Thomas Carlyle: Man (page 3)

“The "imagination that shudders at the Hell of Dante," is not that the same faculty, weaker in degree, as Dante's own? No one but Shakspeare can embody, out of Saxo Grammaticus, the story of Hamlet as Shakspeare did: but every one models some kind of story out of it; every one embodies it better or worse. We need not spend time in defining. Where there is no specific difference, as between round and square, all definition must be more or less arbitrary. A man that has so much more of the poetic element developed in him as to have become noticeable, will be called Poet by his neighbors.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Imagination , Hell , Time

“There is endless merit in a man's knowing when to have done.”

Thomas Carlyle

Dr. Francia (1845).
1820s, Critical and Miscellaneous Essays (1827–1855)

“To such a one, already filled with intellectual substance, and possessing what we may call the practical gold-bullion of human culture, it was an obvious improvement that he should be taught to speak it out of him on occasion; that he should carry a spiritual banknote producible on demand for what of "gold-bullion" he had, not so negotiable otherwise, stored in the cellars of his mind. A man, with wisdom, insight and heroic worth already acquired for him, naturally demanded of the schoolmaster this one new faculty, the faculty of uttering in fit words what he had. A valuable superaddition of faculty:—and yet we are to remember it was scarcely a new faculty; it was but the tangible sign of what other faculties the man had in the silent state.”

Thomas Carlyle

1850s, Latter-Day Pamphlets (1850), Stump Orator (May 1, 1850)

Wisdom , Nature

“Man, little as he may suppose it, is necessitated to obey superiors. He is a social being in virtue of this necessity; nay he could not be gregarious otherwise. He obeys those whom he esteems better than himself, wiser, braver; and will forever obey such; and even be ready and delighted to do it.”

Thomas Carlyle

1840s, Past and Present (1843)

“I will remark again, however, as a fact not unimportant to be understood, that the different sphere constitutes the grand origin of such distinction; that the Hero can be Poet, Prophet, King, Priest or what you will, according to the kind of world he finds himself born into. I confess, I have no notion of a truly great man that could not be all sorts of men.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Men , World

“The inventive genius of great England will not forever sit patient with mere wheels and pinions, bobbins, straps and billy-rollers whirring in the head of it. The inventive genius of England is not a Beaver's, or a Spinner's or Spider's genius: it is a Man's genius, I hope, with a God over him!”

Thomas Carlyle

1840s, Past and Present (1843)

God , Hope

“Mahomet himself, after all that can be said about him, was not a sensual man. We shall err widely if we consider this man as a common voluptuary, intent mainly on base enjoyments, — nay on enjoyments of any kind. His household was of the frugalest; his common diet barley-bread and water: sometimes for months there was not a fire once lighted on his hearth. They record with just pride that he would mend his own shoes, patch his own cloak. A poor, hard-toiling, ill-provided man; careless of what vulgar men toil for.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Men , Shoe , Light , Water

“"A fair day's wages for a fair day's work": it is as just a demand as governed men ever made of governing. It is the everlasting right of man.”

Thomas Carlyle

Bk. I, ch. 3.
1840s, Past and Present (1843)

Men

“it is always a genial laughter. Not at mere weakness, at misery or poverty; never. No man who can laugh, what we call laughing, will laugh at these things. It is some poor character only desiring to laugh, and have the credit of wit, that does so. Laughter means sympathy.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Laughter

“For, in fact, I say the degree of vision that dwells in a man is a correct measure of the man. If called to define Shakspeare's faculty, I should say superiority of Intellect, and think I had included all under that. What indeed are faculties? We talk of faculties as if they were distinct, things separable; as if a man had intellect, imagination, fancy, &c., as he has hands, feet and arms. That is a capital error. Then again, we hear of a man's "intellectual nature," and of his "moral nature," as if these again were divisible, and existed apart. Necessities of language do perhaps prescribe such forms of utterance; we must speak, I am aware, in that way, if we are to speak at all. But words ought not to harden into things for us. It seems to me, our apprehension of this matter is, for most part, radically falsified thereby. We ought to know withal, and to keep forever in mind, that these divisions are at bottom but names; that man's spiritual nature, the vital Force which dwells in him, is essentially one and indivisible; that what we call imagination, fancy, understanding, and so forth, are but different figures of the same Power of Insight, all indissolubly connected with each other, physiognomically related; that if we knew one of them, we might know all of them. Morality itself, what we call the moral quality of a man, what is this but another side of the one vital Force whereby he is and works? All that a man does is physiognomical of him. You may see how a man would fight, by the way in which he sings; his courage, or want of courage, is visible in the word he utters, in the opinion he has formed, no less than in the stroke he strikes. He is one; and preaches the same Self abroad in all these ways.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Way , Error , Imagination , Courage

“Find in any country the Ablest Man that exists there; raise him to the supreme place, and loyally reverence him: you have a perfect government for that country; no ballot-box, parliamentary eloquence, voting, constitution-building, or other machinery whatsoever can improve it a whit.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero As King

Perfection , Country , Box

“Yes, truly, it is a great thing for a Nation that it get an articulate voice; that it produce a man who will speak forth melodiously what the heart of it means!”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Heart

“Certainly the Art of Writing is the most miraculous of all things man has devised.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Man of Letters

Art

“No man lives without jostling and being jostled; in all ways he has to elbow himself through the world, giving and receiving offense.”

Thomas Carlyle

1830s, Sir Walter Scott (1838)

World , Way

“A man perfects himself by work much more than by reading.”

Thomas Carlyle

1860s, On The Choice Of Books (1866)

Reading , Perfection

“That there should one Man die ignorant who had capacity for Knowledge, this I call a tragedy.”

Thomas Carlyle

Bk. III, ch. 4.
1830s, Sartor Resartus (1833–1834)

Knowledge

“Or indeed we may say again, it is in what I called Portrait-painting, delineating of men and things, especially of men, that Shakspeare is great. All the greatness of the man comes out decisively here. It is unexampled, I think, that calm creative perspicacity of Shakspeare. The thing he looks at reveals not this or that face of it, but its inmost heart and generic secret: it dissolves itself as in light before him, so that he discerns the perfect structure of it. Creative, we said: poetic creation, what is this too but seeing the thing sufficiently? The word that will describe the thing, follows of itself from such clear intense sight of the thing. And is not Shakspeare's morality, his valour, candour, tolerance, truthfulness; his whole victorious strength and greatness, which can triumph over such obstructions, visible there too? Great as the world!”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Poet

Men , Truth , Secret , World

“A spontaneous, passionate, yet just, true-meaning man! Full of wild faculty, fire and light; of wild worth, all uncultured; working out his life-task in the depths of the Desert there.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Prophet

Life , Light , Passion

“Innumerable men had passed by, across this Universe, with a dumb vague wonder, such as the very animals may feel; or with a painful, fruitlessly inquiring wonder, such as men only feel;—till the great Thinker came, the original man, the Seer; whose shaped spoken Thought awakes the slumbering capability of all into Thought. It is ever the way with the Thinker, the spiritual Hero. What he says, all men were not far from saying, were longing to say. The Thoughts of all start up, as from painful enchanted sleep, round his Thought; answering to it, Yes, even so! Joyful to men as the dawning of day from night;—is it not, indeed, the awakening for them from no-being into being, from death into life? We still honor such a man; call him Poet, Genius, and so forth: but to these wild men he was a very magician, a worker of miraculous unexpected blessing for them; a Prophet, a God!”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Divinity

Life , Death , Men , God

“in the whole world, that day, there was not a more entirely unimportant-looking pair of people than this Miner and his Wife. And yet what were all Emperors, Popes and Potentates, in comparison? There was born here, once more, a Mighty Man; whose light was to flame as the beacon over long centuries and epochs of the world; the whole world and its history was waiting for this man. It is strange, it is great.”

Thomas Carlyle

1840s, Heroes and Hero-Worship (1840), The Hero as Priest

People , World , History , Light