"The Return of Jimi Hendrix"
Dream Harder (1993)
Context: He did a forty-two minute
cosmic rise in future shocks
Star Spangled Banner
in the back of CBGB's He stopped every clock in New York state
and every heart that heard him
and time itself was beaten and confused
and fell lamb-like under the spell of his
fabulous flashing fingers He played an encore at the Bitter End
a heartburst Little Wing
even the waiters cried
and then we fell outside
and in the dusty dawn of Bleeker street
a sweet rain fell
and Jimi died.
Mike Scott: Likeness
Mike Scott is songwriter, musician. Explore interesting quotes on likeness.
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“I wanted the whole thing to sound like a carnival.”
As quoted in in Uncut (July 2008) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature
Context: I recorded "…Moon" on my own with a drum machine, then brought musicians in as they were needed. It's about a person who has a spectacular, meteor-like rise, but burns out or dies young. Though the song ain't about him, the nearest equivalent would be Hendrix. Adding a list of all the things the hero/heroine saw raised the emotional temperature. The final chorus now had an extra fatefulness. To express this I inserted "you came like a comet, blazing your trail", then a "comet", a firework sample from a BBC sound effects record. That sweetly collided with Anthony's sax solo, so that it sounds as if the sax erupts from the comet itself. Magic like that just happens. … The Beatles' "Penny Lane" influenced the trumpet break — the sudden injection of super-fresh, bright and clear horns, a sound of optimism and clarity. Bowie's "Fame" inspired the final descending vocal, thought up and sung by Karl. I wanted the whole thing to sound like a carnival.
“She is everywhere and noplace
Like a breath or like a wind”
"Church Not Made With Hands"
A Pagan Place (1984)
Context: She is everywhere and noplace
Like a breath or like a wind
she moves among men
They would seek to hold her as a prize
But she is in the shadows,
the ocean and the sand
She is everywhere and noplace,
Her church not made with handsUncontained by man.
“It's about a person who has a spectacular, meteor-like rise, but burns out or dies young.”
As quoted in in Uncut (July 2008) http://www.uncut.co.uk/the-waterboys/the-making-of-the-waterboys-the-whole-of-the-moon-feature
Context: I recorded "…Moon" on my own with a drum machine, then brought musicians in as they were needed. It's about a person who has a spectacular, meteor-like rise, but burns out or dies young. Though the song ain't about him, the nearest equivalent would be Hendrix. Adding a list of all the things the hero/heroine saw raised the emotional temperature. The final chorus now had an extra fatefulness. To express this I inserted "you came like a comet, blazing your trail", then a "comet", a firework sample from a BBC sound effects record. That sweetly collided with Anthony's sax solo, so that it sounds as if the sax erupts from the comet itself. Magic like that just happens. … The Beatles' "Penny Lane" influenced the trumpet break — the sudden injection of super-fresh, bright and clear horns, a sound of optimism and clarity. Bowie's "Fame" inspired the final descending vocal, thought up and sung by Karl. I wanted the whole thing to sound like a carnival.
"The Return of Jimi Hendrix"
Dream Harder (1993)
Context: He was young and black and beautiful
big eyed, perfect skin an'
he played my guitar like a lightning storm
like twirlin' feathers in the wind
he could make it sound like the end of the world
a fire, the flick of a knife
he could squeeze it slow and masterful
like the hand that brought the world to life
"This Light Is for the World"
Universal Hall (2003)
"The Return Of Pan"
Dream Harder (1993)
"The Whole Of The Moon"
This Is the Sea (1985)
“The stars are alive and nights like these
were born to be sanctified by you and me.”
"The Pan Within"
This Is the Sea (1985)