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“The symbol is the tool which gives man his power, and it is the same tool whether the symbols are images or words, mathematical signs or mesons.”

Jacob Bronowski

"The Reach of Imagination" (1967)

Mathematics

“When a man counts one, two, three, he is not only doing mathematics, he is on the path to the mysticism of numbers in Pythagoras and Vitruvius and Kepler, to the Trinity and the signs of the Zodiac.”

Jacob Bronowski

"The Reach of Imagination" (1967)

Mathematics

“Ralegh's own circle, which turned Christopher Marlowe into a rationalist, was dominated by… Thomas Hariot. For navigation is dependent on astronomy; it went hand in hand with the new speculations about the world and the solar system… in turn, the voyages of the great navigators inspired the literature of Elizabethan England. The worlds of art and science and the physical world unfolded then together. It was not by accident that the first table of logarithms was published within a few years of the First Folio.”

Jacob Bronowski

"Sense and Sensibility"
The Common Sense of Science (1951)

World , Art , Literature , Science

“Since the word "knowledge" occurs in my general title… I am going to be talking about epistemology, although I prefer to use the eighteenth-century, indeed, medieval phrase, "natural philosophy."… that enterprise of the human mind which attempts to trace lawfulness to nature, dead and living, but which is not directed to specific inquiries into how this or that law works. Philosophy in the sense in which I practice it, natural philosophy, is concerned with lawfulness rather than with laws and the general nature of laws rather than with the specific structure of this or that law. Natural philosophy was one of the three topics (moral philosophy and metaphysical philosophy were the others) to which one graduated in medieval universities after having studied the seven liberal arts.
I believe that we need to review the whole of our natural philosophy in the light of scientific knowledge that has arisen in the last fifty years.”

Jacob Bronowski

The Origins of Knowledge and Imagination (1978)

Law , Art , Nature , Knowledge

“The ability… to experiment with imaginary situations, gives man a freedom… the pleasure in trying out and exploring imaginary situations. A child's play is concerned with this pleasure; and so is much of art, and much of science… [P]ure science… is a form of play, in this sense.”

Jacob Bronowski

"The Imaginative Mind in Art" (1978)

Pleasure , Art , Sense , Freedom

“A fact is discovered, a theory is invented; is any theory ever deep enough for it to be truly called a creation? Most scientists would answer: no! Science, they would say, engages only part of the mind - the rational intellect - but creation must engage the whole mind. Science demands none of that ground swell of emotion, none of the rich bottom of personality, which fills out the work of art…
Creation consists in finding unity, finding likenesses, finding pattern…
Nature herself is chaos; she is full of infinite variety without order. But if you see her with inner vision, a creative mind (whether a poetic mind like Charles Baudelaire's or a scientific mind like Isaac Newton's), there comes a moment when many different aspects suddenly crystallize in a single unity. You have found a key; you have found a clue; you have found the path which organizes the material. You have found what Coleridge called "unity in variety."”

Jacob Bronowski

That is the moment of creation.
Source: The Creative Process, 1958, p. 97-98: As quoted in: S.P. Sector (‎1997). A Study of Issues Relating to the Patentability of Biotechnological Subject Matter. Footnote 51. https://www.ic.gc.ca/eic/site/ippd-dppi.nsf/eng/ip00201.html

Art , Nature , Science , Parting

“Progress is the exploration of our own error. Evolution is a consolidation of what have always begun as errors. And errors are of two kinds: errors that turn out to be true and errors that turn out to be false (which are most of them). But they both have the same character of being an imaginative speculation. …it seems to me terribly important to say this in an age in which most nonscientists are feeling a kind of loss of nerve. …by the time science becomes a closed—that is, computerizable—project, it is not science anymore. It is not in the area of the exploration of errors.”

Jacob Bronowski

The Origins of Knowledge and Imagination (1978)

Age , Error , Feeling , Imagination

“The images play out for us events which are not present in our senses, and… create the future—a future that… may never come to exist in that form.”

Jacob Bronowski

"The Reach of Imagination" (1967)

Sense , Future

“To imagine is the characteristic act, not of the poet's mind, or the painter's, or the scientist's, but of the mind of man.”

Jacob Bronowski

"The Reach of Imagination" (1967)

Imagination

“In their broad Augustan day, Scottish miners were legally still serfs, just as miners in Greece had always been slaves; and neither civilization thought anything amiss. …It was the engine, it was the horsepower which created consideration for the horse; and the Industrial Revolution which created our sensibility.”

Jacob Bronowski

"Sense and Sensibility"
The Common Sense of Science (1951)

Horse

“In a parched African landscape like this at Omo, man first put his foot to the ground. That seems a pedestrian way to begin the ascent of man.”

Jacob Bronowski The Ascent of Man

Episode 1: "Lower than the Angels"
The Ascent of Man (1973)

Way

“These are the moments when the powerful mind or the forceful character feels the ferment of the times, when his thoughts quicken, and when he can inject into the uncertainties of others the creative ideas which will strengthen them with purpose. At such a moment the man who can direct others, in thought or in action, can remake the world.”

Jacob Bronowski

The Common Sense of Science (1951), on the influence of Isaac Newton.

World , Feeling , Idea , Time

“The richness of human life is that we have many lives, we live the events that do not happen (and some that cannot) as vividly as those that do, and if thereby we die a thousand deaths, that is the price we pay…”

Jacob Bronowski

"The Reach of Imagination" (1967)

Life , Death

“One aim of the physical sciences has been to give an exact picture of the material world. One achievement of physics in the twentieth century has been to prove that that aim is unattainable. There is no absolute knowledge and those who claim it, whether they are scientist or dogmatist, open the door to tragedy. All knowledge, all information is imperfect. We have to treat it with humility.”

Jacob Bronowski The Ascent of Man

Episode 11: "Knowledge or Certainty"
The Ascent of Man (1973)

World , Knowledge , Science

“The belief that science destroys culture is sometimes supported by historical statements that the arts have flourished only when the sciences have been neglected. This thesis is… directly contrary to history… [I]n the great age of Greece, art and science penetrate one another more closely than in any modern age. …The example of these men in science as much as in art set the modern world afire in the Renaissance. And the type and symbol of Renaissance man… remains Leonardo da Vinci, painter, sculptor, mathematician, and engineer. No man has shown more strikingly the universality and the unity of the intellect.”

Jacob Bronowski

"Sense and Sensibility"
The Common Sense of Science (1951)

Men , Age , World , Art

“We re-make nature by the act of discovery, in the poem or in the theorem. And the great poem and the deep theorem are new to every reader, and yet are his own experience, because he himself re-creates them.”

Jacob Bronowski

Part 1: "The Creative Mind", §9 ( p. 20 http://books.google.com/books?id=TeHXAAAAMAAJ&q=%22We+re-make+nature+by+the+act+of+discovery+in+the+poem+or+in+the+theorem+And+the+great+poem+and+the+deep+theorem+are+new+to+every+reader+and+yet+are+his+own+experience+because+he+himself+re-creates+them%22&pg=PA20#v=onepage)
Science and Human Values (1956, 1965)

Nature

“I grew up to be indifferent to the distinction between literature and science, which in my teens were simply two languages for experience that I learned together.”

Jacob Bronowski

As quoted in World Authors 1950–1970 (1975) by J. Wakeman, pp. 221–223

Literature , Learning , Science , Indifference

“[T]he most important images for human beings are simply words, which are abstract symbols. …[E]volution has greatly enlarged the front lobes of the human brain, which govern the sense of the past and the future; and… they are probably the seat of our other images.”

Jacob Bronowski

"The Reach of Imagination" (1967)

Sense , Past , Future

“Man is not the most majestic of the creatures; long before the mammals even, the dinosaurs were far more splendid. But he has what no other animal possesses: a jigsaw of faculties, which alone, over three thousand million years of life, made him creative. Every animal leaves traces of what he was. Man alone leaves traces of what he created.”

Jacob Bronowski The Ascent of Man

The Ascent of Man (1973)

Life , Animals

“Let me close by reminding you of what Newton actually did on the day that he conceived G = k \frac{mm'}{r^2}. …Newton did not have any subsidies, grants, funds, Secret Service money. But he had the moon. He said, "… I cannot throw a ball round the world, but let me picture the moon as if it were a ball which has been flung around the world… How long will it take to go round the world?" …He knew the value of gravity at the earth's surface …but he did not know the value of the earth's gravity for the moon. He said, "Let us suppose that it is given by an inverse square law. Now, how long will it take the moon to go around?"”

Jacob Bronowski

It comes out at twenty-eight days. As Newton said, "They agreed pretty nearly."
The Origins of Knowledge and Imagination (1978)

Money , Secret , World , Law