John Fante: Trending quotes (page 4)

“Afraid of a woman! Ha, great writer this! How can he write about women, when he's never had a woman? Oh you lousy fake, you phony, no wonder you can't write! No wonder there wasn't a woman in The Little Dog Laughed. No wonder it wasn't a love story, you fool, you dirty little schoolboy.”

“I sat before my typewriter and the great awful void descended, and I beat my head with my fists, put a pillow under my aching buttocks and made little noises of agony.”

“God Almighty, dear God, good to me, gave me a sweet tongue, and these sad and lonely folk will hear me and they shall be happy.”

“And here was another place and another girl. Oh, how lonely she was, from away back in Minnesota. A good family too. Sure, honey. Tell my tired ears about your good family.”

“He had a way, that Hackmuth; he had a style; he had so much to give, even his commas and semi-colons had a way of dancing up and down. I used to tear the stamps off his envelopes, peel them off gently, to see what was under them.”

“When I saw a policeman strolling toward me I walked away. It was a hot night. Sand from the Mojave had blown across the city. Tiny brown grains of sand clung to my fingertips whenever I touched anything, and when I got back to my room I found the mechanism of my new typewriter glutted with sand. It was in my ears and in my hair. When I took off my clothes it fell like powder to the floor. It was even between the sheets of my bed. Lying in the darkness, the red light from the St. Paul Hotel flashing on and off across my bed was bluish now, a ghastly color jumping into the room and out again.”

“She kissed me, her mouth tasting of liverwurst on rye. She sat back, breathing with relief. I took out my handkerchief and wiped the sweat from my forehead…She pulled me down and her arms went around me and we fought until I thought it was absurd. I sat back and tried to think of another escape.”

“We drove him home, down Spring Street to First and over the railroad tracks to a black neighborhood that picked up the sounds of the rattling Ford and threw the echoes over an area of dirty frame houses and tired picket fences. He got out at a place where a dying pepper tree had spilled its brown leaves over the ground, and when he walked to the porch you could hear his feet wading through the hissing dead leaves.”

“All at once I loathed her, because she had hurt me. This girl! She had torn up my sonnet by Dowson, she had shown my telegram to everybody in the Columbia Buffet. She had made a fool of me at the beach. She suspected my virility, and her suspicion was the same as the scorn in her eyes. I watched her face and lips and thought how it would be a pleasure to strike her, send my fist with all force against her nose and lips.”

“Then Lola Linton came on, slithering like a satin snake amid the tumult of whistling and pounding feet, Lola Linton lascivious, slithering and looting my body, and when she was through, my teeth ached from my clamped jaws and I hated the dirty lowbrow swine around me, shouting their share of a sick joy that belonged to me.”

“I tried the door. It opened, darkness inside, and I switched on the light. She lay there in the Murphy bed. Her face was the face of an old rose pressed and dried in a book, yellowish, with only the eyes to prove there was life in it. The room stank. The blinds were down, the door opened with difficulty until I kicked away the rug against the crack.”

“Then she tried to show me how to hold the gun. I jerked it away from her, flung the barrel recklessly in all directions.”

“I saw the earth open like a huge mouth, then close again over the paved street. An old man was trapped by the foot. I ran to him, told him to be brave while I hacked the pavement with a fireman's axe. But I was too late. The vise tightened, bit his leg off at the knee. I carried him away. His knee is still there, a bloody souvenir sticking out of the earth.”

“She watched me like a prize dog, and Solomon watched her like a criminal.”

“And I remembered the inside of that apartment, how it smelled of mice and dust, and the old women who sat in the lobby on hot afternoons, and the old woman with the pretty legs. Then there was the elevator man, a broken man from Milwaukee, who seemed to sneer every time you called your floor, as though you were such a fool for choosing that particular floor, the elevator man who always had a tray of sandwiches in the elevator, and a pulp magazine.”

“Willie was sound asleep in her lap, but he sucked her little finger. South of Long Beach we stopped at a drugstore and bought a bottle with a nipple, and a bottle of milk. Willie's eyes opened when she put the nipple to his mouth. He fell to his task like a fiend. Camilla lifted her arms high, ran her fingers through her hair, and yawned with pleasure.”

“After Beverly Hills there was no fog. The palms along the road stood out green in the bluish darkness, and the white line in the pavement leaped ahead of us like a burning fuse. A few clouds tumbled and tossed, but there were no stars.”

“I opened the door, and there he stood, a telegraph boy. I signed for the telegram, sat on the bed, and wondered if the wine had finally got the Old Man's heart. The telegram said: your book accepted mailing contract today. Hackmuth. That was all. I let the paper float to the carpet. I just sat there. Then I got down on the floor and began kissing the telegram. I crawled under the bed and just lay there. I did not need the sunshine anymore. Nor the earth, nor heaven. I just lay there, happy to die. Nothing else could happen to me. My life was over.”

“I went for a walk through the streets. My God, here I was again, roaming the town. I looked at the faces around me, and I knew mine was like theirs. Faces with the blood drained away, tight faces, worried, lost. Faces like flowers torn from their roots and stuffed into a pretty vase, the colors draining fast. I had to get away from that town.”