Lila Downs: Quotes about making love

“I think that I have influenced several generations of performers in Mexico. I’m proud of that because it isn’t easy in these scenes. But then it is easy because it’s what you love to do, and it’s your passion. Even in your down times, you are always accompanied by your music.”

Lila Downs

On being a folk musician in “Lila Downs Explores Mexican Heritage Through the Pepper in New LP, ‘Al Chile’” https://www.rollingstone.com/music/music-latin/lila-downs-new-lp-al-chile-interview-841209/ in Rolling Stone (29 May 2019)
Music and culture

Time , Music , Thinking , Passion

“I feel a spiritual sense, and that sense is a connection between generations. Some of the lyrics are about connecting intuitively with Mother Earth, sometimes with our evil nature, sometimes with our goodness. I love to connect with my ancestors. Also, I need to express these concerns that are a part of my generation.”

Lila Downs

On striking a balance between traditional and contemporary issues in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Music and culture

Nature , Parting , Sense , Love

“My mother would really make me notice the world of women, and in Latin America they have a kind of magic in that they make society function in every kind of intimate way, as well as in the bigger picture.”

Lila Downs

On the lessons that Downs’ mother instilled in her in “Lila Downs Reminds Us of the Strength Women Bring to Latin America and its History” https://sheshredsmag.com/lila-downs-14/ in She Shreds (2018 May 3)
Womanhood

World , Making love , Women , Way

“I consider myself a border person, even though I grew up in the south of Mexico and very north of the U.S., in Minneapolis. I hold many of the same realities with the people who have grown up around these borders. We share the languages, they have a very kind of open identity of who we are, they are constantly growing and learning from different cultures, and also absorb what comes from other cultures to make it our own…”

Lila Downs

On her affinity with those who were raised or reside on the U.S.-Mexico border in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples

Personality , People , Learning , Reality

“The border still doesn't make much sense in my mind. It's a place that has so many things going on, a lot of sad stories, a lot of positive ones, a lot of people who are looking to break the rules and I identify a lot with that. I like to break the rules.”

Lila Downs

On how the border between the U.S. and Mexico influenced her work in “Mex factor” https://www.theguardian.com/music/2003/feb/10/artsfeatures.popandrock in The Guardian (2003 Feb 10)
Heritage and indigenous peoples

Sense , Sadness , Making love , People

“Oh it’s very beautiful to have a very rich heritage from my Indian ancestors. My mother is Mixtec [a native tribe of Oaxaca], and my father was Scottish American. Growing up with those cultures has been enriching. Though, at first very difficult because I was rejected by one culture — in the Mexican Nation there is a lot of discrimination towards the Indian groups. So I struggled with that and with being discriminated as a Mexican. But I think music has been able to erase those boundaries. I think it’s easier to stop talking about those borders, and talk more about the music — to make music so that those borders are erased in a poetic way.”

Lila Downs

On her racial heritage in “Q&A: Lila Downs, A Sin and A Miracle” https://remezcla.com/music/lila-downs-sin-miracle-pecados-milagros-interview/ in Remezcla (c. 2011)
Heritage and indigenous peoples

Beauty , Music , Thinking , Way