Francisco De Goya: Quotes about imagination

“Imagination without reason produces impossible monsters; with reason, it becomes the mother of the arts, and the source of its marvels.”

Francisco De Goya

quoted by Albert Frederick Calvert, in Goya; an account of his life and works; publisher London J. Lane, 1908; as quoted in Francisco Goya, Hugh Stokes, Herbert Jenkins Limited Publishers, London, 1914, pp. 355-377
Goya wrote this inscription upon a later copy of the etching-plate Capricho no. 43
1790s

Art , Imagination

“I haven't heard them [n. d. r. he's talking about some Spanish popular folk songs] and probably never shall because I no longer go to the places where one could hear them, for I have got into my head that I should maintain a certain presence and air for dignity.... that a man should have, and you can imagine that I'm not very happy about it.”

Francisco De Goya

letter 206, c. 1787; in Goya, A life in Letters, edited and introduced by Sarah Simmons; transl. Philip Troutman, London, Pimlico, 2004
Goya understands that the social role he has reached (he is royal painter from 1789) will prevent him from attending places where people sing http://letteraturaartistica.blogspot.nl/2015/09/goya-life-in-letters-edited-and.html
1780s

Imagination , Happiness

“To occupy my imagination, which has been depressed by dwelling on my misfortunes, and to compensate at least in part for some of the considerable expenses I have incurred, I set myself to painting a series of cabinet pictures.... they depict themes that cannot usually be dealt with in commissioned works, where 'capricho' [whim] and invention do not have much of a role to play. I thought of sending them to the academy..”

Francisco De Goya

letter to his friend Bernardo de Iriarte, deputy of the Royal Academy of San Fernando in Madrid, Jan. 1794; as quoted in 'Goya and Iriarte', in Goya his Life and Work, P. Gassier and J. Wilson, 1971, p. 382
cabinet paintings were small portable paintings, which did not need a lot of wall-space and could be moved around at the owner's whim. Goya's famous series 'Caprichos' really begin after physical and probably mental breakdown in 1792. He was 46, and thereafter deaf until his death in 1828
1790s

Imagination , Parting , Painting

“My position is entirely different from what the majority of the public imagine... I want a great deal, firstly because my position entails expenditure, and secondly because I like it. Being a very well-known man I cannot reduce my expenses as other people do. I was about to ask for an increase of salary, but the conditions are so unfavorable that I must set the idea aside.”

Francisco De Goya

letter to his friend Martín Zapater, https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, February, 1790, from Francisco Zapater y Gomez: Goya; Noticias biograficas, Zaragoza, 1868, La Perse Verencia, p. 50
Goya is reacting on a request to borrow money, which arouses his quick protest
1790s

People , Imagination , Idea

“[that] the highly praised handsomeness of my little son had disappeared and in its place was a monstrosity completely covered with pox blisters. Can you imagine how I felt?”

Francisco De Goya

letter to his friend Martín Zapater https://www.wikidata.org/wiki/Q3915977 and https://nl.wikipedia.org/wiki/Bestand:Francisco_de_Goya_-_Portrait_of_Mart%C3%ADn_Zapater_-_Google_Art_Project.jpg, n.p. Madrid, 10 November 1790, at Christies website
The illness (probably chickenpox) of his only surviving son, Francisco Javier, also meant that Goya would be kept from his duties as 'pintor da camara' at the palace, because of forty days quarantine. http://www.christies.com/lotfinder/Lot/goya-y-lucientes-francisco-de-1746-1828-autograph-4939859-details.aspx
1790s

Imagination