James Berardinelli: Film

James Berardinelli is American film critic. Explore interesting quotes on film.

James Berardinelli: 128 quotes0 likes

“The biggest alien invasion picture of the summer of 1996 is Independence Day. But it's not the first. The Arrival, with a significantly lower budget than Fox's July 3 release, has that distinction, and, while this particular film doesn't boast any radical or surprising ideas, it combines numerous familiar plot elements into a suspenseful, entertaining whole. Best of all, perhaps, is the realization that some thought went into writer/director David Twohy's script. This is not a dumb movie; in fact, with its heavy reliance upon real science, it's startlingly credible.”

James Berardinelli

Review http://www.reelviews.net/movies/a/arrival.html of The Arrival (1996). Three star reviews

“I don't often use the words "godawful" and "abomination" to describe a movie, preferring to reserve such terminology for extreme instances when I feel duped and mortally offended. Case in point: Bachelorette. Often with a bad film, I search for something positive or productive to say, cognizant as I am that there are real people with real feelings behind the production. That won't be happening here. When it comes to watchability, the only thing to distinguish this from Freddy Got Fingered (the turd standard for cinematic badness) is the absence of the sexual molestation of animals. And one could make a convincing argument that the sexual molestation of animals might improve Bachelorette.”

James Berardinelli

This possibility that this might not be the worst movie of the year is frightening to contemplate - Directed by Lesley Headland. Review http://www.reelviews.net/php_review_template.php?identifier=2513 of Bachelorette (2012). Zero star reviews

“I have to report that this motion picture is arguably the worst piece of cinematic crap I have ever experienced theatrically. Hyperbole, you wonder? I looked through my list of zero-star movies and couldn't find one entry (except the immortal Zombie vs. Mardi Gras, which was a straight-to-video release) that ranked as more difficult to endure. Words like abomination and travesty don't do this movie justice. Sitting through Freddy Got Fingered was one of the most depressing experiences in my 10 years of reviewing films. It's not even enjoyable on a campy level. It's just bad, bad, bad, bad, bad, bad, bad - Directed By Tom Green.”

James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1485 of Freddy Got Fingered (2001). Zero star reviews

“There's an old saying that states something about leaving the best for last. [Writer/producer] George Lucas certainly didn't follow that adage when crafting the original Star Wars trilogy. Return of the Jedi, the final installment of the series, is easily the least innovative and most hokey of the three films. In fact, most of the enjoyment derived from this motion picture comes from the simple act of getting together with old friends and enemies one more time. If Luke, Han, Leia, and Vader were replaced by nameless, faceless characters, Return of the Jedi wouldn't be a whole lot more interesting than Independence Day.”

James Berardinelli

Review http://www.reelviews.net/movies/s/sw3.html of Star Wars Episode VI: Return of the Jedi (1983). Three star reviews

“Legally Blonde 2 should never have been made. It is a cinematic abomination — a source of embarrassment for everyone involved. There have been worse films this year, but none has been marketed as this fun-loving and upbeat. Worthwhile moments are few and far between, and Reese Witherspoon's incandescent charm, which was one of the original Legally Blonde's saving graces, is so bright that it creates a glare. There's such a thing as being too perky.”

James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1321 of Legally Blonde 2: Red, White & Blonde (2003). One-star reviews

“Die Hard represents the class of modern action pictures and the standard by which they must be judged. Few films falling into the "mindless entertainment" genre have as much going for them as this movie. Not only is it a thrill-a-minute ride, but it has one of the best film villains in recent memory, a hero everyone can relate to, dialogue that crackles with wit, and a lot of very impressive pyrotechnics.”

James Berardinelli

Review http://www.reelviews.net/movies/d/die_hard.html of Die Hard (1988). Four star reviews

“It's mind-boggling to consider that movies this bad are actually committed to film. The poor quality of The Pest in almost every category — humor, intelligence, creativity, and just plain entertainment value — ranks it somewhere between a bad infomercial and a local cable newscast. Rarely do I consider the act of seeing a movie to be a chore, but this kind of experience is the exception - Directed By Paul Miller.”

James Berardinelli

Review http://www.reelviews.net/movies/p/pest.html of The Pest (1997). Zero star reviews

“Consequences. In real life, these ramifications emanate from every action like ripples from a stone thrown into a pond. Often in movies, especially those that feature characters who don't play by the rules, such penalties are suspended. However, in Christopher Nolan's Batman universe, decisions and actions have consequences. The Dark Knight, arguably the moodiest and most adult superhero motion picture ever to reach the screen, illustrates this lesson in ways that are startling and painful. This is a tough, uncompromising motion picture — one that defies the common notions of what is expected from a "superhero" film. While there are plenty of action sequences and instances of derring-do, The Dark Knight's subtext has a tragic underpinning that would intrigue Shakespeare or the Greeks. It's about power and impotence, sanity and madness, image and reality, selfishness and sacrifice, and — yes — consequences.”

James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=1235 of The Dark Knight (2008). Four star reviews

“If you thought it was impossible for a film to contain less effective comedy than Date Movie, here's evidence to the contrary.”

James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=595 of Epic Movie (2007). One-star reviews

“This is the fourth film from hot Swedish director Lukas Moodysson. Two of his previous three movies, Show Me Love and Lilya 4-Ever, made my year-end Top 10 lists. So it was with great anticipation that I settled into a seat on the first Friday night of the 2004 Toronto Film Festival to see A Hole in My Heart. 98 minutes later, I felt like I had been dragged through a vat of raw sewage laced with Sominex - Directed by Lukas Moodysson.”

James Berardinelli

Review http://www.reelviews.net/php_review_template.php?identifier=935 of A Hole in My Heart (2004). Zero star reviews

“On those rare occasions when a great motion picture reaches multiplexes, the film critic must add another aspect to his or her job description: that of cheerleader. It is incumbent upon those of us who routinely dissect movies to applaud the arrival of something like Minority Report.”

James Berardinelli

Writing a review isn't enough — we have to get out there and actively stump for the movie. The underlying reason is sound: if Minority Report makes a lot of money, the studios will be encouraged to fashion more films of this sort. And that is a good thing — not just for science fiction lovers but for fans of intelligent, thought-provoking pictures of all genres. Review http://www.reelviews.net/movies/m/minority_report.html of Minority Report (2002). Four star reviews