Marianne von Werefkin: Quotes about beauty

“.. I need to immerse my gaze in your eyes, it is in their mirror that I see myself as I would like to be, and it is only in seeing myself as I feel I should be. I think, therefore I am, my Beautiful One, to both of us, every day we recreate the world, every day a paradise falls in our hands, to darken in the dust of many paradises... The paradises will fall in our hands, will sink in the dust and will be born again according to our will.”

Marianne von Werefkin

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

World , Beauty , Feeling , Thinking

“I adore my life: it is filled with so much true poetry, fine feelings, things many have no idea about. I despise my life, which, being rich, allowed itself to be crammed into the confines of conventions. Between these two opinions pulsates my soul always longing for beauty and good.”

Marianne von Werefkin

1895 - 1905
Source: Lettres à un Inconnu, 1902 (Notebook I, p. 234) - Aux sources de l'expressionnisme. Presentation par Gabrielle Dufour-Kowalska. Klincksieck, 1999. p. 101

Life , Beauty , Feeling , Soul

“And I go to my room and stretch out my arms to the West—that it is far away [from here], that I will someday return. Outside those painful sensations—it is horrible to be before these people and their lives. Service and family troubles -a hard beginning, pay raise, promotion - sweet dreams, scandal - daily bread, [This is a figurative reference to Our Lord's Prayer, "give us this day our daily bread.."] and their happiness reminds me sweetly, of those who buy "for the people," and whose food you wouldn't put in your mouth. I think of Munich and of my health. All that is here is suffering and this horror of beauty and this horrible life and this overbearing literature, and the complete superfluousness of art.”

Marianne von Werefkin

1906 - 1911
Source: a letter to Alexej von Jawlensky, between December 1909 and Spring 1910; as quoted in 'Ambiguity of Home: Identity and Reminiscence in Marianne Werefkin's Return Home, c. 1909', Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909

Life , Pain , People , Health

“Oh, If I had been able to realize you with my hand. If the painted canvas was able to give me your dear image. The labor was you ['The Unknown'] the work of art was me – I have kissed your head, I have looked elsewhere… You are neither good, nor charitable. You do not know how to love. – You are only great and beautiful. I sacrificed to tenderness and still, my self, you do not know how to love.”

Marianne von Werefkin

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Love , Beauty , Art , Kiss

“My eyes are magical glass [when looking at] the outside world, and it can transform a lot into bewitching beauty. Paris, Munich.... they're all the same. The country is nice, because it is closer to nature and bad because we [Werefkin and Jawlensky] are no longer people from nature. I saw this at Blagodat. The more a person improves himself, the more one is doomed to loneliness. One doesn't need friends, one needs oneself and anybody who loves you like themselves.”

Marianne von Werefkin

Quote of Marianne Werefkin, in a letter to Jawlensky, 1909-1910, fond 19-1460, 38-39 as reprinted in Lauchkaite-Surgailene, Vilnius no. 3, sec. 16, 136;; as quoted in 'Identity and Reminiscence in Marianne Werefkin's Return Home', c. 1909; Adrienne Kochman http://www.19thc-artworldwide.org/spring06/52-spring06/spring06article/171-ambiguity-of-home-identity-and-reminiscence-in-marianne-werefkins-return-home-c-1909
'Blagodat' is the name of the family landed estate in the Russian country where Jawlensky often accompanied Werefkin before their common move to Munich.
1906 - 1911

Love , People , World , Beauty

“Why should we do as those who do not have other joys than to believe, as night falls, in their double beds... that it is to be great and sanctified by love to jostle the companions of their bed. Our passion must be like our love – illusory and artistic, having no other end than the desire to be beautiful. To remain beautiful in unsated [unstated? ] passion…”

Marianne von Werefkin

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Love , Beauty , Passion , Joy

“The artist is the only one who detaches himself from life, opposes his personality against it, he is the only one who orders things as he wishes them to be in place of things as they are. Thus for him life is not a fait accompli, it is something to remake, to do again. He takes possession of his gifts in order to continue, to change, He makes his choice, it is he who creates the conceptions of beautiful and ugly, those are the things to preserve, the things to change. At the seat of the things that it is necessary to change he puts his desires, his aspirations, in one word, his personality…”

Marianne von Werefkin

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Life , Beauty , Change , Personality

“.. Oh my dear friend, you whose voice called me towards my beautiful past, oh how I love you because you are young, you serve the idea, you understand the beauty of a life devoted completely to abstraction. Oh the devil you have done me, and the good of this devil. There is an atrocious page in my existence... I am not a woman. Neither love nor the family satisfies me. I don’t like the baby. I detest the household. I love all works of the human genius, I adore art the beauties of nature and of the heart. The beautiful, the beautiful in all such as love and such as life.”

Marianne von Werefkin

Vol. 1: 'My beautiful One, My Unique!', pp. 130-140
1895 - 1905, Lettres à un Inconnu, 1901 – 1905; Museo Communale, Ascona

Love , Life , Family , Beauty