Paul Cézanne: Paint (page 2)

“Anyone who wants to paint should read Bacon. He defined the artists as homo additus naturae... Bacon had the right idea, but listen Monsieur Vollard, speaking of nature, the English philosopher, [Bacon] didn't for-see our open-air school, nor that other calamity which has followed close upon its heels: open-air indoors.”

Paul Cézanne

Quote in a conversation with Vollard in museum The Luxembourg, Paris 1897 - standing before the 'Olympia' of Manet; as quoted in Cézanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 36
Quotes of Paul Cezanne, 1880s - 1890s

School , Idea , Nature , Reading

“Don't you think your Corot [to Guilemet the painter] is a little short on temperament? I'm painting a portrait of Vallabreque; the highlight on the nose is pure vermilion”

Paul Cézanne

remark of Cezanne ca. 1860
Quote in: Cézanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 28
Quotes of Paul Cezanne, 1860s - 1870s

Thinking , Painting

“Painting certainly means more to me than everything else in the world. I think my mind becomes clearer when I am in the presence of nature. Unfortunately, the realization of my sensations is always a very painful process with me. I can't seem to express the intensity which beats in upon my senses. I haven't at my command the magnificent richness of color which enlivens Nature... Look at that cloud; I should like to be able to paint that! Monet could. He had muscle.”

Paul Cézanne

Quote in a conversation with Vollard, along the river near Aix, 1896; as quoted in Cezanne, by Ambroise Vollard, Dover publications Inc. New York, 1984, p. 74
Quotes of Paul Cezanne, 1880s - 1890s

Pain , World , Color , Nature

“.. in my ideal of a good painting; there's unity. The drawing and the colour are no longer distinct; as soon as you paint you draw; the more the colours harmonize, the more precise the drawing becomes. I know that from experience. When the colour is at its richest, the form is at its fullest.”

Paul Cézanne

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 221 in: 'What he told me – III. The Studio'

Drawing , Painting

“Personally I would like to have pupils, a studio, pass on my love to them, work with them, without teaching them anything... A convent, a monastery, a phalanstery of painting where one could train together.... but no program, no instruction in painting.... drawing is still alright, it doesn't count, but painting – the way to learn is to look at the masters, above all at nature, and to watch other people painting..”

Paul Cézanne

Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 124, in: 'What I know or have seen of his life'

Love , People , Way , Nature

“Here you are, put this somewhere, on your work table. You must always have this before your eyes... It's a new order of painting. Our Renaissance starts here... There's a pictorial truth in things. This rose and this white lead us to it by a path hitherto unknown to our sensibility..”

Paul Cézanne

Cezanne is referring in this quote to a photo of the painting 'Olypmpia', painted by Manet
Source: Quotes of Paul Cezanne, after 1900, Cézanne, - a Memoir with Conversations, (1897 - 1906), p. 71, in: 'What I know or have seen of his life'

Truth , Painting