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“.. Our life is a pilgrim's progress. I once saw a very beautiful picture: it was a landscape at evening. In the distance on the right-hand side a row of hills appeared blue in the evening mist. Above those hills the splendour of the sunset, the grey clouds with their linings of silver and gold and purple. The landscape is a plain or heath covered with grass and its yellow leaves, for it was in autumn. Through the landscape a road leads to a high mountain far, far away, on the top of that mountain is a city wherein the setting sun casts a glory. On the road walks a pilgrim, staff in hand. He has been walking for a good long while already and he is very tired. And now he meets a woman, or figure in black, that makes one think of St. Paul's word: As being sorrowful yet always rejoicing. That Angel of God has been placed there to encourage the pilgrims and to answer their questions and the pilgrim asks her: Does the road go uphill then all the way? And the answer is: "Yes to the very end."”

Vincent Van Gogh

Quote of Vincent van Gogh, from his 'First Sunday Sermon' http://www.vggallery.com/misc/archives/sermon.htm: 'I Am a Stranger on the Earth..'; 29 October 1876 1870s

“.. The thought crossed my mind, how society today in its fall, at moments seen against the light of a renewal, stands out as a large, gloomy silhouette. Yes, for me, the drama of storm in nature, the drama of sorrow in life, is the most impressive.”

Vincent Van Gogh

Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21 1880s, 1883

“.. Here I am shut up for the livelong day under lock and key and with keepers in a cell.... I will not deny that I would rather have died than have caused and suffered such trouble.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, France, 9 March. 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 579), p 25 1880s, 1889

“Boughton together with Abbey are making for Harper in New York drawings called "Picturesque Holland".... now I say to myself if the Graphic and Harper send their draughtsmen to Holland they would perhaps not be unwilling to accept a draughtsman from Holland [Vincent himself], if he can furnish some good work for not too much money. I should prefer to be accepted on regular monthly wages rather than to sell a drawing now and then at a relatively high price.”

Vincent Van Gogh

“There is a saying by Gustave Dore which I have always admired: "J'ai la patience d'un boeuf." [I have the patience of an ox]. I find in it a certain goodness, a certain resolute honesty, more, it has a deep meaning that saying, it is the word of a real artist. When one thinks of the men from whose heart such a saying sprang, all the arguments one too often hears of art dealers about "natural gifts", seem to become a terrible raven's croaking.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Drenthe, The Netherlands, Autumn 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 336) p. 34 1880s, 1883

“What surprising fellows those French painters are. A Millet, Delacroix, Corot, Troyon, Daubigny, Rousseau, and a Daumier.... Something else about Delacroix - he had a discussion with a friend about the question of working absolutely from nature, and said on that occasion that one should take one's 'studies' from nature - but that the 'actual painting' had to be made 'by heart'. This friend was walking along the boulevard when they had this discussion - which was already fairly heated. When they parted the other man was still not entirely persuaded. After they parted, Delacroix let him stroll on for a bit - then (making a trumpet of his two hands) bellowed after him in the middle of the street - to the consternation of the worthy passers-by:
'By heart! By heart!”

Vincent Van Gogh

(Par coeur! Par coeur!) I can't tell you how much I enjoyed reading this article and some other things about Delacroix.. In his letter to Anthon van Rappard, from Nuenen, The Netherlands, 8 and c. 15 August 1885 - original manuscript, letter 526, at Van Gogh Museum, location Amsterdam - inv. nos. b8390 V/2006, http://vangoghletters.org/vg/letters/let526/letter.html See for this anecdote, taken from Charles Blanc, Les artistes de mon temps, letter 496, n. 7. 1880s, 1885

“Some good must come by clinging to the right. Conscience is a man's compass, and though the needle sometimes deviates, though one often perceives irregularities in directing one's course by it, still one must try to follow its direction.”

Vincent Van Gogh

Quote in a letter of Vincent to brother Theo, from The Hague, between c. 13 and c. 18 December 1882; as cited in Dear Theo: the Autobiography of Vincent Van Gogh; ed. Irving Stone and Jean Stone, (1995) p. 181 - ISBN 0452275040
1880s, 1882

“.. Now there is in the South of Belgium, in Hainault, in the neighborhood of Mons.... a district called the Borinage, that has a peculiar population of laborers who work in the numerous coal mines... I should very much like to go there as an evangelist.... St. Paul was three years in Arabia before he began to preach..”

Vincent Van Gogh

In his letter to brother Theo, from Laeken, near Brussels, 15 Nov. 1878, (letter 126); as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18 1870s

“Now for the past five years or so, I don't know how long exactly, I have been more or less without permanent employment, wandering from pillar to post. You will say, ever since such and such a time you have been going downhill, you have been feeble, you have done nothing. Is that entirely true?”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)

“Text: Psalm 119:19. I am a stranger on the earth, hide not Thy command ments from me.
Are we what we dreamt we should be? No, but still the sorrows of life..., so much more numerous than we expected, the tossing to and fro in the world, they have covered it over, but it is not dead, it sleepeth.”

Vincent Van Gogh

Quote from van Gogh's first sermon, 29 October, 1876; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 18 1870s

“Some time ago I saw a painting by Thijs Maris [= Matthijs Maris, one of the three brothers Maris, all three famous Dutch impressionist painters of the Hague School ] that reminded me of it. An old Dutch town with rows of brownish red houses with step-gables and tall flights of steps, grey roofs, and white or yellow doors, window-frames and cornices; canals with ships and a large white drawbridge, a barge with a man at the tiller going under it... Some distance away a stone bridge over the canal, with people and a cart with white horses crossing it. And everywhere movement, a porter with his wheelbarrow, a man leaning against the railing, gazing into the water, women in black with white caps... A greyish white sky over everything…”

Vincent Van Gogh

quote from Vincent's Letter #031 to Theo van Gogh (London, 6 April 1875) http://vangoghletters.org/vg/letters/let031/letter.html 1870s

“My intention is to make in Drenthe so much progress in painting that when I come back I may be qualified for the 'Society of Draughtsmen' [a group of London illustrators]. This stands again in connection with the second plan of going to England”

Vincent Van Gogh

to become an illustrator Quote in his letter to brother Theo, from The Hague, The Netherlands, Summer 1883; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 319) p. 21 1880s, 1883

“Oh, Theo, why should I change - I used to be very passive and very gentle and quiet — I'm that no longer, but then I'm no longer a child either now - sometimes I feel my own man.”

Vincent Van Gogh

1880s, 1884, Letter to Theo (Nuenen, Oct. 1884)

“.. I went to live in my studio on the first of May [? ]... I have not had a hot dinner more than perhaps six or seven times since. I have lived then and I do so here, not having money for dinner, because the work costs me too much and I have trusted too much on my being strong enough to hold out. Now I have made it worse by smoking a great deal, which I do the more because then one does not feel an empty stomach so much... My opinion is that one must not think that the people whose health is damaged, quite or partly, are no good for painting... It fell so unexpectedly on me, I had been feeling weak and feverish, but I went on notwithstanding, but I began to feel worried when more and more teeth broke off, and I began to look more and more ill.”

Vincent Van Gogh

Quote in his letter to brother Theo from Antwerp, Belgium, Febr. 1886; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 449), p 24 1880s, 1886

“.. How glad I was when this doctor took me for an ordinary workingman and said: "I suppose you are an iron worker." That is just what I have tried to change in myself; when I was younger, I looked like one who has been intellectually overwrought, and now I look like a skipper or an iron worker.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Antwerp, Belgium, 28 Dec. 1885; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 442) p. 22 1880s, 1885

“.. I am always between two currents of thought, first the material difficulties, turning round and round to make a living; and second, study of color. I am always in hope of making a discovery there, to express the love of two lovers by a marriage of two complementary colors, their mingling and their opposition, the mysterious vibrations of kindred tones. To express the thought of a brow by the radiance of a light tone against a sombre background. To express hope by some star, the eagerness of a soul by a sunset radiance. Certainly there is nothing in that of stereoscopic realism, but is it not some thing that actually exists?”

Vincent Van Gogh

Quote in his letter to brother Theo, from Arles, September 1888; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 531) p. 22 1880s, 1888

“Believe me, I work, I drudge, I grind all day long and I do so with pleasure, but I should get very much discouraged if I could not go on working as hard or even harder... I feel, Theo, that there is a power within me, and I do what I can to bring it out and free it. It is hard enough, all the worry and bother with my drawings, and if I had too many other cares and could not pay the models I should lose my head.”

Vincent Van Gogh

quote in his letter to brother Theo, from The Hague, The Netherlands in Jan. 1882; as quoted in Vincent van Gogh, Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, p. 20 (letter 171) 1880s, 1882

“Formerly I felt repulsion for these creatures, and it was a harrowing thought for me to reflect that so many of our profession, Troyon, Marchal, Meryon, Jundt, M. Maris, Monticelli [all painter-artists], and heaps more had ended like this.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, 25 May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 592), p 25 1880s, 1889

“. I have done well to come here [to the hospital of Saint-Remy, ] first of all that by seeing the actual truth about the life of the various madmen and lunatics in this menagerie I am losing the vague dread, the fear of the thing.”

Vincent Van Gogh

Quote in his letter to brother Theo, from Saint-Rémy-de-Provence, France, May 1889; as quoted in Vincent van Gogh, edited by Alfred H. Barr; Museum of Modern Art, New York, 1935 https://www.moma.org/documents/moma_catalogue_1996_300061887.pdf, (letter 591), p 25 1880s, 1889

“The dreamer sometimes falls into the doldrums, but is said to emerge from them again. And the absent-minded person also makes up for it with bouts of perspicacity. Sometimes he is a person whose right to exist has a justification that is not always immediately obvious to you, or more usually, you may absent-mindedly allow it to slip from your mind. Someone who has been wandering about for a long time, tossed to and fro on a stormy sea, will in the end reach his destination. Someone who has seemed to be good for nothing, unable to fill any job, any appointment, will find one in the end and, energetic and capable, will prove himself quite different from what he seemed at first.”

Vincent Van Gogh

1880s, 1880, Letter to Theo (Cuesmes, July 1880)