Roger Ebert: Quotes about people

Roger Ebert was American film critic, author, journalist, and TV presenter. Explore interesting quotes on people.

Roger Ebert: 528 quotes2 likes

“I have discovered a goodness and decency in people as exhibited in all the letters, e-mails, flowers, gifts and prayers that have been directed my way. I am overwhelmed and humbled. I offer you my most sincere thanks and my deep and abiding gratitude. If I ever write my memoirs, I have some spellbinding material. How does the Joni Mitchell song go? "Don't it always seem to go that you don't know what you've got till it's gone"? One thing I've discovered is that I love my job more than I thought I did, and I love my wife even more!”

Roger Ebert

"Roger writes to readers" Chicago Sun Times (11 October 2006)

“The movie delights me with its cocky confidence that the audience can keep up. Primer is a film for nerds, geeks, brainiacs, Academic Decathlon winners, programmers, philosophers and the kinds of people who have made it this far into the review. It will surely be hated by those who 'go to the movies to be entertained', and embraced and debated by others, who will find it entertains the parts the others do not reach.”

Roger Ebert

Review http://www.rogerebert.com/reviews/primer-2004 of Primer (29 October 2004) Reviews, Three-and-a-half star reviews

“The audience I joined was perhaps 80 percent female. I heard some sniffles and glimpsed some tears, and no wonder. Eat Pray Love is shameless wish-fulfillment, a Harlequin novel crossed with a mystic travelogue, and it mercifully reverses the life chronology of many people, which is Love Pray Eat.”

Roger Ebert

Review http://www.rogerebert.com/reviews/eat-pray-love-2010 of Eat Pray Love (11 Aug 2010) Reviews, Two star reviews

“Boat Trip arrives preceded by publicity saying many homosexuals have been outraged by the film. Now that it's in theaters, everybody else has a chance to join them. Not that the film is outrageous. That would be asking too much. It is dim-witted, unfunny, too shallow to be offensive, and way too conventional to use all of those people standing around in the background wearing leather and chains and waiting hopefully for their cues. This is a movie made for nobody, about nothing.”

Roger Ebert

Review http://www.rogerebert.com/reviews/boat-trip-2003 of Boat Trip (21 March 2003) Reviews, Half-star reviews

“Here's a movie that stretches out every moment for more than it's worth, until even the moments of inspiration seem forced. Since the basic idea of the movie is a good one and there are talented people in the cast, what we have here is a film shot down by its own forced and mannered style.”

Roger Ebert

Review http://www.rogerebert.com/reviews/raising-arizona-1987 of Raising Arizona (20 March 1987) Reviews, One-and-a-half star reviews

“The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-bucket-list-2008 of The Bucket List (10 January 2008) Reviews, One-star reviews

“To know me is to love me. This cliche is popular for a reason, because most of us, I imagine, believe deep in our hearts that if anyone truly got to know us, they'd truly get to love us - or at least know why we're the way we are. The problem in life, maybe the central problem, is that so few people ever seem to have sufficient curiosity to do the job on us that we know we deserve.”

Roger Ebert

Review http://www.rogerebert.com/reviews/tie-me-up-tie-me-down-1990 of Tie Me Up! Tie Me Down! (25 May 1990) Reviews, Two-and-a-half star reviews

“It's the kind of movie where you ask people how they liked it, and they say, "Well, it was well made," and then they wince.”

Roger Ebert

Review http://www.rogerebert.com/reviews/dead-ringers-1988 of Dead Ringers (23 September 1988) Reviews, Two-and-a-half star reviews

“Showgirls is the first big-budget "adults only" movie in a few years and, to be sure, it contains so much nudity that the sexy parts are when the girls put on their clothes. It contains no true eroticism, however, and that's why I think it reflects a grounding in sexual fantasy: Eroticism requires a mental connection between two people, while masturbation requires only the other person's image.”

Roger Ebert

Review http://www.rogerebert.com/reviews/showgirls-1995 of Showgirls (22 September 1995) Reviews, Two star reviews

“A depressing number of people seem to process everything literally. They are to wit as a blind man is to a forest, able to find every tree, but each one coming as a surprise.”

Roger Ebert

First published in the "Movie Answer Man" column (18 September 2005) http://rogerebert.suntimes.com/apps/pbcs.dll/article?AID=/20050918/ANSWERMAN/509180304/1023

“Once is the kind of film I've been pestered about ever since I started reviewing again. People couldn't quite describe it, but they said I had to see it. I had to. Well, I did. They were right.”

Roger Ebert

Review http://www.rogerebert.com/reviews/once-2007 of Once (24 December 2007) Reviews, Four star reviews

“Sour Grapes is a comedy about things that aren't funny. It reminded me of Crash, an erotic thriller about things no one finds erotic. The big difference is that David Cronenberg, who made Crash, knew that people were not turned on by auto accidents. Larry David, who wrote and directed Sour Grapes, apparently thinks people are amused by cancer, accidental castration, racial stereotypes and bitter family feuds… The more I think of it, the more Sour Grapes really does resemble Crash (except that Crash was not a bad film). Both movies are like watching automobile accidents. Only one was intended to be.”

Roger Ebert

Review http://www.rogerebert.com/reviews/sour-grapes-1998 of Sour Grapes (17 April 1998) Reviews, Zero star reviews

“Guyana-Cult of the Damned has crawled out from under a rock and into local theaters, and will do nicely as this week's example of the depths to which people will plunge in search of a dollar. The movie is a gruesome version of the Jonestown massacre of 1978, so badly written and directed it illustrates a simple rule of movie exhibition: If a film is nauseating and reprehensible enough in the first place, it doesn't matter how badly it's made - people will go anyway.”

Roger Ebert

Review http://www.rogerebert.com/reviews/guyana-cult-of-the-damned-1980 of Guyana-Cult of the Damned (29 January 1980) Reviews, Zero star reviews

“Catholicism made me a humanist before I knew the word. When people rail against “secular humanism,” I want to ask them if humanism itself would be okay with them if it wasn’t so secular. Then I want to ask, “Why do you think it is secular?” This would lead to my opinion that their beliefs were not humanist.”

Roger Ebert

Source: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“These aren't nerds. They're a bunch of interesting guys, and that's the problem with Revenge of the Nerds II. The movie doesn't have the nerve to be about real nerds. It hedges its bets. A nerd is not a nerd because he understands computers and wears a plastic pen protector in his shirt pocket. A nerd is a nerd because he brings a special lack of elegance to life. An absence of style. An inability to notice the feelings of other people. A nerd is a nerd from the inside out, which is something the nerds who made this movie will never understand.”

Roger Ebert

Review http://www.rogerebert.com/reviews/revenge-of-the-nerds-ii-nerds-in-paradise-1987 of Revenge of the Nerds II: Nerds in Paradise (13 July 1987) Reviews, One-and-a-half star reviews

“Basic Instinct 2 is not good in any rational or defensible way, but not bad in irrational and indefensible ways. I savored the icy abstraction of the modern architecture, which made the people look like they came with the building. I grinned at that absurd phallic skyscraper that really does exist in London. I liked the recklessness of the sex-and-speed sequence that opens the movie (and, curiously, looks to have been shot in Chicago). I could appreciate the plot once I accepted that it was simply jerking my chain. You can wallow in it … Footnote No. 2: My 1-1/2-star rating is like a cold shower, designed to take my mind away from giving it four stars.”

Roger Ebert

Review http://www.rogerebert.com/reviews/basic-instinct-2-2006 of Basic Instinct 2 (31 March 2006) Reviews, One-and-a-half star reviews

“I do not often attribute motives to audience members, nor do I try to read their minds, but the people who were sitting around me on Monday morning made it easy for me to know what they were thinking. They talked out loud. And if they seriously believed the things they were saying, they were vicarious sex criminals.”

Roger Ebert

Review http://www.rogerebert.com/reviews/i-spit-on-your-grave-1980 of I Spit on Your Grave (16 July 1980) Reviews, Zero star reviews

“It considers not only how we relate to others, but how we relate to our ideas of others — so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or "people."”

Roger Ebert

Review http://www.rogerebert.com/reviews/solaris-2002 of Solaris (22 November 2002) Reviews, Three-and-a-half star reviews

“Here is how [life] happens. We find something we want to do, if we are lucky, or something we need to do, if we are like most people. We use it as a way to obtain food, shelter, clothing, mates, comfort, a first folio of Shakespeare, model airplanes, American Girl dolls, a handful of rice, sex, solitude, a trip to Venice, Nikes, drinking water, plastic surgery, child care, dogs, medicine, education, cars, spiritual solace -- whatever we think we need. To do this, we enact the role we call "me," trying to brand ourselves as a person who can and should obtain these things.In the process, we place the people in our lives into compartments and define how they should behave to our advantage. Because we cannot force them to follow our desires, we deal with projections of them created in our minds. But they will be contrary and have wills of their own. Eventually new projections of us are dealing with new projections of them. Sometimes versions of ourselves disagree. We succumb to temptation — but, oh, father, what else was I gonna do? I feel like hell. I repent. I'll do it again… This has not been a conventional review. There is no need to name the characters, name the actors, assign adjectives to their acting. Look at who is in this cast. You know what I think of them. This film must not have seemed strange to them. It's what they do all day, especially waiting around for the director to make up his mind.”

Roger Ebert

Review http://www.rogerebert.com/reviews/synecdoche-new-york-2008 of Synecdoche, New York (5 November 2008) Reviews, Four star reviews

“There is a scene in this film where a character is defecated on by several people at the same time, and I dunno … I didn't enjoy it.”

Roger Ebert

Source: Review http://www.rogerebert.com/reviews/tim-and-erics-billion-dollar-movie-2012 of Tim and Eric's Billion Dollar Movie (29 February 2012)