P. L. Travers: Myth

“Friend Monkey is really my favorite of all my books because the Hindu myth on which it is based is my favorite — the myth of the Monkey Lord who loved so much that he created chaos wherever he went. … when you read the Ramayana you’ll come across the story of Hanuman on which I built my version of that very old myth.
I love Friend Monkey.”

P. L. Travers

I love the story of Hanuman. For many years, it remained in my very blood because he’s someone who loves too much and can’t help it. I don’t know where I first heard of him, but the story remained with me and I knew it would come out of me somehow or other. But I didn’t know what shape it would take.
The Paris Review interview (1982)

Love , Books , Reading

“The true fairytales … come straight out of myth; they are, as it were, minuscule reaffirmation of myths, or perhaps the myth made accessible to the local folky mind.”

P. L. Travers

Source: Myth, Symbol, and Meaning in Mary Poppins (2007), Ch. 2, p. 39
Context: The true fairytales … come straight out of myth; they are, as it were, minuscule reaffirmation of myths, or perhaps the myth made accessible to the local folky mind. One might say that fairytales are the myths falling into time and locality … is the same stuff, all the essentials are there, it is small, but perfect. Not minimized, not to be made digestible for children.

Fairytale

“No culture can satisfactorily move along its forward course without its myths, which are its teachings, its fundamental dealing with the truth of things, and the one reality that underlies everything.”

P. L. Travers

The Paris Review interview (1982)
Context: I think if she comes from anywhere that has a name, it is out of myth. And myth has been my study and joy ever since — oh, the age, I would think... of three. I’ve studied it all my life. No culture can satisfactorily move along its forward course without its myths, which are its teachings, its fundamental dealing with the truth of things, and the one reality that underlies everything. <!-- Yes, in that way you could say that it was teaching, but in no way deliberately doing so.

Truth , Reality

“I think if she comes from anywhere that has a name, it is out of myth.”

P. L. Travers

The Paris Review interview (1982)
Context: I think if she comes from anywhere that has a name, it is out of myth. And myth has been my study and joy ever since — oh, the age, I would think... of three. I’ve studied it all my life. No culture can satisfactorily move along its forward course without its myths, which are its teachings, its fundamental dealing with the truth of things, and the one reality that underlies everything. <!-- Yes, in that way you could say that it was teaching, but in no way deliberately doing so.

Thinking

““Myth, Symbol, and Tradition” was the phrase I originally wrote at the top of the page, for editors like large, cloudy titles. Then I looked at what I had written and, wordlessly, the words reproached me. I hope I had the grace to blush at my own presumption and their portentousness. How could I, if I lived for a thousand years, attempt to cover more than a hectare of that enormous landscape?
So, I let out the air, in a manner of speaking, dwindled to my appropriate size, and gave myself over to that process which, for lack of a more erudite term, I have coined the phrase “Thinking is linking.” I thought of Kerenyi — “Mythology occupies a higher position in the bios, the Existence, of a people in which it is still alive than poetry, storytelling or any other art.” And of Malinowski — “Myth is not merely a story told, but a reality lived.” And, along with those, the word “Pollen,” the most pervasive substance in the world, kept knocking at my ear. Or rather, not knocking, but humming. What hums? What buzzes? What travels the world? Suddenly I found what I sought. “What the bee knows,” I told myself. “That is what I’m after.”
But even as I patted my back, I found myself cursing, and not for the first time, the artful trickiness of words, their capriciousness, their lack of conscience. Betray them and they will betray you. Be true to them and, without compunction, they will also betray you, foxily turning all the tables, thumbing syntactical noses. For — note bene! — if you speak or write about What The Bee Knows, what the listener, or the reader, will get — indeed, cannot help but get — is Myth, Symbol, and Tradition! You see the paradox? The words, by their very perfidy — which is also their honorable intention — have brought us to where we need to be. For, to stand in the presence of paradox, to be spiked on the horns of dilemma, between what is small and what is great, microcosm and macrocosm, or, if you like, the two ends of the stick, is the only posture we can assume in front of this ancient knowledge — one could even say everlasting knowledge.”

P. L. Travers

"What the Bee Knows" in Parabola : The Magazine of Myth and Tradition, Vol. VI, No. 1 (February 1981); later published in What the Bee Knows : Reflections on Myth, Symbol, and Story (1989)

People , World , Hope , Art

“I read myths and fairy tales and books about them a great deal now, but I very seldom read novels. I find modern novels bore me. I can read Tolstoy and the Russians, but mostly I read comparative mythology and comparative religion. I need matter to carry with me.”

P. L. Travers

The Paris Review interview (1982)

Books , Religion , Reading

“I think if she comes from anywhere that has a name, it is out of myth. And myth has been my study and joy ever since — oh, the age, I would think... of three. I’ve studied it all my life. No culture can satisfactorily move along its forward course without its myths, which are its teachings, its fundamental dealing with the truth of things, and the one reality that underlies everything.”

P. L. Travers

The Paris Review interview (1982)

Study , Truth , Joy , Thinking

“The true fairytales … come straight out of myth; they are, as it were, minuscule reaffirmation of myths, or perhaps the myth made accessible to the local folky mind. One might say that fairytales are the myths falling into time and locality … is the same stuff, all the essentials are there, it is small, but perfect. Not minimized, not to be made digestible for children.”

P. L. Travers

Source: Myth, Symbol, and Meaning in Mary Poppins (2007), Ch. 2, p. 39

Perfection , Fairytale , Time , Children