Ernest Flagg: Designation

Ernest Flagg was American architect. Explore interesting quotes on designation.
Ernest Flagg: 130   quotes 0   likes

“Greek art was extremely simple and direct; both in design and construction the Greek mind abhorred complicaton.”

Small Houses: Their Economic Design and Construction (1922)

“There have always seemed to the writer sound reasons for using the module system in architectural design.”

Small Houses: Their Economic Design and Construction (1922), Ch. II

“If the chief rules of good design were understood by the masses”

Small Houses: Their Economic Design and Construction (1922)
Context: If the chief rules of good design were understood by the masses as they might be, nothing would do more to promote beauty, improve workmanship, add to the value of manufactures, and in many other ways further the general welfare and prosperity of the country. They are simple, easy to acquire, and should be taught with the alphabet.<!--Ch. XI

“When one understands the principles of design”

Small Houses: Their Economic Design and Construction (1922)
Context: When one understands the principles of design, his taste will have something more solid as a basis than mere whim or fancy, which in the untutored is more likely to be bad than good. Acquainted with the rules of good design he will not accept articles made in defiance of them.

“While it is not hard to suggest improvements on common methods of design and construction, it is very hard to introduce them.”

Small Houses: Their Economic Design and Construction (1922), Introduction

“Beauty alone is an excellent reason for many things, but when a design is in direct conflict with common sense it cannot be a work of art.”

Small Houses: Their Economic Design and Construction (1922)
Context: Reason... to suppose any production, worthy to be called a work of art, can be made without its use is foolish.... By the use of reason many mistakes in design may be avoided and many counterfeits of art readily detected.... Beauty alone is an excellent reason for many things, but when a design is in direct conflict with common sense it cannot be a work of art.

“The Greeks designed by a modulus of fixed measure”

Small Houses: Their Economic Design and Construction (1922)
Context: The Greeks designed by a modulus of fixed measure, and that modulus, for the Doric order, was the distance between centers of the triglyphs.... The triglyphs stand in the frieze, at the corners of the building and at regular intervals at all sides of it; between then are panels, called metopæ, which are always square. The distance between the triglyphs, therefore, determines the height of the frieze. The height of the frieze determines that of the architrave, which is the same. The distance between the triglyphs also determines the spacing of the columns, for except at the corners of the building the center of each column coincides with that of every second triglyph. Upon the spacing of the triglyphs, therefore, depend absolutely the proportions of plan and order. That spacing constitutes a fixed modulus for the entire design which never varies in its application and is, in fact, the harmonic scale of the monument.<!--Ch. II

“Clarity or Decision. …without it there is uncertainty, hesitation, obscurity, instability… incomparable with good art. The meaning and object of the design should be clear… it should be frank, as the French say.”

Small Houses: Their Economic Design and Construction (1922)
Context: Clarity or Decision.... without it there is uncertainty, hesitation, obscurity, instability... incomparable with good art. The meaning and object of the design should be clear... it should be frank, as the French say.

“The object of this work is to improve the design and construction of small houses while reducing their cost.”

Introduction
Small Houses: Their Economic Design and Construction (1922)

“For more than two thousand years architectural design by the use of a modulus, except in the case of the classic orders, had been a lost art.”

Source: Small Houses: Their Economic Design and Construction (1922), Ch. II