Paul Bourget: Thing

“There is no such thing as an age for love … because the man capable of loving — in the complex and modern sense of love as a sort of ideal exaltation — never ceases to love.”

Paul Bourget

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love
Context: There is no such thing as an age for love... because the man capable of loving — in the complex and modern sense of love as a sort of ideal exaltation — never ceases to love. I will go further; he never ceases to love the same person. You know the experiment that a contemporary physiologist tried with a series of portraits to determine in what the indefinable resemblances called family likeness consisted? He took photographs of twenty persons of the same blood, then he photographed these photographs on the same plate, one over the other. In this way he discovered the common features which determined the type. Well, I am convinced that if we could try a similar experiment and photograph one upon another the pictures of the different women whom the same man has loved or thought he had loved in the course of his life we should discover that all these women resembled one another. The most inconsistent have cherished one and the same being through five or six or even twenty different embodiments.

Love , Age , Sense

“Some day you will know for yourself that it is almost as true to say that one recovers from all things as that there is nothing which does not leave its scar.”

Paul Bourget

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love
Context: I had a friend, a companion of my own age, who, when he was twenty, had loved a young girl. He was poor, she was rich. Her family separated them. The girl married some one else and almost immediately afterward she died. My friend lived. Some day you will know for yourself that it is almost as true to say that one recovers from all things as that there is nothing which does not leave its scar. I had been the confidant of his serious passion, and I became the confidant of the various affairs that followed that first ineffaceable disappointment. He felt, he inspired, other loves. He tasted other joys. He endured other sorrows, and yet when we were alone and when we touched upon those confidences that come from the heart's depths, the girl who was the ideal of his twentieth year reappeared in his words. How many times he has said to me, "In others I have always looked for her and as I have never found her, I have never truly loved any one but her."

“The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed.”

Paul Bourget

Source: Andre Cornelis (1886), Ch. 13
Context: I was suddenly carried away by rage to the point of losing all control over my frenzy. "Ah!" I cried, "since you will not do justice on yourself, die then, at once!" I stretched out my hand and seized the dagger which he had recently placed upon the table. He looked at me without flinching, or recoiling; indeed presenting his breast to me, as though to brave my childish rage. I was on his left bending down, and ready to spring. I saw his smile of contempt, and then with all my strength I struck him with the knife in the direction of the heart.
The blade entered his body to the hilt.
No sooner had I done this thing than I recoiled, wild with terror at the deed. He uttered a cry. His face was distorted with terrible agony, and he moved his right hand towards the wound, as though he would draw out the dagger. He looked at me, convulsed; I saw that he wanted to speak; his lips moved, but no sound issued from his mouth. The expression of a supreme effort passed into his eyes, he turned to the table, took a pen, dipped it into the inkstand, and traced two lines on a sheet of paper within his reach. He looked at me again, his lips moved once more, then he fell down like a log.

“I shall always believe that it was his own story under another name, and I love to believe it because it was so exactly his way of looking at things…”

Paul Bourget

The Age for Love
Context: The story he told me was "per sfogarsi," as Bayle loved to say; his idea was that I would not discover the real hero. I shall always believe that it was his own story under another name, and I love to believe it because it was so exactly his way of looking at things...

Love , Way

“There is only one thing infamous in love, and that is a falsehood.”

Paul Bourget

Source: Cosmopolis (1892), Ch. 5 "Countess Steno"

Love

“Well, you must now imagine my friend at my age or almost there. You must picture him growing gray, tired of life and convinced that he had at last discovered the secret of peace. At this time he met, while visiting some relatives in a country house, a mere girl of twenty, who was the image, the haunting image of her whom he had hoped to marry thirty years before. It was one of those strange resemblances which extend from the color of the eyes to the 'timbre' of the voice, from the smile to the thought, from the gestures to the finest feelings of the heart. I could not, in a few disjointed phrases describe to you the strange emotions of my friend. It would take pages and pages to make you understand the tenderness, both present and at the same time retrospective, for the dead through the living; the hypnotic condition of the soul which does not know where dreams and memories end and present feeling begins; the daily commingling of the most unreal thing in the world, the phantom of a lost love, with the freshest, the most actual, the most irresistibly naïve and spontaneous thing in it, a young girl. She comes, she goes, she laughs, she sings, you go about with her in the intimacy of country life, and at her side walks one long dead. After two weeks of almost careless abandon to the dangerous delights of this inward agitation imagine my friend entering by chance one morning one of the less frequented rooms of the house, a gallery, where, among other pictures, hung a portrait of himself, painted when he was twenty-five. He approaches the portrait abstractedly. There had been a fire in the room, so that a slight moisture dimmed the glass which protected the pastel, and on this glass, because of this moisture, he sees distinctly the trace of two lips which had been placed upon the eyes of the portrait, two small delicate lips, the sight of which makes his heart beat. He leaves the gallery, questions a servant, who tells him that no one but the young woman he has in mind has been in the room that morning.”

Paul Bourget

Pierre Fauchery, as quoted by the character "Jules Labarthe"
The Age for Love

Love , Life , Secret , Age