Attributed to Welles in Ebony magazine (August 1977) https://books.google.com/books?id=08sDAAAAMBAJ&q=%22men+created+civilization%22#v=snippet&q=%22men%20created%20civilization%22&f=false. <br class="br">Disputed quotes

“This is Orson Welles, ladies and gentlemen, out of character, to assure you that The War of the Worlds has no further significance than as the holiday offering it was intended to be; The Mercury Theatre's own radio version of dressing up in a sheet and jumping out of a bush and saying "Boo!" Starting now, we couldn't soap all your windows and steal all your garden gates by tomorrow night, so we did the next best thing. We annihilated the world before your very ears and utterly destroyed the CBS. You will be relieved, I hope, to learn that we didn't mean it, and that both institutions are still open for business. So goodbye everybody, and remember please for the next day or so the terrible lesson you learned tonight. That grinning, glowing, globular invader of your living room is an inhabitant of the pumpkin patch, and if your doorbell rings and nobody's there, that was no Martian, it's Halloween.”

Orson Welles

The on-air statement he gave at the end of "The War of the Worlds" broadcast, October 30, 1938.

“It isn't worth it. No money is worth this… [walks out].”

Orson Welles

The Findus Foods "Frozen Peas" Session Out-Takes

“Race hate isn't human nature; race hate is the abandonment of human nature.”

Orson Welles

Orson Welles, "Race hate must be outlawed" (an editorial), Free World (July, 1944). http://www.wellesnet.com/orson-welles-race-hate-must-outlawed/ <br class="br">Source: [Higham, Charles, Orson Welles: The Rise and Fall of an American Genius, St. Martin's Press, New York, NY, 1985, 216, 0-312-31280-6, https://books.google.com/books?id=pJBlaIC-VG4C&lpg=PA216&dq=%22race%20hate%20isn't%20human%20nature%22&pg=PA216#v=onepage&q=%22race%20hate%20isn't%20human%20nature%22&f=false]

“An audience is not so much a complement to an actor's ego, as a challenge to his capacities.”

Orson Welles

Welles, speaking in an episode of Orson Welles Sketch-book

“That doesn't make any sense. Sorry. There's no known way of saying an English sentence in which you begin a sentence with "in" and emphasize it. Get me a jury and show me how you can say "In July" and I'll go down on you. That's just idiotic, if you'll forgive me for saying so. It's just stupid… "In July"; I'd love to know how you emphasize "In" in "In July."”

Orson Welles

Impossible! Meaningless!
The Findus Foods "Frozen Peas" Session Out-Takes

“I suppose you are a fool to do it [express a political view as an artist], but if you happen to be more interested in the political question, than the size of your audience, then it doesn't matter.”

Orson Welles

“Even if I’d stayed [in the US to finish The Magnificent Ambersons I would’ve had to make compromises on the editing, but these would’ve been mine and not the fruit of confused and often semi-hysterical committees. If I had been there myself I would have found my own solutions and saved the pictures in a form which would have carried the stamp of my own effort.”

Orson Welles

In conversation with Peter Bogdanovich in This is Orson Welles.

“Thank you, Donald, for that well-meant but rather pedestrian introduction. Regarding yourself, I quote from the third part of Shakespeare's Henry VI, Act Two, Scene One. Richard speaks, "Were thy heart as hard as steel/ As thou hast shown it flinty by thy deeds/ I come to pierce it, or to give thee mine." To translate into your own idiom, Donald; you're a yo-yo. Now I direct my remarks to Dean Martin, who is being honored here tonight… for reasons that completely elude me. No, I'm not being fair to Dean because - this is true - in his way Dean, and I know him very well, has the soul of a poet. I'm told that in his most famous song Dean authored a lyric which is so romantic, so touching that it will be enjoyed by generations of lovers until the end of time. Let's share it together. [Opens a songsheet for Dean's "That's Amore" and reads in a monotone] "When the moon hits your eye/ Like a big pizza-pie/ That's amore" Now, that's what I call 'touching', Dean. It has all the romanticism of a Ty-D-Bol commercial. "When the world seems to shine/ Like you've had too much wine/ That's amore" What a profound thought. It could be inscribed forever on a cocktail napkin. Hey, there's more. "Tippy-tippy-tay/ Like a gay tarantella" Like a gay tarantella? Apparently, Dean has a 'side Dean' we know nothing about. "When the stars make you drool/ Just like a pasta fazool…. Scuzza me, but you see/ Back in old Napoli/ That's amore" No, Dean; that's infermo, Italian for "sickened". Now, lyrics like that - lyrics like that ought to be issued with a warning: a song like that is hazardous to your health. Ladies and gentlemen… [motions to Dean] you are looking at the end result!”

Orson Welles

Speech given at a Dean Martin Celebrity Roast. Viewable here http://www.youtube.com/watch?v=VlKR0i-51S4.

“Hollywood is Hollywood. There’s nothing you can say about it that isn’t true, good or bad. And if you get into it, you have no right to be bitter — you’re the one who sat down, and joined the game.”

Orson Welles

Quoted in The Orson Welles Story.

“In Italy, for thirty years under the Borgias, they had warfare, terror, murder and bloodshed - they produced Michelangelo, Leonardo Da Vinci and the Renaissance. In Switzerland, they had brotherly love and five hundred years of democracy and peace, and what did they produce? The cuckoo clock!”

Orson Welles

As the character Harry Lime in the film The Third Man (1949).

“My father once told me that the art of receiving a compliment is, of all things, the sign of a civilized man. He died soon afterwards, leaving my education in this important matter sadly incomplete; I'm only glad that, on this, the occasion of the rarest compliment he ever could have dreamed of, that he isn't here to see his son so publicly at a loss. In receiving a compliment, or in trying to, the words are all worn out by now. They're polluted by ham and corn. And, when you try to scratch around for some new ones, it's just an exercise in empty cleverness. What I feel this evening, is not very clever. it's the very opposite of emptiness. The corny old phrase is the only one I know to say it: my heart is full; with a full heart, with all of it, I thank you. This is Samuel Johnson, on the subject of what he calls contrarieties: "there are goods, so opposed that we cannot seize both, and, in trying, fail to seize either. Flatter not yourself, he says, with contrarieties. Of the blessings set before you, make your choice. No man can, at the same time, fill his cup from the source, and from the mouth of the nile." For this business of contrarieties has to do with us. With you, who are paying me this compliment, and for me, who has strayed so far from this hometown of ours. Not that I am alone in this, or unique, I am never that; but there are a few of us left in this conglomerated world of us who still trudge stubbornly along this lonely rocky road; and this is in fact our contrariety. We don't move nearly as fast as our cousins on the freeway; we don't even get as much accomplished just as the family sized farm can't possibly raise as many crops or get as much profit as the agricultural factory of today. What we do come up with has no special right to call itself better it's just.. different. No if there's any excuse for us it all, it's that we're simply following the old American tradition of the maverick, and we are a vanishing breed. This honor I can only accept in the name of all the mavericks. And also, as a tribute to the generosity of all the rest of you; to the givers, to the ones with fixed addresses. A maverick may go his own way but he doesn't think that it's the only way, or ever claim that it's the best one, except maybe for himself. And don't imagine that this raggle-taggle gypsy-o is claiming to be free. It's just that some of the necessities to which I am a slave are different from yours. As a director, for instance, I pay myself out of my acting jobs. I use my own work to subsidize my work (in other words I'm crazy). But not crazy enough to pretend to be free. But it's a fact that many of the films you've seen tonight could never have been made otherwise. Or, if otherwise, well, they might have been better, but certainly they wouldn't have been mine. The truth is I don't believe that this great evening would ever have brightened my life if it wasn't for this: my own, particular, contrariety. Let us raise our cups, then, standing as some of us do on opposite ends of the river, to what really matters to us all: to our crazy, beloved profession, to the movies — to good movies, to every possible kind.”

Orson Welles

Speech given upon his acceptance of the AFI Lifetime Achievement award. Viewable http://www.youtube.com/watch?v=oXJnxClGamA&list=HL1349840607&feature=mh_lolz

“I think I made essentially a mistake in staying in movies but it’s a mistake I can’t regret because it’s like saying I shouldn't have stayed married to that woman but I did because I love her. I would have been more successful if I hadn't been married to her, you know. I would have been more successful if I'd left movies immediately, stayed in the theatre, gone into politics, written, anything. I've wasted a greater part of my life looking for money and trying to get along, trying to make my work from this terribly expensive paintbox which is a movie. And I've spent too much energy on things that have nothing to do with making a movie. I'ts about two percent movie-making and ninety-eight percent hustling. It's no way to spend a life.”

Orson Welles

Interview with Leslie Megahey for The Orson Welles Story (1982); transcribed in Mark Estrin's Orson Welles: Interviews. Jackson. Mississippi: University Press of Mississippi, 2002, page 209.

“I have always been more interested in experiment, than in accomplishment.”

Orson Welles

“The right reading for this is the one I'm giving.”

Orson Welles

The Findus Foods "Frozen Peas" Session Out-Takes