Haruki Murakami: Likeness

Haruki Murakami is Japanese author, novelist. Explore interesting quotes on likeness.
Haruki Murakami: 1310 quotes136 likes

“No, I don't want your money. The world moves less by money than by what you owe people and what they owe you. I don't like to owe anybody anything, so I keep to myself as much on the lending side as I can.”

Haruki Murakami book 1Q84

Source: 1Q84

“It was a strange feeling, like touching a void.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“I never could stand being forced to do something I didn't want to do at a time I didn't want to do it. Whenever I was able to do something I liked to do, though, when I wanted to do it, and the way I wanted to do it, I'd give it everything I had.”

Haruki Murakami book What I Talk About When I Talk About Running

Source: What I Talk About When I Talk About Running

“Listen, every object's in flux. The Earth, time, concepts, love, life, faith, justice, evil-they're all fluid and in transition. They don't stay in one form or in one place forever. The whole universe is like some big FedEx box.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 30, Colonel Sanders

“Once a guy starts using a wig, he has to keep using one. It's, like, his fate. That's why wig makers make such huge profits. I hate to say it, but they're like drug dealers.”

Haruki Murakami book The Wind-Up Bird Chronicle

Source: The Wind-Up Bird Chronicle

“I’m just kinda tired. Like a monkey in the rain.”

Haruki Murakami book Norwegian Wood

Source: Norwegian Wood

“Time passes slowly. Nobody says a word, everyone lost in quiet reading. One person sits at a desk jotting down notes, but the rest are sitting there silently, not moving, totally absorbed. Just like me.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore

“Isn't life strange? There are people who have so many leftover clothes they can't stuff them all in their wardrobe. And then there are people like me, whose socks never match.”

Haruki Murakami book Sputnik Sweetheart

Source: Sputnik Sweetheart

“My cell phone number," she says with a wry expression. "I'm staying at my friend's place for a while buy if you ever feel like sseeing somebody, give me a call. We can go out for a bite or whatever. Don't be a stranger, okay? 'Even chance meetings'… how does the rest of that go?”

Haruki Murakami book Kafka on the Shore

"'Are the results of karma.'"
Kafka on the Shore (2002)

“The house kept its own time, like the old-fashioned grandfather clock in the living room. People who happened by raised the weights, and as long as the weights were wound, the clock continued ticking away. But with people gone and the weights unattended, whole chunks of time were left to collect in deposits of faded life on the floor.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 32, An Unlucky Bend in the Road

“You burn barns. I don't burn barns. There's this glaring difference, and to me, rather than say which of us is strange, first of all I'd like to clear up just what that difference is.”

Haruki Murakami book Barn Burning

Barn Burning (short story) in The Elephant Vanishes

“In the depths of our crater lake, everything is silent. The volcano's been extinct for ages. Layer upon layer of solitude, like folds of soft mud. The little bit of light that manages to penetrate to the depths lights up the surroundings like the remains of some faint, distant memory. At these depths there's no sign of life. I don't know how long she looks at me -not at me, maybe, but at the spot where I am. Time's rules don't apply here. Time expands, then contracts, all in tune with the stirrings of the heart.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 23, Kafka Temura

“Weakness is something that rots in the body. Like gangrene. I’ve felt that ever since I was a teenager. That’s why I was always on edge. There’s this something inside you that’s rotting away and you feel it all along.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 40, The Rat Who Wound the Clock

“I've experienced all kinds of discrimination," Oshima says. "Only people who've been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to. Like that lovely pair we just met." He sighs and twirls the long slender pencil in his hand. "Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas-none of them bother me. I don't care what banner they raise. But what I can't stand are hollow people. When I'm with them I just can't bear it, and wind up saying things I shouldn't. With those women I should've just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can't do that. I say things I shouldn't, do things I shouldn't do. I can't control myself. That's one of my weak points.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 19, Oshima

“To sleep with a woman: it can seem of the utmost importance in your mind, or then again it can seem like nothing much at all. Which only goes to say that there's sex as therapy (self-therapy, that is) and there's sex as pastime. There's sex for self-improvement start to finish and there's sex for killing time straight through; sex that is therapeutic at first only to end up as nothing-better-to-do, and vice versa. Our human sex life- how shall I put it?- differs fundamentally from the sex life of a whale. We are not whales- and this constitutes one great theme underscoring our sex lives.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 4: The Whale's Penis and the Woman with Three Occupations

“But even so, every now and then I would feel a violent stab of loneliness. The very water I drink, the very air I breathe, would feel like long, sharp needles. The pages of a book in my hands would take on the threatening metallic gleam of razor blades. I could hear the roots of loneliness creeping through me when the world was hushed at 4 o'clock in the morning.”

Haruki Murakami book The Wind-Up Bird Chronicle

The Wind-Up Bird Chronicle (1994-1995)

“Lost opportunities, lost possibilities, feelings we can never get back. That's part of what it means to be alive. But inside our heads - at least that's where I imagine it - there's a little room where we store those memories. A room like the stacks in this library. And to understand the workings of our own heart we have to keep on making new reference cards. We have to dust things off every once in awhile, let in fresh air, change the water in the flower vases. In other words, you'll live forever in your own private library.”

Haruki Murakami book Kafka on the Shore

Kafka on the Shore (2002)

“There's not a branch of publishing or broadcasting that doesn't depend in some way on advertising. It'd be like an aquarium without water. Why, ninety-five percent of the information that reaches you has already been preselected and paid for.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)

“I think I just don’t like names. Basically, I can’t see what’s wrong with calling me ‘me’ or you ‘you’ or us ‘us’ or them ‘them.”

Haruki Murakami

A Wild Sheep Chase: A Novel (1982)