Max Beckmann: Thing

“If one perceives of it all – the entire War or even life as a whole – as a scene in the theater of 'infinity', many things are much easier to bear.”

Max Beckmann

Beckmann's Diary, 12 September 1940, Amsterdam; as quoted on: 'Arts in exile' http://kuenste-im-exil.de
1940s

Life , War

“And then I awoke and yet continued to dream… painting constantly appeared to me as the one and only possible achievement. I thought of my grand old friend Henri Rousseau [French Primitive painter, died in 1910] that Homer in the porter's lodge whose prehistoric dreams have sometimes brought me near the gods. I saluted him in my dream. Near him I saw William Blake, noble emanation of English genius...'Have confidence in your objects,' he said, 'do not let yourself be intimidated by the horror of the world. Everything is ordered and correct and must fulfill its destiny in order to attain perfection. Seek this path'... I awoke and found myself in Holland in the midst of boundless world turmoil. But my belief in the final release and absolution of all things, whether they please or torment, was newly strengthened. Peacefully I laid my head among the pillows… to sleep, and dream, again.”

Max Beckmann

1930s, On my Painting (1938)

God , World , Dreams , Confidence

“One thing is sure – we have to transform the three-dimensional world of objects into the two-dimensional world of the canvas... To transform three into two dimensions is for me an experience full of magic in which I glimpse for a moment that fourth dimension which my whole being is seeking.”

Max Beckmann

Source: 1930s, On my Painting (1938), p. 16

World

“A human face, a hand, a woman's breast or a manly body, an expression of conflicting joy and pain, the infinite ocean, savage crags, the melancholy speech of black trees against the snow, the fierce power of spring blossoms and the heavy lethargy of a hot summer noon when our old friend Pan is asleep and the ghost of noon are murmuring – all this is enough to make us forget the sorrows of the world, or to give them form. In any case the determination to give form to things brings with it part of the solution for which you are seeking. The path is hard and the goal can never be reached – but it is a path.”

Max Beckmann

Beckmann's lecture 'Drei Briefe an eine Malerin' ('Three letters to a Woman-painter'), New York and Boston, Spring 1948; as quoted in Letters of the great artists – from Blake to Pollock, Richard Friedenthal, Thames and Hudson, London, 1963, p. 214
1940s

Pain , World , Spring , Tree

“Painting is a very difficult thing. It absorbs the whole man, body and soul – thus I have passed blindly many things which belong to the real and political life. I assume, though, that there are two worlds: the world of spiritual life and the world of political reality. Both are manifestations of life which may sometimes coincide but are very different in principle. I must leave it to you [the audience] to decide which is the more important.”

Max Beckmann

Source: 1930s, On my Painting (1938), p. 18

Life , World , Soul , Reality

“It is not the subject which matters but the translation of the subject into the abstraction of the surface by means of painting. Therefore I hardly need to abstract things, for each object is unreal enough already, so unreal that I can only make it real by means of painting.”

Max Beckmann

Source: 1930s, On my Painting (1938), pp. 12-13

Painting

“Put the picture away or, preferably, send it back to me, dear Valentin. If people cannot understand it is based on their inner engagement with these matters, then there is no point in showing the thing at all.”

Max Beckmann

In a letter to his art-dealer Curt Valentin, Amsterdam, 11 February 1938; as quoted in Max Beckmann, Stephan Lackner, Bonfini Press Corporation, Naefels, Switzerland, 1983, p. 52
1930s

People , Understanding

“All important things in art since Ur of the Chaldea's, since Tel Halaf and Crete, have always originated from the deepest feeling about the mystery of Being. Self-realization is the urge of all objective spirits. It is this Ego for which I am searching in my life and in my art. Art is creative for the sake of realization, not for amusement, for transfiguration, not for the sake of play. It is the quest of our Ego that drives us along the eternal and never-ending journey we must all make.”

Max Beckmann

1930s, On my Painting (1938)

Life , Art , Feeling , Search

“My heart beats more for a rougher, more ordinary, more vulgar art that does not live in a poetic, fairy-tale dream but admits the fearful, the common, the magnificent, the ordinary, the banal grotesque in life. An art that can always be directly present to us when life is at its most real.. [ on the same day he noted:].. Martin thinks there will be a war. Russia England France against Germany. We agreed that it would be no bad thing for our rather demoralized present-day civilization if everyone's instincts and drives were to be harnessed to one cause..”

Max Beckmann

Beckmann's Diary, 9 January, 1909, in Leben in Berlin: Tagebuch, 1908-1909, ed. Hans Kinkel; R. Piper & Co., Munich and Zurich, 1983, pp. 22-23; as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 99
1900s - 1920s

Life , War , Fear , Dreams

“All things come to me in black and white like virtue and crime. Yes, black and white are the two elements which concern me. It is my fortune, or misfortune, that I can see neither all in black nor all in white... I cannot help realizing both, for only in the two, only in black and white, can I see God as a unity creating again and again a great and eternally changing terrestrial drama.”

Max Beckmann

Source: 1930s, On my Painting (1938), pp. 13-14

God , Change , Help

“Departure' [also the title of a famous triptych painting of Max Beckmann], yes departure from the illusion of life toward the essential things that wait behind appearance... We must insist that Departure is not bound to a political trend, but is symbolic for all times.”

Max Beckmann

In a letter to his art dealer Curt Valentin, Amsterdam, 11 February 1938; as quoted in Max Beckmann – On my Painting in the preface, Mayen Beckmann; Tate Publishing London, 2003
1930s

Life , Departure , Appearance , Time

“To me the most important thing [in a picture] is roundness captured in height and breadth. Roundness in the plane, depth in the feeling of the plane.”

Max Beckmann

Quote from Schopferische Konfession (Creative credo) of 1918; first published in 'Tribune der Kunst und Zeit', no. 13 (1920): 66; for an English translation, see Victor H. Miesel, ed. Voices of German Expressionism, (Englewood Cliffs, N.J.: Prentice Hall, 1970); as quoted in 'Portfolios', Alexander Dückers; in German Expressionist Prints and Drawings - Essays Vol 1.; published by Museum Associates, Los Angeles County Museum of Art, California & Prestel-Verlag, Germany, 1986, p. 101
1900s - 1920s

Feeling