Hans Haacke: Quotes about art

“A standard line, promoted by people like Clement Greenberg,… is that politics contaminates art, and Manet is often cited as an example of art for art's sake.”

Hans Haacke

1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998

People , Art

“I chose to paint because the medium as such has a particular meaning. It is almost synonymous with what is popularly viewed as Art - art with a capital A-with all the glory, the piety, and the authority that it commands.”

Hans Haacke

1980s
Source: Bois,Yve-Alain, Douglas Crimp, and Rosalind Krauss. " A Conversation with Hans Haacke http://www.kim-cohen.com/artmusictheoryassets/artmusictheorytexts/Haacke_Interview.PDF." in: October : The First Decade 30 (fall 1984): 23-48

Art , Painting

“I think it is important to distinguish between the traditional notion of patronage and the public relations maneuvers parading as patronage today. Invoking the name of Maecenas, corporations give themselves an aura of altruism. The American term sponsoring more accurately reflects that what we have here is really an exchange of capital: financial capital on the part of the sponsors and symbolic capital on the part of the sponsored. Most business people are quite open about this when they speak to their peers. Alain-Dominique Perrin, for example, says quite bluntly that he spends Cartier's money for purposes that have nothing to do with the love of art.”

Hans Haacke

Pierre Bourdieu and Hans Haacke, Free Exchange, Stanford: Stanford University, (1995), p. 17.
1990s

Love , Money , People , Art

“In an ever-advancing spiral the public was made to believe that only Hollywood-style extravaganzas were worth seeing and that only they could give an accurate sense of the world of art. The resulting box-office pressure made the museums still more dependent on corporate funding. Then came the recessions of the 1970s and 1980s. Many individual donors could no longer contribute at the accustomed rate, and inflation eroded the purchasing power of funds. To compound the financial problems, many governments, facing huge deficits—often due to sizable expansions of military budgets—cut their support for social services as well as their arts funding. Again museums felt they had no choice but to turn to corporation for a bail-out.”

Hans Haacke

1980s, "Museums, Managers of Consciousness," 1983

World , Art , Support , Problem

“The art world as a whole, and museums in particular, belong to what has aptly been called the "consciousness industry."”

Hans Haacke

1980s, "Museums, Managers of Consciousness," 1983

World , Art

“When works of art are presented like rare butterflies on the walls, they're decontextualized. We admire their beauty, and I have nothing against that, per se. But there is more to art than that…”

Hans Haacke

1990s, Portraits: Talking with Artists at the Met, the Modern, the Louvre, and Elsewhere, 1998

Beauty , Art

“I have a particular interest in corporations that give themselves a cultural aura and are in other areas suspect. Philip Morris presents itself in New York as the lover of culture while it turns out that if you look behind the scenes, it is also a prime funder of Jesse Helms, someone who is very hostile to the arts.”

Hans Haacke

Hans Haacke in: Roberta Smith "A Giant artistic Gibe at Jesse Helms," in New York Times, April 20, 1990; Republished in: The New York Times Guide to the Arts of the 20th Century: 1900-1929, (2002) p. 2929
1990s

Hostility , Art , Lovers