Roger Ebert: Doing

Roger Ebert was American film critic, author, journalist, and TV presenter. Explore interesting quotes on doing.

Roger Ebert: 528 quotes2 likes

“The movie delights me with its cocky confidence that the audience can keep up. Primer is a film for nerds, geeks, brainiacs, Academic Decathlon winners, programmers, philosophers and the kinds of people who have made it this far into the review. It will surely be hated by those who 'go to the movies to be entertained', and embraced and debated by others, who will find it entertains the parts the others do not reach.”

Roger Ebert

Review http://www.rogerebert.com/reviews/primer-2004 of Primer (29 October 2004) Reviews, Three-and-a-half star reviews

“The Bucket List is a movie about two old codgers who are nothing like people, both suffering from cancer that is nothing like cancer, and setting off on adventures that are nothing like possible. I urgently advise hospitals: Do not make the DVD available to your patients; there may be an outbreak of bedpans thrown at TV screens.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-bucket-list-2008 of The Bucket List (10 January 2008) Reviews, One-star reviews

“To call it weird would be a cowardly evasion. It is creepy, eccentric, eerie, flaky, freaky, funky, grotesque, inscrutable, kinky, kooky, magical, oddball, spooky, uncanny, uncouth and unearthly. Especially uncouth. What I did was, I typed the word 'weird' and when that wholly failed to evoke the feelings the film stirred in me, I turned to the thesaurus and it suggested the above substitutes - and none of them do the trick, either.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-triplets-of-belleville-2003 of The Triplets of Belleville (26 December 2003) Reviews, Three-and-a-half star reviews

“Mandingo is racist trash, obscene in its manipulation of human beings and feelings, and excruciating to sit through in an audience made up largely of children, as I did last Saturday afternoon. The film has an "R" rating, which didn't keep many kids out, since most came with their parents… if [Chicago] believes Mandingo should be shown to children, then there are no possible standards left and the only thing to do is transfer the censors to the parks department, where they can supervise paper‑plate‑ throwing contests.”

Roger Ebert

Review http://www.rogerebert.com/reviews/mandingo-1975 of Mandingo (25 July 1975) Reviews, Zero star reviews

“I read all the movie reviews, especially those of Ebert, a graceful and witty prose stylist with profound erudition, whose reviews are worth reading just for themselves, whether or not I have any intention of viewing the movie … Ebert, the smart and handsome one, gave thumbs up to my first movie Garfield: The Movie], but [Richard] Roeper, the other one, gave thumbs down and was particularly unkind. He went on forever attacking Ebert for liking Garfield. This from a man with enough taste to praise Duma. How very disappointing. One of Roeper's complaints was that I was animated and all of the other characters in the movie were "real." Do you have any idea how a statement like that hurts an actor who has worked all of his life as a media cat? Yes, Richard Roeper, I was animated. Read my lips: I am a character in a comic strip.”

Roger Ebert

Review http://www.rogerebert.com/reviews/garfield-a-tail-of-two-kitties-2006 of Garfield: A Tail of Two Kitties, written in the first person as Garfield. (16 June 2006) Reviews, Three star reviews

“I do not demand that all movies have a story to pull us from beginning to end, and indeed one of the charms of The Big Lebowski, the Coens' previous film, is how its stoned hero loses track of the thread of his own life. But with O Brother, Where Are Thou? I had the sense of invention set adrift; of a series of bright ideas wondering why they had all been invited to the same film.”

Roger Ebert

Review http://www.rogerebert.com/reviews/o-brother-where-art-thou-2000 of O Brother, Where Art Thou? (29 December 2000) Reviews, Two-and-a-half star reviews

“To know me is to love me. This cliche is popular for a reason, because most of us, I imagine, believe deep in our hearts that if anyone truly got to know us, they'd truly get to love us - or at least know why we're the way we are. The problem in life, maybe the central problem, is that so few people ever seem to have sufficient curiosity to do the job on us that we know we deserve.”

Roger Ebert

Review http://www.rogerebert.com/reviews/tie-me-up-tie-me-down-1990 of Tie Me Up! Tie Me Down! (25 May 1990) Reviews, Two-and-a-half star reviews

“You should never send an expert to a movie about his specialty. Boxers hate boxing movies. Space buffs said 'Apollo 13' showed the wrong side of the moon. The British believe Mel Gibson's scholarship was faulty in 'Braveheart' merely because some of the key characters hadn't been born at the time of the story. 'Hackers' is, I have no doubt, deeply dubious in the computer science department. While it is no doubt true that in real life no hacker could do what the characters in this movie do, it is no doubt equally true that what hackers can do would not make a very entertaining movie.”

Roger Ebert

Review http://www.rogerebert.com/reviews/hackers-1995 of Hackers (15 September 1995) Reviews, Three star reviews

“Attending this new version, I felt oddly as if I were watching a provincial stock company doing the best it could without the Broadway cast. I was reminded of the child prodigy who was summoned to perform for a famous pianist. The child climbed onto the piano stool and played something by Chopin with great speed and accuracy. The great musician then patted the child on the head and said, 'You can play the notes. Someday, you may be able to play the music.”

Roger Ebert

Review http://www.rogerebert.com/reviews/psycho-1998 of Psycho (6 December 1998) Reviews, One-and-a-half star reviews

“Clerks spoke with the sure, clear voice of an original filmmaker. In Mallrats the voice is muffled, and we sense instead advice from the tired, the establishment, the timid and other familiar Hollywood executive types. The year that Clerks played at the Cannes Film Festival, I was the chairman of a panel discussion of independent filmmakers. Most of them talked about their battles to stay free from Hollywood's playsafe strategies. But Kevin Smith cheerfully said he'd be happy to do whatever the studios wanted, if they'd pay for his films. At the time, I thought he was joking.”

Roger Ebert

Review http://www.rogerebert.com/reviews/mallrats-1995 of Mallrats (20 October 1995) Reviews, One-and-a-half star reviews

“Guyana-Cult of the Damned has crawled out from under a rock and into local theaters, and will do nicely as this week's example of the depths to which people will plunge in search of a dollar. The movie is a gruesome version of the Jonestown massacre of 1978, so badly written and directed it illustrates a simple rule of movie exhibition: If a film is nauseating and reprehensible enough in the first place, it doesn't matter how badly it's made - people will go anyway.”

Roger Ebert

Review http://www.rogerebert.com/reviews/guyana-cult-of-the-damned-1980 of Guyana-Cult of the Damned (29 January 1980) Reviews, Zero star reviews

“They say baseball is popular because everyone thinks they can play it. Similar reasoning may explain the popularity of the Olsen twins: Teenage girls love them because they believe they could be them. What, after all, do Mary-Kate and Ashley do in New York Minute that could not be done by any reasonably presentable female adolescent? Their careers are founded not on what they do, but on the vicarious identification of their fans, who enjoy seeing two girls making millions for doing what just about anybody could do.”

Roger Ebert

Review http://www.rogerebert.com/reviews/new-york-minute-2004 of New York Minute (7 May 2004) Reviews, One-and-a-half star reviews

“Catholicism made me a humanist before I knew the word. When people rail against “secular humanism,” I want to ask them if humanism itself would be okay with them if it wasn’t so secular. Then I want to ask, “Why do you think it is secular?” This would lead to my opinion that their beliefs were not humanist.”

Roger Ebert

Source: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God

“The movie, as everyone knows, is about a man who finds himself living the same day over and over and over again. He is the only person in his world who knows this is happening, and after going through periods of dismay and bitterness, revolt and despair, suicidal self-destruction and cynical recklessness, he begins to do something that is alien to his nature. He begins to learn.”

Roger Ebert

Review https://www.rogerebert.com/reviews/great-movie-groundhog-day-1993 of Groundhog Day Reviews, Four star reviews

“I do not often attribute motives to audience members, nor do I try to read their minds, but the people who were sitting around me on Monday morning made it easy for me to know what they were thinking. They talked out loud. And if they seriously believed the things they were saying, they were vicarious sex criminals.”

Roger Ebert

Review http://www.rogerebert.com/reviews/i-spit-on-your-grave-1980 of I Spit on Your Grave (16 July 1980) Reviews, Zero star reviews

“Consider an opening musical number set in a maternity ward, where Tommy Pickles and his friends Chuckie Finster and Phil and Lil DeVille are hoping for a look at Tommy's new kid brother, Dilbert. (Dil Pickles — get it? For Rugrats fans, this is humor of the highest order.) They wake up the babies, who do a number that seems inspired by Bubsy Berkeley, except that the Berkeley girls never had to supply their own dancing waters, if you get my drift.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-rugrats-movie-1998 of The Rugrats Movie (20 November 1998) Reviews, Two star reviews

“This is a plot, if ever there was one, to illustrate King Lear's complaint, "As flies to wanton boys, are we to the gods; They kill us for their sport." I am aware this is the second time in two weeks I have been compelled to quote Lear, but there are times when Eminem simply will not do.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-life-of-david-gale-2003 of The Life of David Gale (21 February 2003) Reviews, Zero star reviews

“It considers not only how we relate to others, but how we relate to our ideas of others — so that a completely phony, non-human replica of a dead wife can inspire the same feelings that the wife herself once did. That is a peculiarity of humans: We feel the same emotions for our ideas as we do for the real world, which is why we can cry while reading a book, or fall in love with movie stars. Our idea of humanity bewitches us, while humanity itself stays safely sealed away into its billions of separate containers, or "people."”

Roger Ebert

Review http://www.rogerebert.com/reviews/solaris-2002 of Solaris (22 November 2002) Reviews, Three-and-a-half star reviews

“I am required to award stars to movies I review. This time, I refuse to do it. The star rating system is unsuited to this film. Is the movie good? Is it bad? Does it matter? It is what it is and occupies a world where the stars don't shine.”

Roger Ebert

Review http://www.rogerebert.com/reviews/the-human-centipede-2010 of The Human Centipede (5 May 2010) Reviews, No star rating

“As I grew I no longer lost any sleep over the questions of God and infinity. I understood they could have no answers. At some point the reality of God was no longer present in my mind. I believed in the basic Church teachings because I thought they were correct, not because God wanted me to. In my mind, in the way I interpret them, I still live by them today. Not by the rules and regulations, but by the principles. For example, in the matter of abortion, I am pro-choice, but by personal choice would have nothing to do with an abortion of a child of my own. I believe in free will, and believe I have no right to tell anyone else what to do. Popes come and go, and John XXIII has been the only one I felt affection for. Their dictums strike me as lacking in the ability to surprise. They have been leading a holding action for a millennium.”

Roger Ebert

Source: Life Itself : A Memoir (2011), Ch. 54 : How I Believe In God