Thomas Ligotti: Use

“Since I was a child, I’ve used my imagination to escape from life. At the same time, my imagination has plagued me with both reality-based anxieties as well as anxieties based entirely in the imagination, such as the fear of Hell I was taught to have by the Catholic Church. Paired with a talent for literary composition, a talent that it took me over ten years to refine, I became a writer of horror stories. To my mind, writing is the most important form of human expression, not only artistic writing but also philosophical writing, critical writing, etc. Art as such, especially programmatic music such as operas, seems trivial to me by comparison, however much pleasure we may get from it. Writing is the most effective way to express and confront the full range of the realities of life. I can honestly say that the primary stature I attach to writing is not self-serving. I’ve been captivated to some degree by all forms of creativity and expression—the visual arts, film, design of any sort, and especially music. In college I veered from literature to music for a few years, which is the main reason it took me six years to get an undergraduate degree in liberal arts. I’ve loved music for as long as I can remember. Since my instrument is the guitar, I know every form and style in its history and have written the classical, acoustic, and electric forms of this instrument. I think because I have had such a love and understanding of music do I realize, to my grief, its limitations. Writing is less limited in the consolations it offers to those who have lost a great deal in their lives. And it continues to console until practically everything in a person’s life has been lost. Words and what they express have the best chance of returning the baneful stare of life.”

Thomas Ligotti

Wonderbook Interview with Thomas Ligotti http://wonderbooknow.com/interviews/thomas-ligotti/

Love , Life , Pleasure , Fear

“This is the tragedy: Consciousness has forced us into the paradoxical position of striving to be unself-conscious of what we are—hunks of spoiling flesh on disintegrating bones.”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

“Nature proceeds by blunders; that is its way. It is also ours. So if we have blundered by regarding consciousness as a blunder, why make a fuss over it? Our self-removal from this planet would still be a magnificent move, a feat so luminous it would bedim the sun. What do we have to lose? No evil would attend our departure from this world, and the many evils we have known would go extinct along with us. So why put off what would be the most laudable masterstroke of our existence, and the only one?”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

World , Way , Departure , Nature

“As for procreation, no one in his right mind would say that it is the only activity devoid of a praiseworthy incentive. Those who reproduce, then, should not feel unfairly culled as the worst conspirators against the human race. Every one of us is culpable in keeping the conspiracy alive, which is all right with most people.”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

People , Feeling

“We, as licensed protectors of the species and members in good standing of the master-class of the race, by the power invested in us by those who wish to survive and reproduce, vow to enforce the fiction that life is worth having and worth living come hell or irreparable brain damage.”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Life , Hell

“If we vanished tomorrow, no organism on this planet would miss us. Nothing in nature needs us.”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Nature

“Nature is interested in only two things—to survive and to reproduce one like itself. Anything you superimpose on that, all the cultural input, is responsible for the boredom of man. So we have varieties of religious experience. You are not satisfied with your own religious teachings or games; so you bring in others from India, Asia or China. They become interesting because they are something new. You pick up a new language and try to speak it and use it to feel more important. But basically, it is the same thing.”

Thomas Ligotti

Description: from U.G Krishnamurti
The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Game , Feeling , Nature

“Not unexpectedly, no one believes that everything is useless, and with good reason. We all live in relative frameworks, and within those frameworks uselessness is far wide from the norm. A potato masher is not useless if one wants to mash potatoes. For some people, a system of being that includes an afterlife of eternal bliss may not seem useless. They might say that such a system is absolutely useful because it gives them the hope they need to make it through this life. But an afterlife of eternal bliss is not and cannot be absolutely useful simply because you need it to be. It is part of a relative framework and nothing beyond that, just as a potato masher is only part of a relative framework and is only useful if you need to mash potatoes. Once you had made it through this life to an afterlife of eternal bliss, you would have no use for that afterlife. Its job would be done, and all you would have is an afterlife of eternal bliss—a paradise for reverent hedonists and pious libertines. What is the use in that? You might as well not exist at all, either in this life or in an afterlife of eternal bliss. Any kind of existence is useless. Nothing is self-justifying. Everything is justified only in a relative potato-masher sense.”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

People , Hope , Self-confidence , Sense

“There seems to be an inborn drive in all human beings not to live in a steady emotional state, which would suggest that such a state is not tolerable to most people. Why else would someone succumb to the attractions of romantic love more than once? Didn’t they learn their lesson the first time or the tenth time or the twentieth time? And it’s the same old lesson: everything in this life—I repeat, everything—is more trouble than it’s worth. And simply being alive is the basic trouble. This is something that is more recognized in Eastern societies than in the West. There’s a minor tradition in Greek philosophy that instructs us to seek a state of equanimity rather than one of ecstasy, but it never really caught on for obvious reasons. Buddhism advises its practitioners not to seek highs or lows but to follow a middle path to personal salvation from the painful cravings of the average sensual life, which is why it was pretty much reviled by the masses and mutated into forms more suited to human drives and desires. It seems evident that very few people can simply sit still. Children spin in circles until they collapse with dizziness.”

Thomas Ligotti

The Conspiracy Against the Human Race: A Contrivance of Horror (2010)

Pain , Time , Personality , Children

“Nothing belongs to us. Everything is something that is rented out. Our very heads are filled with rented ideas passed on from one generation to the next.”

Thomas Ligotti book Teatro Grottesco

Teatro Grottesco

Idea