Henri Barbusse: Likeness (page 2)

“"It would be a crime to exhibit the fine side of war, even if there were one!" murmured one of the somber soldiers.
The first man continued. "They'll say those things to us by way of paying us with glory, and to pay themselves, too, for what they haven't done. But military glory — it isn't even true for us common soldiers. It's for some, but outside those elect the soldier's glory is a lie, like every other fine-looking thing in war. In reality, the soldier's sacrifice is obscurely concealed. The multitudes that make up the waves of attack have no reward. They run to hurl themselves into a frightful inglorious nothing. You cannot even heap up their names, their poor little names of nobodies."”

“War!
Some of the invalids break the silence, and say the word again under their breath, reflecting that this is the greatest happening of the age, and perhaps of all ages. Even on the lucid landscape at which they gaze the news casts something like a vague and somber mirage.”

“Suddenly I am pushed by a movement of the horse on which I am lying. I see that he has turned his great head aside; he is mournfully eating grass. I saw this horse but lately in the middle of the regiment — I know him by the white in his mane — rearing and whinnying like the true battle-chargers; and now, broken somewhere, he is silent as the truly unhappy are.”

“I went to sleep in Chaos, and then I awoke like the first man.”

“To accomplish the majestically practical work, to shape the whole architecture like a statue, base nothing on impossible modifications of human nature; await nothing from pity.”

“Instinctively we both looked for the inscriptions we cut, once upon a time, on trees and on stones, in foolish delight. We sought them like scattered treasure, on the strange cheeks of the old willows, near the tendrils of the fall, on the birches that stand like candles in front of the violet thicket, and on the old fir which so often sheltered us with its dark wings. Many inscriptions have disappeared. Some are worn away because things do; some are covered by a host of other inscriptions or they are distorted and ugly. Nearly all have passed on as if they had been passers-by.”

“You will do away with the military frontiers, and those economic and commercial barriers which are still worse. Protection introduces violence into the expansion of labor; like militarism, it brings in a fatal absence of balance. You will suppress that which justifies among nations the things which among individuals we call murder, robbery, and unfair competition. You will suppress battles — not nearly so much by the direct measure of supervision and order that you will take as because you will suppress the causes of battle. You will suppress them chiefly because it is you who will do it, by yourself, everywhere, with your invincible strength and the lucid conscience that is free from selfish motives. You will not make war on yourself.”

“We do not speak. We have gone down along the side of the river — slowly, as if we were climbing — towards the stone seat of the wall. The distances have altered. This seat, for instance, we meet it sooner than we thought we should, like some one in the dark; but it is the seat all right. The rose-tree which grew above it has withered away and become a crown of thorns.”

“The revelation still seems to me so terrible that the silence of men, heaped under the roofs down there at my feet, seizes and threatens me. And if I am but timidly formulating it within myself, that is because each of us has lived in reality more than his life, and because my training has filled me, like the rest, with centuries of shadow, of humiliation and captivity.
It is establishing itself cautiously; but it is the truth, and there are moments when logic seizes you in its godlike whirlwind.”

“She sighs for the thought she has. She would like to be silent, but she must speak.
"We don't love each other any more," she says, embarrassed by the greatness of the things she utters; "but we did once, and I want to see our love again."”

“I have put my arm round her waist, and I am shaken by the sorrow which agitates her chest and throat, and sometimes shakes her rudely, the sorrow which does not belong to me, which belongs to no one, and is like a divinity.”