Richard Wright: Feel

Richard Wright was African-American writer. Explore interesting quotes on feel.

Richard Wright: 260 quotes6 likes

“The southern whites would rather have had Negroes who stole, work for them than Negroes who knew, however dimly, the worth of their own humanity. Hence, whites placed a premium upon black deceit; they encouraged irresponsibility; and their rewards were bestowed upon us blacks in the degree that we could make them feel safe and superior.”

Richard Wright book Black Boy

Black Boy (1945)

“Later I came awake with a sudden start, remembering the fright and tension that had accompanied my foray into crime. Well, all that was gone now. I could start anew. I did not like to feel tension and fear. I wanted something else, to be human, to be caught up in something meaningful.”

Richard Wright book Black Boy

Black Boy (1945)

“Because he could go now, run off if he wanted to and leave it all behind, he felt a certain sense of power, a power born of a latent capacity to live. He was conscious of this quiet, warm, clean rich house, this room with this bed so soft, the wealthy white people moving in luxury to all sides of him, whites living in smugness, a security, a certainty that he had never known. The knowledge that he had killed a white girl they loved and regarded as their symbol of beauty made him feel equal of them, like a man who had been somehow cheated, but had now evened the score.”

"Flight", pp. 155
Native Son (1940)

“If laying down my life could stop the suffering in the world I'd do it. But I don't believe anything can stop it,' I told him. He heard me but he did not speak. I wanted to say more to him, but I knew that it would have been useless. Though older than I, he had neither known nor felt anything of life for himself; he had been carefully reared by his mother and father and he had always been told what to feel.”

Richard Wright book Black Boy

Black Boy (1945)

“There were rare moments when a feeling and longing for solidarity with other black people would take hold of him. He would dream of making a stand against that white force, but that dream would fade when he looked at the other black people near him. Even though black like them, he felt there was too much difference between him and them to allow for a common binding and a common life. Only when threatened with death could that happen; only in fear and shame, with their backs against a wall, could that happen. But never could they sink their differences in hope.”

"Flight", pp. 109, Harper Row 1966
Native Son (1940)

“The despised, the insulted, the hurt, the dispossessed—in short, the underdogs of the human race were meeting. Here were class and racial and religious consciousness on a global scale. Who had thought of organizing such a meeting? And what had these nations in common? Nothing, it seemed to me, but what their past relationship to the Western world had made them feel. This meeting of the rejected was in itself a kind of judgment upon the Western world!”

Richard Wright book The Color Curtain

The Color Curtain (1956)

“My ability to endure tension had now grown amazingly. From the accidental pain of southern years, from anxiety that I had sought to avoid, from fear that had been too painful to bear, I had learned to like my unintermittent burden of feeling, had become habituated to acting with all of my being, had learned to seek those areas of life, those situations, where I knew that events would complement my own inner mood. I was conscious of what was happening to me; I knew that my attitude of watchful wonder had usurped all other feelings, had become the meaning of my life, an integral part of my personality; that I was striving to live and measure all things by it. Having no claims upon others, I bent the way the wind blew, rendering unto my environment that which was my environment's, and rendering unto myself that which I felt was mine. It was a dangerous way to live, far more dangerous than violating laws or ethical codes of conduct; but the danger was for me and me alone.”

Richard Wright book Black Boy

Source: Black Boy (American Hunger) (1991), p. 282

“I read Stein’s Three Lives, Crane’s The Red Badge of Courage, and Dostoevski’s The Possessed, all of which revealed new realms of feeling. But the most important discoveries came when I veered from fiction proper into the field of psychology and sociology. I ran through volumes that bore upon the causes of my conduct and the conduct of my family. I studied tables of figures relating population density to insanity, relating housing to disease, relating school and recreational opportunities to crime, relating various forms of neurotic behavior to environment, relating racial insecurities to the conflicts between whites and blacks… I still had no friends, casual or intimate, and felt the need for none. I had developed a self-sufficiency that kept me distant from others, emotionally and psychologically.”

Richard Wright book Black Boy

Black Boy (1945)

“Pity can purge us of hostility and arouse feelings of identification with the characters, but it can also be a consoling reassurance which leads us to believe that we have understood, and that, in pitying, we have even done something to right a wrong.”

Native Son (1940)

“He was not satisfied with the way things stood now; he was a man who had come in sight of a goal, then had won it, and in winning it had seen just within his grasp another goal, higher, greater. He had learned to shout and had shouted and no ear had heard him; he had just learned to walk and was walking but could not see the ground beneath his feel; he had long been yearning for weapons to hold in his hands and suddenly found that his hands held weapons that were invisible.”

"Flight", pp.125, Harper Row 1966
Native Son (1940)

“He did not feel that he was stealing, for the cleaver, the radio, the money, and the typewriter were all on the same level of value, all meant the same thing to him. They were the serious toys of the men who lived in the dead world of sunshine and rain he had left, the world that had condemned him, branded him guilty.”

Eight Men (1961)

“What vision must Negro writers have before their eyes in order to feel the impelling necessity for an about face? What angle of vision can show them all the forces of modern society in process, all the lines of economic development converging toward a distant point of hope? Must they believe in some `ism?”

"Blueprint" 45
White Man, Listen! (1957)

“Reading was like a drug, a dope. The novels created moods in which I lived for days. But I could not conquer my sense of guilt, my feeling that the white men around me knew that I was changing, that I had begun to regard them differently.”

Richard Wright book Black Boy

Black Boy (1945)