Elizabeth Hand: Quotes about the world

“The irruption of the supernatural into our world is a much more enticing notion to explore than the same thing happening in some past time, or in a wholly imaginary world.”

Elizabeth Hand

Strange Horizons interview (2004)
Context: Faeries might have been wandering around in Victorian England. I can believe that. But it is a more difficult thing to think that they might be wandering around Camden Town now.
It is more of a jump, but I find that more interesting in many ways. The irruption of the supernatural into our world is a much more enticing notion to explore than the same thing happening in some past time, or in a wholly imaginary world.

World , Time , Past

“I had from earliest childhood a sense that there was no skin between me and the world. I saw things other people didn't see.”

Elizabeth Hand book Generation Loss

Source: Generation Loss (2007), Ch. 1
Context: I had from earliest childhood a sense that there was no skin between me and the world. I saw things other people didn't see. Hands that slipped through the gaps in the air like falling leaves; a jagged outline like a branch but there was no branch and no tree. In bed at night I heard a voice repeating my name in a soft, insistent monotone. Cass. Cass. Cass. My father took me to a doctor, who said I'd grow out of it. I never did, really.

People , World , Sense , Childhood

“I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that?”

Elizabeth Hand

Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

World , Time

“It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that.”

Elizabeth Hand

Strange Horizons interview (2004)
Context: I don't think all artists are mad, but there is statistical medical evidence that a lot of creative people suffer from various mood disorders. They fall somewhere on the spectrum of being bipolar, of being borderline autistic and so on. These things are there. Now of course these days you can go to college and when you come out you are a professional artist and you can run a gallery as a business and have a career. That is a very valid way for an artist to make a living. But it doesn't make for a very interesting story. It doesn't have a lot of mythic subtext. … For me a lot of the world really is like that. The scenes in my book that people describe as "such a hallucinatory sequence" … I don't see the world like that all the time, but I see the world like that a lot.
So what am I going to do about that? Am I going to go crazy? Am I going to institutionalize myself? Am I going to go and work in a cubicle as a telemarketer so that I don't give vent to that? Or am I going to take that and channel it into my work? It is a gift.

World

“I love the notion of there being a single group of Apollonian watchdogs down through the aeons, keeping the world safe from the malign (and far more fun-loving) forces of Dionysos.”

Elizabeth Hand

Apocalypse Descending (2002)

Love , World

“I try to maintain a balance between having a vision of the world that many readers do not experience for themselves, trying to give them enough grounding in the world we are all familiar with, so they don't feel that they are completely lost in Faerie.”

Elizabeth Hand

Strange Horizons interview (2004)

World , Feeling

“You read a lot of crap about photographic craftsmanship in those days, and technique; but you didnt hear shit about vision. I knew that I had an eye, a gift for seeing where the ripped edges of the world begin to peel away and something else shows through.”

Elizabeth Hand book Generation Loss

Source: Generation Loss (2007), Ch. 1