Kathy Acker: Where does she get off?
Context: A friend told me that there are these clean and sober dykes that have piercings every couple months just to get high. It's about learning about my body. I didn't know my body could do this. It's not exactly pleasure. It's more like vision. I didn't know the body is such a visionary factory.
Basically we grew up not wanting to know that we had bodies. And it's not as if these piercings are in that deep — it's just on the surface. So if that little thing can do so much, who knows what else we can experience?
Kathy Acker: Likeness
Kathy Acker was American novelist, playwright, essayist, and poet. Explore interesting quotes on likeness.
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Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.
Kathy Acker: Where does she get off?
Context: Bataille is associated with the surrealists. Basically the idea is that democracy doesn't work. Communism doesn't work. All these fucking models aren't working. We've got to find some new models — a model of what society should look like.
We don't know what humans are like. And the ground is not economics; it's not like people do everything they do for economic reasons. You've got to look at the imagination; you've got to look at sex. We have no way of describing these things using the language we have. So a group was formed around Bataille to try to figure out what it means to be human — what society should look like.
Humans have to live in a society — they can't just survive as individuals. That's not a viable condition. You know, everyone's always talking about trauma and pain and how this society isn't working, that we shouldn't have racism and sexism, but we never talk in positive terms — like what would joy be, what it would be like to have a totally great existence. Bataille and his followers looked for models for people to have totally great existences. … Well, they looked at tribal models and how they dealt with sexual stuff and sacrifice and property — the joys that aren't based on economic accumulation and the workaday world, but based on giving it all up — not having that specific, controlling, imprisoning "I." He wasn't a Freudian. He was much more interested in the tribal model where everything is on the surface and you deal with sexual stuff the same way you deal with economic stuff and social stuff.
Kathy Acker: Where does she get off?
Context: I think writing is basically about time and rhythm. Like with jazz. You have your basic melody and then you just riff off of it. And the riffs are about timing. And about sex.
Writing for me is about my freedom. When I was a kid, my parents were like monsters to me, and the world extended from them. They were horrible. And I was this good little girl — I didn't have the guts to oppose them. They told me what to do and how to be. So the only time I could have any freedom or joy was when I was alone in my room. Writing is what I did when I was alone with no one watching me or telling me what to do. I could do whatever I wanted. So writing was really associated with body pleasure — it was the same thing. It was like the only thing I had.
Blood and Guts in High School (1978)
Kathy Acker: Where does she get off?