Haruki Murakami: Doing (page 4)

“Of course, they're not clowning aroundto make me laugh. They're doing their best to live verylives, and they just happen to fall down sometimes. I think that's cool.”

Haruki Murakami book The Wind-Up Bird Chronicle

Source: The Wind-Up Bird Chronicle

Thinking

“I've experienced all kinds of discrimination," Oshima says. "Only people who've been discriminated against can really know how much it hurts. Each person feels the pain in his own way, each has his own scars. So I think I'm as concerned about fairness and justice as anybody. But what disgusts me even more are people who have no imagination. The kind T. S. Eliot calls hollow men. People who fill up that lack of imagination with heartless bits of straw, not even aware of what they're doing. Callous people who throw a lot of empty words at you, trying to force you to do what you don't want to. Like that lovely pair we just met." He sighs and twirls the long slender pencil in his hand. "Gays, lesbians, straights, feminists, fascist pigs, communists, Hare Krishnas-none of them bother me. I don't care what banner they raise. But what I can't stand are hollow people. When I'm with them I just can't bear it, and wind up saying things I shouldn't. With those women I should've just let it slide, or else called Miss Saeki and let her handle it. She would have given them a smile and smoothed things over. But I just can't do that. I say things I shouldn't, do things I shouldn't do. I can't control myself. That's one of my weak points.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 19, Oshima

Love , Women , Men , Pain

“To sleep with a woman: it can seem of the utmost importance in your mind, or then again it can seem like nothing much at all. Which only goes to say that there's sex as therapy (self-therapy, that is) and there's sex as pastime. There's sex for self-improvement start to finish and there's sex for killing time straight through; sex that is therapeutic at first only to end up as nothing-better-to-do, and vice versa. Our human sex life- how shall I put it?- differs fundamentally from the sex life of a whale. We are not whales- and this constitutes one great theme underscoring our sex lives.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 4: The Whale's Penis and the Woman with Three Occupations

Life , Sex , Sleep , Time

“"You yourself created this Town. You made everything here. The Wall, the River, the Woods, the Library, the Gate, everything. Even this Pool. I've known all along."
"Then why did you not tell me sooner?"
"Because you'd only have left me here like this. Because your rightful world is there outside." My shadow sits down in the snow and shakes his head from side to side. "But you won't listen, will you?"
"I have responsibilities," I say. "I cannot forsake the people and places and things I have created. I know I do you a terrible wrong. And yes, perhaps I wrong myself, too. But I must see out the consequences of my own doings. This is my world. The Wall is here to hold me in, the River flows through me, the smoke is me burning. I must know why."”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 40, Birds

People , World

“There are symbolic dreams—dreams that symbolize some reality. Then there are symbolic realities—realities that symbolize a dream. Symbols are what you might call honorary town councilors of the worm universe. In the worm universe, there is nothing unusual about a dairy cow seeking a pair of pliers. A cow is bound to get her pliers sometimes. It has nothing to do with me. Yet the fact that the cow chose me to obtain her pliers changes everything.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 12, Wherefore the Worm Universe

Dreams , Reality , Universe , Change

“I pay the entrance fee at the desk, no questions asked, and get a key to a locker. After changing into shorts and a T-shirt in he locker room, I do some stretching exercises. As my muscles relax so do I. I'm safe inside this container called me. With a little click, the outlines of this being - me - fit right inside and are locked nearly away. Just the way I like it. I'm where I belong.”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter Seven

Way , Exercises , Question , Change

“""likewesaid, we'lldowhatwecan. Trytoreconnectyou, towhatyouwant,"" said the Sheep Man. ""Butwecan'tdoit-alone. Yougottaworktoo.
Sittingsnotgonnadoit, thinking'snotgonnadoit."" ""So what do I have to do?"" ""Dance,"" said the Sheep Man. ""Yougottadance. Aslongasthemusicplays. Yougotta dance. Don'teventhinkwhy. Starttothink, yourfeetstop. Yourfeetstop, wegetstuck. Wegetstuck, you'restuck. Sodon'tpayanymind, nomatterhowdumb. Yougottakeepthestep. Yougottalimberup. Yougottaloosenwhatyoubolteddown. Yougottauseallyougot. Weknowyou're tired, tiredandscared. Happenstoeveryone, ok? Justdon'tletyourfeetstop.""”

Haruki Murakami book Dance Dance Dance

Dance Dance Dance

Dance

“When a war starts people are forced to become soldiers. They carry guns and go to the front lines and have to kill soldiers on the other side. As many as they possibly can. Nobody cares whether you like killing other people or not. It's just something you have to do. Otherwise you're the one who gets killed." Johnnie Walker pointed his index finger at Nakata's chest. "Bang!"”

Haruki Murakami book Kafka on the Shore

he said. "Human history in a nutshell."
Source: Kafka on the Shore (2002), Chapter 16

War , People , History

“You still don't get it, do you? We're talking about a revelation here," Colonel Sanders said, clicking his tongue. "A revelation leaps over the borders of the everyday. A life without revelation is no life at all. What you need to do is move from reason that observes to reason that acts. That's what's critical. Do you have any idea what I'm talking about, you gold-plated whale of a dunce?”

Haruki Murakami book Kafka on the Shore

Source: Kafka on the Shore (2002), Chapter 28, Colonel Sanders

Life , Idea

“Fairness is a concept that holds only in limited situations. Yet we want the concept to extend to everything, in and out of phase. From snails to hardware stores to married life. Maybe no one finds it, or even misses it, but fairness is like love. What is given has nothing to do with what we seek.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 39, Popcorn, Lord Jim, Extinction

Love , Life

“Everybody has some one thing they do not want to lose," began the man. "You included. And we are professionals at finding out that very thing. Humans by necessity must have a midway point between their desires and their pride. Just as all objects must have a center of gravity. This is something we can pinpoint. Only when it is gone do people realize it even existed.”

Haruki Murakami

Source: A Wild Sheep Chase: A Novel (1982), Chapter 22,Sunday Afternoon Picnic

People

“First, about the mind. You tell me there is no fighting or hatred or desire in the Town. That this is a beautiful dream, and I do want your happiness. But the absence of fighting or hatred or desire also means the opposites do not exist either. No joy, no communion, no love. Only where there is disillusionment and depression and sorrow does happiness arise; without the despair of loss, there is no hope.”

Haruki Murakami book Hard-Boiled Wonderland and the End of the World

Source: Hard-Boiled Wonderland and the End of the World (1985), Chapter 32, Shadow in the Throes of Death

Despair , Loss , Beauty , Dreams

“Seeing a lot of water like that every day is probably an important thing for human beings. For human beings might be a bit of a generalization—but I do know it’s important for one person: me. If I go for a time without seeing water, I feel like something’s slowly draining out of me. It’s probably like the feeling a music lover has when, for whatever reason, he’s separated from music for a long time. The fact that I was raised near the sea might have something to do with it.”

Haruki Murakami book What I Talk About When I Talk About Running

What I Talk about When I Talk about Running (2009)

Time , Personality , Music , Water