Richard Wright: Trending quotes

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Richard Wright: 260 quotes6 likes

“I don't know if Native Son is a good book or a bad book. And I don't know if the book I'm working on now will be a good book or a bad book. And I really don't care. The mere writing of it will be more fun and a deeper satisfaction than any praise or blame from anybody. I feel that I'm lucky to be alive to write novels today, when the whole world is caught in the pangs of war and change.”

Richard Wright

pg. xxxiv
Native Son (1940)

“…. Above all, he was ashamed of his world, for the world about him had branded his world as bad, inferior. Moreover, he felt no moral strength or compulsion to defend his world. That in him which had always made him self-conscious was now the bud of a new possible life that was pressing ardently but timidly against the shell of the old to shatter it and be free.”

Richard Wright

The Long Dream (1958)

“The southern whites would rather have had Negroes who stole, work for them than Negroes who knew, however dimly, the worth of their own humanity. Hence, whites placed a premium upon black deceit; they encouraged irresponsibility; and their rewards were bestowed upon us blacks in the degree that we could make them feel safe and superior.”

Richard Wright book Black Boy

Black Boy (1945)

“Perspective is that part of a poem, novel, or play which a writer never puts directly upon paper. It is that fixed point in intellectual space where a writer stands to view the struggles, hopes, and sufferings of his people. There are times when he may stand too close and the result is a blurred vision. Or he may stand too far away and the result is a neglect of important things.”

Richard Wright

White Man, Listen! (1957)

“These were the rhythms of his life: indifference and violence; periods of abstract brooding and periods of intense desire; moments of silence and moments of anger- like water ebbing and flowing from the tug of a far-away, invisible force.”

Richard Wright

"Fear", pp. 31, Harper Row 1966
Native Son (1940)

“I found that when I talked to them in abstract terms, my ideas were not understood. The irony of it was that I, who had all but to steal books to read, had been branded as an intellectual by the one group that claimed it was dedicated to educating the oppressed and informing them with a vision of life.”

Richard Wright book Black Boy

Black Boy (1945)

“Anything seemed possible, likely, feasible, because I wanted everything to be possible…Because I had no power to make things happen outside of me in the objective world, I made things happen within. Because my environment was bare and bleak, I endowed it with unlimited potentialities, redeemed it for the sake of my own hungry and cloudy yearning.”

Richard Wright book Black Boy

Black Boy (1945)

“I'm a rootless man, but I'm neither psychologically distraught nor in any wise particularly perturbed because of it. Personally, I do not hanker after, and seem not to need, as many emotional attachments, sustaining roots, or idealistic allegiances as most people. I declare unabashedly that I like and even cherish the state of abandonment, of aloneness; it does not bother me; indeed, to me it seems the natural, inevitable condition of man, and I welcome it. I can make myself at home almost anywhere on this earth and can, if I've a mind to and when I'm attracted to a landscape or a mood of life, easily sink myself into the most alien and widely differing environments.”

Richard Wright

White Man, Listen! (1957)

“With a twitching nose
A dog reads a telegram
On a wet tree trunk.”

Richard Wright

Haiku: This Other World (1998)

“I soon made myself a nuisance by asking far too many questions of everybody. Every happening in the neighborhood, no matter how trivial, became my business.”

Richard Wright book Black Boy

Black Boy (1945)

“Later I came awake with a sudden start, remembering the fright and tension that had accompanied my foray into crime. Well, all that was gone now. I could start anew. I did not like to feel tension and fear. I wanted something else, to be human, to be caught up in something meaningful.”

Richard Wright book Black Boy

Black Boy (1945)

“Every movement of his body is an unconscious protest. Every desire, every dream, no matter how intimate or personal, is a plot or a conspiracy. Every hope is a plan for insurrection. Every glance of the eye is a threat. His very existence is a crime against the state!”

Richard Wright

Native Son (1940)

“Because he could go now, run off if he wanted to and leave it all behind, he felt a certain sense of power, a power born of a latent capacity to live. He was conscious of this quiet, warm, clean rich house, this room with this bed so soft, the wealthy white people moving in luxury to all sides of him, whites living in smugness, a security, a certainty that he had never known. The knowledge that he had killed a white girl they loved and regarded as their symbol of beauty made him feel equal of them, like a man who had been somehow cheated, but had now evened the score.”

Richard Wright

"Flight", pp. 155
Native Son (1940)

“If laying down my life could stop the suffering in the world I'd do it. But I don't believe anything can stop it,' I told him. He heard me but he did not speak. I wanted to say more to him, but I knew that it would have been useless. Though older than I, he had neither known nor felt anything of life for himself; he had been carefully reared by his mother and father and he had always been told what to feel.”

Richard Wright book Black Boy

Black Boy (1945)

“Often, when perplexed, I longed to be like the smiling, lazy, forgetful black boys in the noisy hotel locker rooms, with no torrential conflicts to resolve. Many times I grew weary of the secret burden I carried and longed to cast it down, either in action or in resignation. But I was not made to be a resigned man and I had only a limited choice of actions, and I was afraid of all of them.”

Richard Wright book Black Boy

Black Boy (1945)

“There were rare moments when a feeling and longing for solidarity with other black people would take hold of him. He would dream of making a stand against that white force, but that dream would fade when he looked at the other black people near him. Even though black like them, he felt there was too much difference between him and them to allow for a common binding and a common life. Only when threatened with death could that happen; only in fear and shame, with their backs against a wall, could that happen. But never could they sink their differences in hope.”

Richard Wright

"Flight", pp. 109, Harper Row 1966
Native Son (1940)

“[As] the tide of white domination of the land mass of Asia and Africa recedes, there lies exposed to view a procession of shattered cultures, disintegrated societies, and a writhing sweep of more aggressive, irrational religion than the world has known for centuries.”

Richard Wright

White Man, Listen! (1957)

“And in a boy like Bigger, young, unschooled, whose subjective life was clothed in the tattered rags of American "culture," this primitive fear and ecstasy were naked, exposed, unprotected by religion or a framework of government or a scheme of society whose final faiths would gain his love and trust; unprotected by trade or profession, faith or belief; opened to every trivial blast of daily or hourly circumstance.”

Richard Wright

pg. xxv
Native Son (1940)

“And still when the delicate and unconscious machinery of race relations slips, there will be murder again. How can law contradict the lives of millions of people and hope to be administered successfully?”

Richard Wright

pg. 361
Native Son (1940)

““That’s all right,” he said. “But when you’re through reading those books, I want you to tell me what you get out of them.” That night in my rented room, while letting the hot water run over my can of pork and beans in the sink, I opened A Book of Prefaces and began to read. I was jarred and shocked by the style, the clear, clean, sweeping sentences. Why did he write like that? And how did one write like that? I pictured the man as a raging demon, slashing with his pen, consumed with hate, denouncing everything American, extolling everything European or German, laughing at the weaknesses of people, mocking God, authority. What was this?”

Richard Wright book Black Boy

Black Boy (1945)