/Users/Fons/Downloads/The%20Subtle%20Emotive%3B%20Agnes%20Martin.pdf 'The Subtle emotive; Material and Experience in the Works of Agnes Martin'], essay redraft, 2015, p. 1
1970's
In Mary Lance's intimate documentary 'With My Back to the World' (2002)
Martin's quote about the landscape of her youth in Macklin, Saskatchewan, where her parents Malcolm and Margaret Martin farmed the vast, sometimes hard land
after 2000
after 2000, Agnes Martin: Between the Lines', 2002
1980 - 2000, The Skowhegan Lecture', 1987
as quoted by Olivia Laing, in 'Agnes Martin: the artist mystic who disappeared into the desert' https://www.theguardian.com/artanddesign/2015/may/22/agnes-martin-the-artist-mystic-who-disappeared-into-the-desert, The Guardian, 22 May 2015
In June 1974, she appeared out of the blue at Pace gallery [in New York] and asked if they'd like to show her new work. She invited Glimcher to come to Mexico and view it, posting him a hand-drawn map, at the bottom of which she had scrawled 'bring ice thanks Agnes'. When he arrived she showed him five new paintings, made of either horizontal or vertical stripes in ice blue and red so watered it was barely pink. At 62, Martin had found a new visual language
1970's