Hélène Binet: Building

“On the other end of this process, there are the finished forms which I sometimes portray at night with sporadic illumination. The obscurity isolates them and the light accentuates their volumes. My focus is on creating images of the buildings which have a sense of being unreal and that have a certain autonomy. Small and big parts of the building can now stand on their own and become independent characters.”

Hélène Binet

In: Hélène Binet’s ‘Forming | Portrait – Architecture of Zaha Hadid’ @ Gabrielle Ammann // Gallery http://sandsof.com/2012/11/24/helene-binets-forming-portrait-architecture-of-zaha-hadid-gabrielle-ammann-gallery/, sandsof.com, 24 November 2012

Sense , Light , Parting , Night

“In the end, what I do is about feeling. Certain buildings, certain architects generate a strong emotion. It is hard to explain, but, if am I lucky, I can find this feeling, these emotions, slowly and quietly in the darkroom when my pictures come to light.”

Hélène Binet

Source: Jonathan Glancey, in The dream life of buildings http://www.theguardian.com/culture/2002/apr/15/artsfeatures, The Guardian, 15 April 2002

Feeling , Light , Strong

“My interest in working sites is linked to an investigation of what is behind the extravagant forms and perfect lines of Hadid’s Architecture; it is an interest in the relation between the elegance of her gesture and her radical way of making a building. Something very primordial and out of time is present in those situations. I think of this as a process of forming.”

Hélène Binet

In: Hélène Binet’s ‘Forming | Portrait – Architecture of Zaha Hadid’ @ Gabrielle Ammann // Gallery http://sandsof.com/2012/11/24/helene-binets-forming-portrait-architecture-of-zaha-hadid-gabrielle-ammann-gallery/, sandsof.com, 24 November 2012
Binet has photographed the finished building as well as the project during construction of Zaha Hadid's buildings since mid-1980s.

Way , Thinking , Time , Perfection